Bad Boys

I loved this movie as a kid. Loved the lines in it too. Watching today as an adult........it's alot like other movies that are cop movies with a partner. Almost like Change up too.

The honest and efficient Detective Marcus Burnett (Martin Lawrence) is a married cop with three children, having difficulties for the payment of his mortgage and for having sex with his wife. His partner is the also honest, efficient and wealthy Detective Mike Lowrey (Will Smith), who inherits a large amount from his family and although living like a playboy, has not resigned to his position in the police department. After a daring robbery of heroin from the police department stores, the two detectives try to find some clue about the gang. The chance appears with the hooker Julie Mott (Téa Leoni), the witness of the murder of a 'working girl' friend of her. The detectives are assigned to protect her and chase the killers. Although full of clichés, 'Bad Boys' is an excellent action movie, in the same line of 'Lethal Weapon'. There are lots of funny parts, Martin Lawrence and Will Smith are excellent as the two partners with different behaviors and Téa Leoni is gorgeous. I saw this movie a couple of years ago, when Will Smith was an unknown actor, and now I saw it again on DVD, with the intention of watching 'Bad Boys II'. My vote is eight.

Title (Brazil): 'Os Bad Boys' ('The Bad Boys')

'Bad Boys (1995)' is your typical orange-and-teal, hyper-sexualised 90s action flick. It owes practically all of its success to its two stars, with Lawrence and Smith's constant banter being pretty much the only interesting thing in the entire affair. I mean, it's not like the movie is boring or anything. It's just very by the numbers and isn't all that compelling. It's entertaining enough, I suppose, for a bit of brainless fun, and I will admit that it has one or two genuine laughs. Most of it is just pure nonsense, though. The plot, for instance, is all over the place. It's almost impossible to follow, in a sense, because it just sort of happens. At the same time, it isn't all that important. The flick's focus is certainly on the odd 'in disguise as each other' dynamic that keeps its charismatic leads on their toes. Their relationship is a decent amount of fun, but it's a bit frustrating because it never really evolves (and barely has any consequences). Still, it gives the movie an undeniable charm. Ultimately, the picture is relatively enjoyable when it's underway. It's quite forgettable, though, and it isn't exactly a genre defining experience. 6/10.

This high-action crime drama stands out for me because it succeeds at doing what other movies* have tried and, in my opinion, failed to do -- integrate genuinely funny comedy into the mix. The success is attributable partly to the comedic talents of Will Smith and Martin Lawrence -- who have the ability to deliver crude, rude dialog such that it's funny nevertheless -- and partly to a story that combines suspense and humor into a believable whole.

Our two heroes are police detectives Mike Lowry (Smith) and Marcus Burnett (Lawrence), who are a kind of tough-cop variation on The Odd Couple . Lowry is suave, slick, self-controlled, well-to-do, heroic, and a real ladies man. Burnett, on the other hand, is an ordinary guy who manages to stumble reasonably effectively, if somewhat ineptly, through his work and his married life.

So imagine what happens when Burnett has to convince a key witness, Julie (Téa Leoni) that he's Mike Lowry -- not just for a few hours, but for a few days. Furthermore, this is no pre-planned, well-orchestrated masquerade. A large stash of confiscated heroin has been un-confiscated right from police headquarters, and both the heroin and the perpetrator must be found within four days, or Internal Affairs is going to take some big-time disciplinary action. Lowry and Burnett are called in because they were the ones who captured the heroin in the first place, and because of the one trait they share -- a renegade approach to police work, which may not have their boss's approval, but which does get the job done (and at one point, causes a store owner to think they're out to rob him). The various twists and turns of the investigation lead to Lowry getting knocked out of commission at the same time that Julie witnesses a murder and refuses to deal with anybody but Mike Lowry. But Marcus Burnett is the only one available to deal with her, and since waiting for Lowry to recover isn't an option …

Subsequent events include Lowry's bachelor pad being invaded by Julie and her dogs, while Lowry stays with Burnett's wife, Burnett trying to keep his wife from finding out what's really going on, and Burnett and Lowry trying to find the heroin and keep Julie alive.

For all you action movie fans, plenty of cars, plenty of buildings, and plenty of people get blown up along the way. (Looking over this review, I see that I've belied the high level of violence, which I definitely should warn you against.)

BAD BOYS kept me both amused and on the edge of my seat throughout. I'm afraid I did have two small complaints, however. First, I wish the resolution of the Burnett-pretending-to-be-Lowry story had been timed to coincide with the resolution of the main plot.

As it is, the comic subplot ends, leaving the rest of the movie to proceed in a rather formulaic and pedantic fashion. Second, I wish more time had been spent on Lowry's problem of stepping into Burnett's shoes. The swinging bachelor having to play family man would have been good for a few laughs that we never got.

Aside from that, however, this is an action movie that stands out among the rest.

One final note concerning the DVD "Special Edition" release. BAD BOYS was a movie in which the music was particularly effective, and the DVD actually lets you listen to the music track by itself. I wish DVDs of other movies with great music had this option.

* Three examples that come to mind are 48 HOURS, KINDERGARTEN COP, and another Michael Bay film, ARMAGEDDON. 48 HOURS was grim enough to seriously stifle the humor, even with Eddie Murphy in the lead role. KINDERGARTEN COP made me laugh, but the crime drama felt like an unwelcome intrusion. In ARMAGEDDON, I felt the stakes were high enough that humor didn't seem appropriate.

As a protege of Jerry Bruckheimer and Don Simpson, who died after the movie came out before The Rock was released, Michael Bay made his directorial debut with this modestly budgeted buddy comedy that spawned a sequel and another one coming out next January, all starring Will Smith and Martin Lawrence. THe title of the movie is based on a popular song used for the classic tv show COPS, and both movies including this one have a killer soundtrack. Will Smith got his big break with this movie before getting into an even bigger movie with ID4 (soon to be dwarfed by others including Alladin). Martin Lawrence, fresh off from his hit tv show Martin on fox, is the buddy of will smith.