In 1930s New York City, The Shadow (Alec Baldwin) battles his nemesis, Shiwan Khan (John Lone), who is building an atomic bomb.In 1930s New York City, The Shadow (Alec Baldwin) battles his nemesis, Shiwan Khan (John Lone), who is building an atomic bomb.In 1930s New York City, The Shadow (Alec Baldwin) battles his nemesis, Shiwan Khan (John Lone), who is building an atomic bomb.
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Universal Studios committed the unbelievable "sin" of photographing this in the original 1.85:1 widescreen but only offering it on DVD in formatted-to-TV, so you miss a good percentage of the great visuals. Not only that, they zoom the picture to fill the screen so it isn't sharp, either. I hope this situation is rectified. It's a disgrace.
As for the story, it's simply a very hokey-but very entertaining fantasy/adventure, based on the popular radio hero of the 1930s.
This is just pure escapism, not to be judged seriously because it's a dumb story. It's cartoon-like, an outlandish story that mixes action, comedy and a superhero with time-travel and all sorts of strange happenings. For someone who likes to gawk at the sights and sounds of the '30s and '40s, this is a fun film. The surround sound in here is fun, too, especially when The Shadow (Alec Baldwin) speaks.
"The Shadow" as a radio play is virtually unknown around here. (I used the opportunity to check out some old recordings on the web, and it's _awesome_ to listen to!) So, German audiences will just walk into the theatre without any proconceived ideas about how it should be, expecting just any other adventure movie.
As such, IMHO it stood up well. Baldwin is cool; of course his demi-dark side begs for a comparision to Batman, but I think Baldwin wins in terms of credibility and depth of character. The gimmicks and gadgets are neat, Tim Curry as the half-villain is entertaining to watch as always (though he overdoes it a bit at times), the script is well-paced, the action is staged superbly, the music is gripping.
But most of all: Kudos to the production design/special effects/makeup team! They did a superb job in transforming the Shadow's 'invisibility' (as well as his overall looks) from a radio idea to the screen. It was awesome to watch, and at the same time a bit chilling and frightening.
Drawback: Beside the intentional jokes ("I'm not interested in your balls..."), some takes just seemed to be unintentionally funny- perhaps they went a little too far in trying to create a gloomy atmosphere...
Along with _The Rocketeer_, this one's also one of the unfortunately widely underrated films. Certainly not a milestone in film history, but a good and entertaining flick to watch with a bag of popcorn and a girl to hold in your arms during the scary moments. But I'm pretty sure- The Shadow... knows!
At first (see my earlier comment) I found John Lone's villain to be too weak...but I see now why. The REAL foe in the film is not Khan..but the SHADOW himself. His inner darkside vs his good side. Lone is just there to show you what the darkside could be. HE isn't what scares the Shadow. It's his own past, his evil side, loss of control that plagues the hero.
I wish this had been better received because we could've enjoyed a few sequels by now. And the same goes for THE PHANTOM and THE ROCKETEER.
The main reason I wanted to comment on this movie, however, was because of the question raised by Patrick in London about why Baldwin's nose changed shape when he became The Shadow. Lamont Cranston's hawk-nosed profile was one of the most famous trademarks of The Shadow. Alec Baldwin, however, does not naturally have that kind of look (to be honest, Lee Van Cleef may be the only movie actor in history with the correct look to have been able to portray The Shadow without resorting to make-up or special effects). Personally, I thought it was a brilliant touch to make that profile an illusion which Cranston utilizes when he becomes The Shadow. It makes it more believable that no one would be able to figure out he is The Shadow. A profile as distinct as Cranston's traditional look would make it difficult to believe that no one could put two and two together... kind of like believing that no one could figure out that Clark Kent is Superman just because he wears glasses. To me, it was just one more thing that elevated this movie above the usual superhero genre flick because it showed an appreciation and respect for the source material that Hollywood is not necessarily known for.
Did you know
- TriviaWhen Shiwan Khan and Lamont Cranston first meet, their dialogue about where Cranston purchased his tie is a spoof on product placement during the radio airing of The Shadow.
- GoofsShiwan Khan says that he is the last living descendant of Genghis Khan, which is provably not true (see trivia). He is probably counting only the line of approved dynastic marriages, as opposed to by-blows from one-night stands and other "mongrel" branches.
- Quotes
Margo Lane: Oh, God I dreamed.
Lamont Cranston: So did I. What did you dream?
Margo Lane: I was lying naked on a beach in the South Seas. The tide was coming up to my toes. The sun was beating down. My skin hot and cool at the same time. It was wonderful. What was yours?
Lamont Cranston: I dreamed I tore all the skin off my face and was somebody else underneath.
Margo Lane: You have problems.
Lamont Cranston: I'm aware of that.
- ConnectionsEdited into Taylor Dayne: Original Sin (1995)
- SoundtracksOriginal Sin (Theme from 'The Shadow')
Written, Produced and Arranged by Jim Steinman
Performed by Taylor Dayne
Courtesy of Arista Records, Inc.
Details
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $32,063,435
- Opening weekend US & Canada
- $11,713,845
- Jul 4, 1994
- Gross worldwide
- $48,063,435
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix