A nurse fights for custody of her H.I.V. positive foster daughter with her inept, junkie mother. Finally they come to an agreement that they should all live together.A nurse fights for custody of her H.I.V. positive foster daughter with her inept, junkie mother. Finally they come to an agreement that they should all live together.A nurse fights for custody of her H.I.V. positive foster daughter with her inept, junkie mother. Finally they come to an agreement that they should all live together.
- Director
- Writers
- Stars
- Nominated for 1 Primetime Emmy
- 4 wins & 3 nominations total
Stephen Keep Mills
- Dr. Reilly
- (as Stephen Mills)
Kathy Anderson
- Annie
- (as Katie Anderson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Yes ladies, Gentleman and gracious people inbetween... this is another film to throw the whole HIV thing in our faces. It's inevitable really... they'll keep on playing the story out until they find a cure... and then when they do find a cure, there'll be a flood of sequels! Sissy plays mom... and Sissy plays mom well... but that's about it really. It's made for TV gumf... so if you like this kind of thing, then you'll like it. You sad git.
I had a better time watching the dust settle on the top of my TV. AVOID.
2 flaps out of 10 (and that's just because I'm in a good mood)
I had a better time watching the dust settle on the top of my TV. AVOID.
2 flaps out of 10 (and that's just because I'm in a good mood)
Sissy Spacek was outstanding in this movie, as was the actress that portrayed the babysitter. However, the way the Child Welfare agent handled the case for the mother who had previously abandoned her baby, Annie, was so unrealistic! I might addd, what judge would award custody to a crackhead who passed her HIV to an innocent child, and then totally abandon that child? Also, why was no home visit conducted on the biological mother, and the foster mom who wanted to adopt this child? That is something that is always part of the process to ensure a child has a clean decent environment in which to live, before a judge hands down a decision whether or not to award custody to a biological mother or allow a foster mom to adopt the child. By failing to order home visits, the judge had nothing to compare as far as home environments for the child. If the judge would have ordered home visits to be conducted by a Child Welfare agent the agent would have seen firsthand the trashy place that that Annie was going to be forced to live in, versus the healthy environment provided by the foster mom who wanted to adopt Annie, and there would be no way the judge would have granted custody to the biological mother! This whole situation concerning the way this custody decision was handled was totally absurd! I think the writers should have done more research on the process that a Child Welfare Agency actually follows in real life, to avoid misleading the viewing audience. The storyline was quite heart wrenching however. It clearly shows the devastation that occurs to those who get involved in the habit, and the innocent ones in their lives as well!
Sissy Spacek is way too righteous, and Mary Louise Parker too much a snot. What saves this movie is Joan Plowright, and Jack Noseworthy playing normal people, and they do it well. Susan Lansing is a single mother who was thrown out of her family when she became pregnant at 16. Years later she supervises a neonatal unit, and becomes outraged at the benign neglect given to aids babys. She nurtures, fosters, and want's to adopt Annie. Annie's mom, meanwhile has gotten sober and is looking for some redemption. Much follows as the two fight over the child, but the best reason to watch this move is the scene the morning after Linda almost burns down Susans house. Jack Noseworthy and Joan Plowright drive the scene, and it's the best in this movie.
10mrobbins
First of all I was quite intrigued to see that at least 2 of the 3 comments submitted so far (the other a nom-de-plume) were from men. Good to see that such a wonderful film as this is being seen by an audience that might not have been the target one, as this would be considered a woman's picture in old Hollywood.
Unashamedly a tearjerker, anybody that is a loving parent or has any affinity with children will be well advised to have the tissues handy. Men not quite as in touch with their emotions in public might actually wish to watch this alone. From about 10 minutes in when I saw all the unwanted babies in the hospital I could not control my tears flowing relentlessly, whether they were tears of sadness or of joy (yes there are some wonderful joyful moments but I won't say when and spoil it)
Undoubtedly a great showcase for actors, the four leads are about as perfect as one could want. Like another reviewer, I was amazed at the performances of Parker and Noseworthy, mainly because Spacek and to an only slightly lesser degree Plowright, are renowned for their work and have the accolades and awards to show for it. But the formerly lightweight teen actress and the unknown youngster more than hold their own against the formidable twosome.
The writing and performances masterfully achieve it's desired aim, to entertain (if that's the word) and inform without unneccessary grandstanding. Yes the son does seem a little too good to be true, but there are such species still left in this world, and anyway his character is not perfect and still has his teeneage insecurities and traumas.
All in all, not to be missed and reaffirmation of the human spirit
Unashamedly a tearjerker, anybody that is a loving parent or has any affinity with children will be well advised to have the tissues handy. Men not quite as in touch with their emotions in public might actually wish to watch this alone. From about 10 minutes in when I saw all the unwanted babies in the hospital I could not control my tears flowing relentlessly, whether they were tears of sadness or of joy (yes there are some wonderful joyful moments but I won't say when and spoil it)
Undoubtedly a great showcase for actors, the four leads are about as perfect as one could want. Like another reviewer, I was amazed at the performances of Parker and Noseworthy, mainly because Spacek and to an only slightly lesser degree Plowright, are renowned for their work and have the accolades and awards to show for it. But the formerly lightweight teen actress and the unknown youngster more than hold their own against the formidable twosome.
The writing and performances masterfully achieve it's desired aim, to entertain (if that's the word) and inform without unneccessary grandstanding. Yes the son does seem a little too good to be true, but there are such species still left in this world, and anyway his character is not perfect and still has his teeneage insecurities and traumas.
All in all, not to be missed and reaffirmation of the human spirit
I was sitting at home last Saturday, bored to tears, turned on the t.v. and for the next two hours sat entranced by this powerful and moving film that really did justice to the HIV-babies and their mothers that we hear so much about.
Top-billed Spacek and Mary Louise-Parker really shine in this film...Parker (who has full blown AIDS) comes back to reclaim Annie, her child, who she was forced to give up when the baby was six months old. Spacek adopted Annie and the film shows the tensions and struggle that the two ladies go through to see eye to eye in the care of Annie. The end may surprise a few people; the entire film is top-notch!
Top-billed Spacek and Mary Louise-Parker really shine in this film...Parker (who has full blown AIDS) comes back to reclaim Annie, her child, who she was forced to give up when the baby was six months old. Spacek adopted Annie and the film shows the tensions and struggle that the two ladies go through to see eye to eye in the care of Annie. The end may surprise a few people; the entire film is top-notch!
Did you know
- TriviaMary-Louise Parker and Dame Joan Plowright appeared in The Spiderwick Chronicles (2008).
- ConnectionsEdited into Hallmark Hall of Fame (1951)
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- Hallmark Hall of Fame: A Place for Annie (#43.3)
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