An absent-minded-professor father and his son bond during a symbolic road trip through the Western U. S. while his wife tries to overcome her neuroses to save the family.An absent-minded-professor father and his son bond during a symbolic road trip through the Western U. S. while his wife tries to overcome her neuroses to save the family.An absent-minded-professor father and his son bond during a symbolic road trip through the Western U. S. while his wife tries to overcome her neuroses to save the family.
Suzanne Ircha Johnson
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If you're the kind of moviegoer who looks for goofs, loopholes, anachronisms & inconsistencies, then you may find yourself hating this film. But I'm going to share with you one realization that turned the whole thing around for me:
The plot of the film centers around a journey to reach the "Spires of the Moon National Park", but in real life, there is no such park.
This piece of trivia may not seem significant, but for me it was the key to my enjoyment of the whole film. Suddenly it dawned on me that, just like the fictitious National Park which has no basis in fact, other "goofs" were deliberately put there to give the film a surreal, tongue-in-cheek quality. In short, this is pure fantasy where anything goes.
And trust me, the last 20 minutes requires some heavy suspension of disbelief (the same way a '49 Pontiac Eight would require a whole new suspension if you put a 455 engine in there like they did)! The last 20 minutes featured things that were so absolutely wrong, it felt like a Zucker-Abrahams-Zucker movie ("Airplane!"), and I believe in its own subtle way, that was the intent of the filmmakers. So just bear in mind, things are supposed to get bizarre and dreamy.
Now on to the movie as a whole...
The story is refreshingly original. A wacky schoolteacher father (Ted Danson) decides to temporarily abscond with his sheltered son (Ryan Todd) in an impulsive effort to achieve "one perfect act", much to the chagrin of the agoraphobic mother (Mary Steenburgen, Dansons wife) who hasn't left the house in 7 years. What follows is a cute road movie full of interesting characters and a few preposterous action scenes (but now remember what I told you about suspension of disbelief) while past family mysteries slowly unravel themselves. Everything leads lead us to an outrageous conclusion that will either leave you sighing with delight or hurling apple pie at the TV screen.
This film is a one-of-a-kind. At first it felt like a sappy "E.T." type flick, but it soon morphs into something more along the lines of "Edward Scissorhands" only without the satire & quirkiness, then slips into something like the "Dukes of Hazzard" TV series, before bringing us to something reminiscent of "Chitty Chitty Bang Bang".
This is a very polished production with some memorable moments. The acting sometimes seems over the top, but that's the point (Danson & Steenburgen portraying polar extremes of lunacy). I didn't care for the musical soundtrack in the first half which seemed to upstage dialogue, but in the latter half the film featured well-placed nostalgic hits such as "Crimson & Clover", "Let's Get Together" (smile on your brother) and "Cheek to Cheek". The director Peter Medak, known for his prolific work on 70s-80s TV, did a nice job with some stylish visuals (watch for the car carrier under the stars and tell me how the heck he pulled that off!).
If you're prepared for a wild ride, especially if you are able to experience the movie as if it were a dream, you'll enjoy yourself. I must confess, cynical old curmudgeon that I am, I hated this movie through most of it. But I'm ready to watch it again through rose colored glasses and have fun the 2nd time around. Here's hoping you can skip the hatred part.
The plot of the film centers around a journey to reach the "Spires of the Moon National Park", but in real life, there is no such park.
This piece of trivia may not seem significant, but for me it was the key to my enjoyment of the whole film. Suddenly it dawned on me that, just like the fictitious National Park which has no basis in fact, other "goofs" were deliberately put there to give the film a surreal, tongue-in-cheek quality. In short, this is pure fantasy where anything goes.
And trust me, the last 20 minutes requires some heavy suspension of disbelief (the same way a '49 Pontiac Eight would require a whole new suspension if you put a 455 engine in there like they did)! The last 20 minutes featured things that were so absolutely wrong, it felt like a Zucker-Abrahams-Zucker movie ("Airplane!"), and I believe in its own subtle way, that was the intent of the filmmakers. So just bear in mind, things are supposed to get bizarre and dreamy.
Now on to the movie as a whole...
The story is refreshingly original. A wacky schoolteacher father (Ted Danson) decides to temporarily abscond with his sheltered son (Ryan Todd) in an impulsive effort to achieve "one perfect act", much to the chagrin of the agoraphobic mother (Mary Steenburgen, Dansons wife) who hasn't left the house in 7 years. What follows is a cute road movie full of interesting characters and a few preposterous action scenes (but now remember what I told you about suspension of disbelief) while past family mysteries slowly unravel themselves. Everything leads lead us to an outrageous conclusion that will either leave you sighing with delight or hurling apple pie at the TV screen.
This film is a one-of-a-kind. At first it felt like a sappy "E.T." type flick, but it soon morphs into something more along the lines of "Edward Scissorhands" only without the satire & quirkiness, then slips into something like the "Dukes of Hazzard" TV series, before bringing us to something reminiscent of "Chitty Chitty Bang Bang".
This is a very polished production with some memorable moments. The acting sometimes seems over the top, but that's the point (Danson & Steenburgen portraying polar extremes of lunacy). I didn't care for the musical soundtrack in the first half which seemed to upstage dialogue, but in the latter half the film featured well-placed nostalgic hits such as "Crimson & Clover", "Let's Get Together" (smile on your brother) and "Cheek to Cheek". The director Peter Medak, known for his prolific work on 70s-80s TV, did a nice job with some stylish visuals (watch for the car carrier under the stars and tell me how the heck he pulled that off!).
If you're prepared for a wild ride, especially if you are able to experience the movie as if it were a dream, you'll enjoy yourself. I must confess, cynical old curmudgeon that I am, I hated this movie through most of it. But I'm ready to watch it again through rose colored glasses and have fun the 2nd time around. Here's hoping you can skip the hatred part.
I saw it 20 years ago once and was looking for it since as I could not remember the title, but could not forget the simple and yet very touching story. The story is about LOVE. a "must see"family movie. i think it is as good as the "Christmas Story", showing that one can have a fairly good childhood even with crazy parents. I love characters in it, the geeky father and agoraphobic mother, the kid who is about to start to suspect that his parents are not as good as "others'". I like the plot of the film that is about a journey to reach the "Craters of the Moon National Park" in Idaho and drive an exact amount of miles to scale the real distance Apollo had to make. the father and son have to go quite a distance from California through Montana to make the miles match. The story gets more interesting as the mother has to overcome her fears to join them, ultimately saving her family and marriage.
While the story presented as a memoir of the child the overt part of the plot is quite simplistic. Yet what actually happens on unspoken level is extremely dramatic and revolutionary, even for just one family. For me it was the key to my enjoyment of the whole film. The simplicity of a road movie reflects just the quality of the childhood memory, deliberately put there to give the film a tone, yet symbolic meaning of it has so many layers. In short, this could be just a dream or fantasy where anything goes and open for the endless interpretations. Especially towards the end of the film things are supposed to get really dreamy and even bizarre.
While the story presented as a memoir of the child the overt part of the plot is quite simplistic. Yet what actually happens on unspoken level is extremely dramatic and revolutionary, even for just one family. For me it was the key to my enjoyment of the whole film. The simplicity of a road movie reflects just the quality of the childhood memory, deliberately put there to give the film a tone, yet symbolic meaning of it has so many layers. In short, this could be just a dream or fantasy where anything goes and open for the endless interpretations. Especially towards the end of the film things are supposed to get really dreamy and even bizarre.
Pontiac Moon is such a perfect movie that it's easily one of my top 5 favourites. It's intelligent, fun and perfectly crafted and acted. Ted Danson, Mary Steenburgen and Ryan Todd perform as if the roles were written for them and they carry the film with gusto and subtlety. It is such a joy to watch (and I've watched it several times) that I can't help but wonder why others can't "get it" but must pick at points that are simply irrelevant. Do you question whether Superman can actually fly or where is the exact location of the Shire? Pontiac Moon is a movie for heaven's sake and it's hugely enjoyable, moving and entertaining. It encourages you to step out of your box and go out into the world because life is meant to be an adventure of the mind and body. This is not for people who wish to live average and mediocre lives of quiet desperation. I'll watch it again and again.
Thank you, Ted Danson.
Thank you, Ted Danson.
I loved the accuracy of the movie - the cars, the clothes...but at the end, when the men land on the Moon, it was July 20th, 1969 - but they show the moon as full - I remember looking at the moon that night, and have check the lunar phases calender - it was waxing crescent, and did not phase to full until July 29th. I really liked the acting, and think Ted really had fun playing this part. Lots of odd surprises and interesting characters. The photography was really well done too, beautiful shots of the amazing scenery. If you want to sit down with a bag of pop corn with the entire family, there is something there for everyone. Educational quotations, write from wrong, bad guys get whooped, and a small history lesson - it has it all.
After seeing this movie I felt that the creators did a good job paralleling the expedition to the moon and the traveling of the father and son. The Indian, Eric Schweig, held the characters together through their trip and allowed them to patch up their relationship by leaving them alone. He continuously gives Andy good advice concerning life and his father. But what I couldn't figure out was why they had to drive through Montana to get to Idaho from California, it is completely out of the way. The plot evolves as the mother finally leaves the home after 7 years of being boarded up inside. Ted Danson plays the father who is a genius professor with a strange behavioral side to him. But not to give the story away I will stop now and leave the rest to those that are interested in it.
Did you know
- TriviaWhile playing a married couple in this film, Ted Danson and Mary Steenburgen began an off-set romantic relationship. They were married in 1995.
- GoofsAndy fires paper cups out of his bedroom window, leaves it open then moves to another window and climbs out on to the roof. The first window is now shown shut.
- How long is Pontiac Moon?Powered by Alexa
Details
Box office
- Gross US & Canada
- $11,669
- Opening weekend US & Canada
- $5,128
- Nov 6, 1994
- Gross worldwide
- $11,669
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