Rapa Nui

Like many, I was jolted to hear a bunch of ancient Polynesians sounding like "valley girls" and their boyfriends, but let it pass since at least they were all speaking the same language as they would have been anyway, unlike movies like "Seven Years in Tibet" where Austrians spoke English to Austrians, Tibetans spoke English to Tibetans, and otherwise people who wouldn't have been able to speak with each other all conversing in perfect English... that movie was frankly too much for me. As for the different accents in Rapa Nui, I assumed it was a way to show class differences (after all, Jason Scott Lee has proved he can handle about any accent): the chief spoke hoity toity British, Lee sounded like a poor little rich boy (which he was in the movie), so it kind of made sense. And as a great Jason Scott Lee fan, it doesn't matter how well- acted or historically correct or whatever else the movie is or isn't (and by the way I found it completely passable in those senses) as long as we are treated to generous footage of Jason Scott Lee showing off his perfect physique -- and in this movie he nary wears a stitch. Most of the other young male actors, incl Elias Morales, are up to the job as well. I understand perfectly how thrilled one reviewer was about Sandrine Holt's "performance" and feel the same way about her leading man. Anyway, to avoid redundancy, I basically agree with the other positive things other reviewers have said about the movie, and believe one reason it didn't do great at the box office was due to its unusual subject matter -- something that John Q Public isn't always great at handling.

The island itself is stunningly beautiful and the film makes good use of this, especially the race at the end which is compelling in its apparent difficulty for the actors. As for the accuracy of the film it is mainly based on guesswork, so the whole racial element is for the benefit of drama. What surprises me is that some of the other reviewers wonder how an advanced civilisation can be so racist! Take a look at your own society and wonder! As well as a love story there is a competitive element, and an explanation about what happened to the island. If Easter Island interests you this film will entertain. As for the nudity, don't be so prudish!

I am saddened that so few people seem to have seen this film; It is worth watching for the lush photography alone.. It takes some getting used to the accents of the actors, and many lines may not be clear on first viewing.

I have read many books about Easter Island and the mystery surrounding its statues.. This film attempts to answer some of these mysteries (how the statues were moved, why work stopped so abruptly on then, what happened to all the trees on the Island, etc.) First read up in an encyclopedia on Rapa Nui (Easter Island) and then watch history (or at least a good guess at it) come to life. Film making and story telling at it's best, along with an athletic competition at the end unlike any you have ever seen.

A victim of razzing when new and ever since. However, breathtakingly filmed, especially the brutal tribal competition. One of 4 films (and the most unclad) that Jason Scott Lee made in a short time, and even more athletic than his Bruce Lee biopic, 'Dragon', although dramatically J.S. Lee's most memorable performance was as the Inuit halfbreed Avik in 'Map of the Human Heart.'

Sandrine Holt as his beloved is luminous, while Esai Morales is the villain-- -again. A plot-nudging iceberg is obviously a construct but only a brief story device before it floats away. Sadly, the stateside DVD has been withdrawn, leaving only South Korean copies (in English, however) with some manufacturing glitches fore and aft for collectors unwilling to settle for used merchandise..

Rapa Nui is more than just a bunch of Polynesian (and Hispanic!) actors running around half-nekkid. It's an allegory about the dangers of theocratic government, and a tale of class struggle. Rapa Nui is the Polynesian name for Easter Island, that famous dot in the Pacific Ocean with the mysterious statues. We get to see how these things were carved - and why. The Long Ear tribe has effectively subjugated the Short Ear tribe, forcing them to carve Moai (statues) in order to placate the gods. Director Kevin Reynolds uses the island and the carving of statues as an effective backdrop to illustrate the enmity between the tribes, as well as a power struggle for eventual spremacy of the island. The film is driven by visuals and ideas. The writing hardly ever rises above so-so, and it's jarring to hear Polynesian-looking people with British, American and Latino accents. But the film has a certain power to fascinate, and for that alone I recommend it highly.