A Place for Annie

First of all I was quite intrigued to see that at least 2 of the 3 comments submitted so far (the other a nom-de-plume) were from men. Good to see that such a wonderful film as this is being seen by an audience that might not have been the target one, as this would be considered a woman's picture in old Hollywood.

Unashamedly a tearjerker, anybody that is a loving parent or has any affinity with children will be well advised to have the tissues handy. Men not quite as in touch with their emotions in public might actually wish to watch this alone. From about 10 minutes in when I saw all the unwanted babies in the hospital I could not control my tears flowing relentlessly, whether they were tears of sadness or of joy (yes there are some wonderful joyful moments but I won't say when and spoil it)

Undoubtedly a great showcase for actors, the four leads are about as perfect as one could want. Like another reviewer, I was amazed at the performances of Parker and Noseworthy, mainly because Spacek and to an only slightly lesser degree Plowright, are renowned for their work and have the accolades and awards to show for it. But the formerly lightweight teen actress and the unknown youngster more than hold their own against the formidable twosome.

The writing and performances masterfully achieve it's desired aim, to entertain (if that's the word) and inform without unneccessary grandstanding. Yes the son does seem a little too good to be true, but there are such species still left in this world, and anyway his character is not perfect and still has his teeneage insecurities and traumas.

All in all, not to be missed and reaffirmation of the human spirit

Directing, editing, performance, music, adaption, message, everything is good.

This movie should have won best film and performance from Sissy Spacek and Mary-Louise Parker who are superb.

I almost watched this like 30 times, and every time I shed tears, this is first movie to make me that.

Sissy Spacek is always good in every single movie. Mary-Louise Parker should have recognized much earlier, as her fan, she always does her best even in nobody-knows movies.

More people should watch this. This is just a MUST-SEE.

Yes ladies, Gentleman and gracious people inbetween... this is another film to throw the whole HIV thing in our faces. It's inevitable really... they'll keep on playing the story out until they find a cure... and then when they do find a cure, there'll be a flood of sequels! Sissy plays mom... and Sissy plays mom well... but that's about it really. It's made for TV gumf... so if you like this kind of thing, then you'll like it. You sad git.

I had a better time watching the dust settle on the top of my TV. AVOID.

2 flaps out of 10 (and that's just because I'm in a good mood)

Yes that is basically what this movie is whether you liked the film or not.

I personally did not.

I found it to be patronizing, overly technical and just so damn sappy the important message of the film was almost (but not entirely) drowned under the thick treacle coating and so-so acting.

Why such a brilliant actress like Sissy Spacek continues to make films like this is beyond me, apart that important little word beginning with M (money if you're wondering).

By watching this film you get the idea that it is there to not just educate and make people aware of the situation regarding HIV babies, but to draw it out into a long and almost boring sermon.

Though I do understand and appreciate the fact that this film is appealing to quite alot of viewers, I can only give my opinion by stamping it "BAD".

Sissy Spacek is way too righteous, and Mary Louise Parker too much a snot. What saves this movie is Joan Plowright, and Jack Noseworthy playing normal people, and they do it well. Susan Lansing is a single mother who was thrown out of her family when she became pregnant at 16. Years later she supervises a neonatal unit, and becomes outraged at the benign neglect given to aids babys. She nurtures, fosters, and want's to adopt Annie. Annie's mom, meanwhile has gotten sober and is looking for some redemption. Much follows as the two fight over the child, but the best reason to watch this move is the scene the morning after Linda almost burns down Susans house. Jack Noseworthy and Joan Plowright drive the scene, and it's the best in this movie.