A nurse fights for custody of her H.I.V. positive foster daughter with her inept, junkie mother. Finally they come to an agreement that they should all live together.A nurse fights for custody of her H.I.V. positive foster daughter with her inept, junkie mother. Finally they come to an agreement that they should all live together.A nurse fights for custody of her H.I.V. positive foster daughter with her inept, junkie mother. Finally they come to an agreement that they should all live together.
- Director
- Writers
- Stars
- Nominated for 1 Primetime Emmy
- 4 wins & 3 nominations total
Stephen Keep Mills
- Dr. Reilly
- (as Stephen Mills)
Kathy Anderson
- Annie
- (as Katie Anderson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A Place For Annie is one of those special films that takes a very sensitive subject like AIDS and does justice too it. Absolutely outstanding performances by Sissy Spacek, Mary-Louise Parker, Joan Plowright and Jack Noeworthy. Annie is a baby with the AIDS virus who is sent to a local hospital in which Sissy Spacek works as an RN. When the child is going to be sent off to die elsewhere, she decides to care for Annie herself, with the help of Joan Plowright's character. The mother of the child, now clean for 6 months, decides to come after the child. A powerful story of love.
Yes ladies, Gentleman and gracious people inbetween... this is another film to throw the whole HIV thing in our faces. It's inevitable really... they'll keep on playing the story out until they find a cure... and then when they do find a cure, there'll be a flood of sequels! Sissy plays mom... and Sissy plays mom well... but that's about it really. It's made for TV gumf... so if you like this kind of thing, then you'll like it. You sad git.
I had a better time watching the dust settle on the top of my TV. AVOID.
2 flaps out of 10 (and that's just because I'm in a good mood)
I had a better time watching the dust settle on the top of my TV. AVOID.
2 flaps out of 10 (and that's just because I'm in a good mood)
I grew up watching films produced by the Hallmark Hall of Fame. Their quality was often varying, but the general approach allowed for a certain dedication to storytelling. This is one such example. It's a straightforward story on the surface, something that could have easily been produced as a cheap, tear-jerking, disease-of-the-week movie. It's not as though this type of story is inherently cheap or meaningless, it's just that the potential for overwrought melodrama is only too often realized.
Here, the actors prevent that from happening. Sissy Spacek, Mary-Louise Parker, and S. Epatha Merkerson (three of my favorite actresses) perform with a level of real conversational interaction that I really appreciate. I must state, emphatically, that the script offers no individual brilliance whatsoever. This is a slice-of-life type story, one that is held together by performances and the direction of John Gray. I felt like I was watching real lives here, and maybe I was. In so much as film can ever be real, "A Place for Annie" is.
Here, the actors prevent that from happening. Sissy Spacek, Mary-Louise Parker, and S. Epatha Merkerson (three of my favorite actresses) perform with a level of real conversational interaction that I really appreciate. I must state, emphatically, that the script offers no individual brilliance whatsoever. This is a slice-of-life type story, one that is held together by performances and the direction of John Gray. I felt like I was watching real lives here, and maybe I was. In so much as film can ever be real, "A Place for Annie" is.
Sissy Spacek is way too righteous, and Mary Louise Parker too much a snot. What saves this movie is Joan Plowright, and Jack Noseworthy playing normal people, and they do it well. Susan Lansing is a single mother who was thrown out of her family when she became pregnant at 16. Years later she supervises a neonatal unit, and becomes outraged at the benign neglect given to aids babys. She nurtures, fosters, and want's to adopt Annie. Annie's mom, meanwhile has gotten sober and is looking for some redemption. Much follows as the two fight over the child, but the best reason to watch this move is the scene the morning after Linda almost burns down Susans house. Jack Noseworthy and Joan Plowright drive the scene, and it's the best in this movie.
Directing, editing, performance, music, adaption, message, everything is good.
This movie should have won best film and performance from Sissy Spacek and Mary-Louise Parker who are superb.
I almost watched this like 30 times, and every time I shed tears, this is first movie to make me that.
Sissy Spacek is always good in every single movie. Mary-Louise Parker should have recognized much earlier, as her fan, she always does her best even in nobody-knows movies.
More people should watch this. This is just a MUST-SEE.
This movie should have won best film and performance from Sissy Spacek and Mary-Louise Parker who are superb.
I almost watched this like 30 times, and every time I shed tears, this is first movie to make me that.
Sissy Spacek is always good in every single movie. Mary-Louise Parker should have recognized much earlier, as her fan, she always does her best even in nobody-knows movies.
More people should watch this. This is just a MUST-SEE.
Did you know
- TriviaMary-Louise Parker and Dame Joan Plowright appeared in The Spiderwick Chronicles (2008).
- ConnectionsEdited into Hallmark Hall of Fame (1951)
Details
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- Hallmark Hall of Fame: A Place for Annie (#43.3)
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