An afterlife therapist and his daughter meet a friendly young ghost when they move into a crumbling mansion in order to rid the premises of wicked spirits.An afterlife therapist and his daughter meet a friendly young ghost when they move into a crumbling mansion in order to rid the premises of wicked spirits.An afterlife therapist and his daughter meet a friendly young ghost when they move into a crumbling mansion in order to rid the premises of wicked spirits.
- Director
- Writers
- Stars
- Awards
- 5 wins & 5 nominations total
Malachi Pearson
- Casper
- (voice)
Fred Rogers
- Mr. Rogers
- (archive footage)
- (as Mr. Rogers)
Doug Bruckner
- Reporter
- (voice)
- (as Douglas J.O. Bruckner)
Joe Nipote
- Stretch
- (voice)
Joe Alaskey
- Stinkie
- (voice)
Brad Garrett
- Fatso
- (voice)
John Kassir
- The Crypt Keeper
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Ever since i was six years of age, I've enjoyed this movie. It makes me laugh, cry, and excited! i am disappointed that so many people don't like this movie. it is an all-time favorite of mine. It is sad yes, but it has comic relief from the three uncles that try to be humanlike, Casper, the friendly ghost that knows what it is like to be lonely, for instance me, and same with Kat. I am very touched with this film, for it makes me think about me, lonely and depressed, but it has a positive ending which I really adored! i also liked the amazing effects, that were famous at its, time. Of course now, effects from movies are like The Matrix films and LOTR, but i mainly like this film, because it tocuhes my heart in a both sad and sometimes happy, knowing, someone else is out there for you, even if you are a bit...dead. 10/10
A ghost-whispering paranormal expert and his daughter (Bill Pullman and Christina Ricci) move into a dilapidated mansion on the coast of Maine that's haunted by a friendly ghost and three mischievous ones. Cathy Moriarty plays the venal heir of the mansion and Eric Idle her assistant.
"Casper" (1995) delivers the goods if you're in the mood for a "spooktacular" Goosebumps-like horror film that's fun & silly and not scary at all. It's like Scooby-Doo but without the dog and the teens are tweens. "Monster Night" (2006) and "Ghostbusters" (1984) are other reference points, but I prefer "Monster Night," which has a similar plot, but is all-around more entertaining (even though it cost significantly less) and has a superior assortment of good-lookin' women, young and older. With "Caspar" there's Moriarty, but she plays the biyatch antagonist. There's also ricci, but she was only 14 during shooting, although she's effective in the role.
The movie runs 1 hour, 40 minutes and was shot at Universals City, California, with establishing shots of Rockport, Maine.
GRADE: B-/C+
"Casper" (1995) delivers the goods if you're in the mood for a "spooktacular" Goosebumps-like horror film that's fun & silly and not scary at all. It's like Scooby-Doo but without the dog and the teens are tweens. "Monster Night" (2006) and "Ghostbusters" (1984) are other reference points, but I prefer "Monster Night," which has a similar plot, but is all-around more entertaining (even though it cost significantly less) and has a superior assortment of good-lookin' women, young and older. With "Caspar" there's Moriarty, but she plays the biyatch antagonist. There's also ricci, but she was only 14 during shooting, although she's effective in the role.
The movie runs 1 hour, 40 minutes and was shot at Universals City, California, with establishing shots of Rockport, Maine.
GRADE: B-/C+
Forget the story. Forget the characters; forget even the kids and rent this just to be able to see Whipstaff Manor.
For me a film can be rewarding if just one element (in practical terms, it has to be an element I can recognize) is best in class. Here, it is the absolutely engaging set.
At the end of the 19th century, a style of art, essentially a fad, swept over Europe: Art Nouveau. This focused on natural forms and continuous lines. Done well in drawing and sculpture, its quite charming. At the same time, there was a crisis in architecture as the first real architects sought solutions to how internal space affects the psyche. For only a decade or so, architects tried to employ art nouveau in their work.
The problem is that the two just don't naturally mix: it's as if someone tried to do a swimmingpool production of Hamlet. But two geniuses partly succeeded in a few experiments: Horta in Brussels and Gaudi in Barcelona. In their lives their experiments were rejected by the public and critics. Today, they are among only a few valued gems of modern architectural history we have.
So much for background. What we have in Whipstaff Manor is a reworking of Gaudi, with some elements of Horta in entry and staircase. This is notable for a couple reasons:
---The primary mission of a film is to convey a tone, ideally an unfamiliar one. Sometimes cinematography is the tool of reliance, sometimes costumes, sometimes surreal plot twists, rarely acting posture. Rarely, rarely is the set the star. The goal of Gaudi was to (in a very literal sense) raise spirits by the form of the space. See how you feel in the bedroom/corridor and `livingroom' spaces. The attic was done by a lesser talent and the cellar isn't part of this discussion. But the main house draws on some deeply spooky center of the mind.
---The second notable comment is the sheer difficulty of what the set designers have done. Gaudi, an absolute master, had difficulty pulling off what he did. Here, the Casperites had an even greater challenge: when I go in a space, the relationship between me and the space is intimate; just a simple dialog. But when the space is presented through a medium, the designers have to dramatically exaggerate elements so the combined effect appears `normal.' Its the same as with what actors must do as compared to ordinary people you encounter; but an environment is more complex, more multidimensional, less semiotically loaded than a person. Mastering this greater palette of form is remarkable, and that's before you even accommodate the physical needs of production (camera placement, sound wiring...)
Check this out; it's interesting. Just based on the set, I place this in my best films list.
For me a film can be rewarding if just one element (in practical terms, it has to be an element I can recognize) is best in class. Here, it is the absolutely engaging set.
At the end of the 19th century, a style of art, essentially a fad, swept over Europe: Art Nouveau. This focused on natural forms and continuous lines. Done well in drawing and sculpture, its quite charming. At the same time, there was a crisis in architecture as the first real architects sought solutions to how internal space affects the psyche. For only a decade or so, architects tried to employ art nouveau in their work.
The problem is that the two just don't naturally mix: it's as if someone tried to do a swimmingpool production of Hamlet. But two geniuses partly succeeded in a few experiments: Horta in Brussels and Gaudi in Barcelona. In their lives their experiments were rejected by the public and critics. Today, they are among only a few valued gems of modern architectural history we have.
So much for background. What we have in Whipstaff Manor is a reworking of Gaudi, with some elements of Horta in entry and staircase. This is notable for a couple reasons:
---The primary mission of a film is to convey a tone, ideally an unfamiliar one. Sometimes cinematography is the tool of reliance, sometimes costumes, sometimes surreal plot twists, rarely acting posture. Rarely, rarely is the set the star. The goal of Gaudi was to (in a very literal sense) raise spirits by the form of the space. See how you feel in the bedroom/corridor and `livingroom' spaces. The attic was done by a lesser talent and the cellar isn't part of this discussion. But the main house draws on some deeply spooky center of the mind.
---The second notable comment is the sheer difficulty of what the set designers have done. Gaudi, an absolute master, had difficulty pulling off what he did. Here, the Casperites had an even greater challenge: when I go in a space, the relationship between me and the space is intimate; just a simple dialog. But when the space is presented through a medium, the designers have to dramatically exaggerate elements so the combined effect appears `normal.' Its the same as with what actors must do as compared to ordinary people you encounter; but an environment is more complex, more multidimensional, less semiotically loaded than a person. Mastering this greater palette of form is remarkable, and that's before you even accommodate the physical needs of production (camera placement, sound wiring...)
Check this out; it's interesting. Just based on the set, I place this in my best films list.
Who says there are no such things as ghosts? Not if there is the ghostly inhabitants of Whipstaff Manor in Friendship, Maine! This desolate mansion is then, in the words of one of the members of the Ghostly Trio of Whipstaff, 'intruded' by Kat Harvey (Christina Ricci) and her eccentric father Dr. James Harvey (Bill Pullman), a ghost therapist. Carrigan Crittenden (Cathy Moriarty) had hired Dr. Harvey to exorcise the ghosts, including Casper the friendly ghost and his three obnoxious uncles, Stretch, Fatso and Stinkie, aspiring to gain Whipstaff's 'buried gold'.
Intertwining humour, all-time fun and a modern Cinderella story, 'Casper' promises to please as a movie which is compelling, hilarious, captivating, heart-warming, witty and above all, truly 'fleshtastic'.
'Casper' is recommended for any audience, regardless of age. At the time I am submitting this review I am currently 17, turning 18, but 'Casper' still manages to appear endearing and ultimately special. The magic of Bill Pullman, Christina Ricci as well as that of director Brad Silberling, executive producer Steven Spielberg, and other producers weaves between each and every scene to eventually lift us off our feet. Above all, I LOVE THIS MOVIE! Casper is my all time favourite character. Truly fantastic. You won't BOOlieve it until you see it.
Intertwining humour, all-time fun and a modern Cinderella story, 'Casper' promises to please as a movie which is compelling, hilarious, captivating, heart-warming, witty and above all, truly 'fleshtastic'.
'Casper' is recommended for any audience, regardless of age. At the time I am submitting this review I am currently 17, turning 18, but 'Casper' still manages to appear endearing and ultimately special. The magic of Bill Pullman, Christina Ricci as well as that of director Brad Silberling, executive producer Steven Spielberg, and other producers weaves between each and every scene to eventually lift us off our feet. Above all, I LOVE THIS MOVIE! Casper is my all time favourite character. Truly fantastic. You won't BOOlieve it until you see it.
One of many children Halloween movies . I'll recommend a ghostly comedy. Especially about a friendly ghost named CASPER and his three ghosts brothers Fatso, Stretch, Stinkie. This funniest laughter ghosts that knock your socks off. Also is a family movie night . The leading roles is well acted. Christina Ricci as her character Kate and Bill Pullman character Dr. James Harvey perfect actors. Well done.
Did you know
- TriviaThis is the first feature film to have a fully computer-generated visual effects character in a leading role.
- GoofsCasper tells Kat that he can't hurt her, and then makes his hand go though hers to show that ghosts cannot touch living beings. Yet multiple times ghosts touch people. However, Casper hesitates before answering (notice how quickly he says that she can't hurt him), and shortly after grabs Kat to drag her out the window. Casper knows that ghosts can touch people, and may not want to scare Kat away by admitting it.
- Quotes
Dr. Raymond Stantz: [runs out of the house frantic] Who you gonna call? Someone else.
- Crazy creditsThe globe in the Universal logo fades into a full moon above Whipstaff Manor.
- ConnectionsEdited into Casper: Deleted Scene #91: Lucky Enough to Be a Ghost (2003)
- SoundtracksCasper The Friendly Ghost
Written by Mack David and Jerry Livingston
Performed by Little Richard
Produced by Richie Zito and Little Richard
Arranged by Richie Zito
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Casper: el fantasma amigable
- Filming locations
- Rockport, Maine, USA(Anonymous)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $100,544,179
- Opening weekend US & Canada
- $16,840,385
- May 28, 1995
- Gross worldwide
- $288,144,179
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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