A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
- Awards
- 5 wins & 14 nominations total
Geneviève Brunet
- La Pieuvre
- (as Genevieve Brunet)
Mapi Galán
- Lune
- (as Mapi Galan)
Briac Barthélémy
- Bottle
- (as Briac Barthelemy)
Léo Rubion
- Jeannot
- (as Leo Rubion)
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Featured reviews
Quiet! You vegetable!
The City of Lost Children gets two platinum stars and also moves up to one of my top ten favorite films of all time. This is a confusing story, from beginning to end it expands your mind, reaches into your nightmares, and creates a story that is part Dark City and part of a novel called "The Golden Compass" by Phillip Pullman.
Yes, this film was everything and more. Not only visually beautiful, but the creative and symbolic meaning of the actions and words of the characters are "jaw dropping". Also, there are so many sub-stories in this film that reminded me of the style that Run Lola Run was done. This is the style that due to a connection of unrelated events something extraordinary happens. Let me give you an example from this film: There is a scene where the girl and One (Ron Pearlman-also a very biblical name) are trying to escape from the two women who want their jewels. There are events that lead from a dog finding its female companion to a boat almost hitting/splitting the women in half. Wild coincidences...imagine this times ten, and you have this film.
Keep in mind this is a French film with English subtitles, so you are not only getting the true voice of the film, but seeing the darkness of the cinematography without any American input. This really shows the purpose behind making this film, it really takes you to a new place so dark and dreamlike that you the viewer actually feel like you are in the picture itself. A movie about dreams and nightmares that takes place in a world of dreams and nightmares.
Overall, a heavily religious and symbolic film, The City of Lost Children should be put at the top of your foreign film list. Put it in your DVD player, open your mind, and be ready for a wild and intense ride!!
Grade: ***** out of *****
Yes, this film was everything and more. Not only visually beautiful, but the creative and symbolic meaning of the actions and words of the characters are "jaw dropping". Also, there are so many sub-stories in this film that reminded me of the style that Run Lola Run was done. This is the style that due to a connection of unrelated events something extraordinary happens. Let me give you an example from this film: There is a scene where the girl and One (Ron Pearlman-also a very biblical name) are trying to escape from the two women who want their jewels. There are events that lead from a dog finding its female companion to a boat almost hitting/splitting the women in half. Wild coincidences...imagine this times ten, and you have this film.
Keep in mind this is a French film with English subtitles, so you are not only getting the true voice of the film, but seeing the darkness of the cinematography without any American input. This really shows the purpose behind making this film, it really takes you to a new place so dark and dreamlike that you the viewer actually feel like you are in the picture itself. A movie about dreams and nightmares that takes place in a world of dreams and nightmares.
Overall, a heavily religious and symbolic film, The City of Lost Children should be put at the top of your foreign film list. Put it in your DVD player, open your mind, and be ready for a wild and intense ride!!
Grade: ***** out of *****
M. Perlman parle francais aussi!
"City of Lost Children" is a beautifully-realized if derivative dark fantasy in which a mad scientist named Krank, aided by a half-dozen clones, a midget woman, and a brain in a tank, abducts children to his offshore lab so he can steal their dreams. Seems he's unable to have any of his own. A sideshow strongman, played by a radiantly fit Ron Perlman, goes in search of his little brother, who has been taken by Krank's goons. Perlman, in another of his growing gallery of bizarre roles, is a perfect example of why I like character actors better than big-name stars. And how many languages does he speak, anyway? French here, Spanish (and English, of course) in "Cronos"; polyglot in "The Name of the Rose"; what next?
The strongman, named One, enlists the aid of Miette, a homeless, streetwise girl who, along with her fellow urchins, is part of a ring of thieves employed by a pair of sinister female Siamese twins named the Octopus. (Watch carefully how these evil twins smoke a cigarette. There are more weird characters per square inch in this flick than anywhere else outside a Heironymus Bosch painting.) Miette is played by Judith Villet, whose gonna-be-a-great-beauty looks, her air of intelligence and experience beyond her years, make her a sort of Gallic Natalie Portman.
Anyway, that's the plot: rescue little brother from the mad doctor. The images are the thing: with its rendering of a bleak, low-tech retro-future, "City" looks more like a Terry Gilliam movie than "Twelve Monkeys" does! And it slyly slips in ideas and images from other sources, to good effect: Krank himself is as much of the mad-doctor stereotype as is the character in "The Nightmare Before Christmas"; his outlandish electro-headgear is similar to that used in Disney's "Merlin Jones"; a nightmare on the loose swoops low along the ground through streets and alleys as a trail of green mist, improving on a similar image from "Bram Stoker's Dracula"; there's a confrontation in dreamland a la the "Elm Street" series; and while the idea of a brain in a tank isn't a new one, this is the first benign one I've ever seen. Familiar or not--and I'm thinking also of "The 5,000 Fingers of Dr. T"--"City of Lost Children" is still engaging, enjoyably weird, fantastic and funny, helped greatly by the fact that One and Miette are so endearing. The pace is a tad slower than it might have been. But this is, after all, a French movie.
The strongman, named One, enlists the aid of Miette, a homeless, streetwise girl who, along with her fellow urchins, is part of a ring of thieves employed by a pair of sinister female Siamese twins named the Octopus. (Watch carefully how these evil twins smoke a cigarette. There are more weird characters per square inch in this flick than anywhere else outside a Heironymus Bosch painting.) Miette is played by Judith Villet, whose gonna-be-a-great-beauty looks, her air of intelligence and experience beyond her years, make her a sort of Gallic Natalie Portman.
Anyway, that's the plot: rescue little brother from the mad doctor. The images are the thing: with its rendering of a bleak, low-tech retro-future, "City" looks more like a Terry Gilliam movie than "Twelve Monkeys" does! And it slyly slips in ideas and images from other sources, to good effect: Krank himself is as much of the mad-doctor stereotype as is the character in "The Nightmare Before Christmas"; his outlandish electro-headgear is similar to that used in Disney's "Merlin Jones"; a nightmare on the loose swoops low along the ground through streets and alleys as a trail of green mist, improving on a similar image from "Bram Stoker's Dracula"; there's a confrontation in dreamland a la the "Elm Street" series; and while the idea of a brain in a tank isn't a new one, this is the first benign one I've ever seen. Familiar or not--and I'm thinking also of "The 5,000 Fingers of Dr. T"--"City of Lost Children" is still engaging, enjoyably weird, fantastic and funny, helped greatly by the fact that One and Miette are so endearing. The pace is a tad slower than it might have been. But this is, after all, a French movie.
C'est magique!!!
I'm a fan of fantasy films. It's a mixed bag of a genre on all truth. Very rarely are there any great fantasy films. There are good ones or average ones that can merely get by on their looks. I do love the fact that fantasy films can paint such vivid and imaginative picturesque settings. As an example look at Legend. That was one of the best looking films ever made but the content of the film was not great. It was poorly scripted with hokey dialogue and a storyline aimed at 5 year olds, with creatures and effects that would scare the pants off younger children.
Now you look at the best ones and the rare ones that can be called classics with greats of other genres like Lord Of The Rings and in a more Sci-fi orientation, Star Wars. City Of The Lost C children is a French fantasy aimed at a more mature audience member, from 15 up really. It looks fantastic. The sets, the costumes, the effects, the cinematography turn this 15 million dollar film into something looking far more epic and majestic in scope. Jean Pierre Jeunet and Marc Caro take joint plaudits and credit as directors, Jeunut more responsible visually and Caro for the character and story. This is endlessly imaginative and immensely enjoyable and is very quirky.
The story centres around a mad scientist, Krank, who is unable to dream, because of this he is aging quickly and is old beyond his year. He grows insane and has developed a technique to view and capture children's dreams so he can thereby inject them into his own mind. He kidnaps children from the nearby village and brings them to his lair, a king of oilrig in the middle of surrounding sea. He is aided by his brothers who are four identical clones of each other, unfortunately they all suffer from narcolepsy. Krank himself is a clone. His father who created them is now merely a brain in a tank and Krank was an unfortunate mistake who doesn't dream. The only clone who was right is an enigma called the original who has long since escaped the insanity of this evil lair only to be living underwater and a kind of insane junk collector. One day strong man, One, and his little brother are ambushed by Krank's men and One's little brother is kidnapped. Thus far Krank's captives have proved unsuccessful in his quest for a cure, because they all suffer terrible nightmares, partly due to his own nastiness. All this latest young victim responds to is food, he seems to have no fear and it seems he could be the one, just as long as Krank keeps feeding him. One sets out on a quest to find his brother meeting Miete, a young a troublesome orphan girl in the process. It's all good fun this film and while the story is simplistic it's a kind of delightfully Grimm fairytale sort of story that keeps your interest.
The cast are great. Ron Perlman is one of those cult actors who everyone seems to like and he has hit it big with the recent success Hellboy. He is a strong presence and unlike many musclemen of his stature he can act, something which has held him back somewhat because people have never really cast him as a leading action man, although in truth he's not blessed with good looks. The interestingly named Rufus, a Juenet stalwart is also very good as the clones, while Daniel Emilfork is excellent as Crank. Also good and a charming innocence is Judith Vittet as Miette.
Anyone who loves a visually stunning movie should watch this film it looks amazing. The sets, the impressionistic and exaggerated designs are brilliant. It is typically French in it's verve. This is a fantasy fans wet dream, believe me! ****
Now you look at the best ones and the rare ones that can be called classics with greats of other genres like Lord Of The Rings and in a more Sci-fi orientation, Star Wars. City Of The Lost C children is a French fantasy aimed at a more mature audience member, from 15 up really. It looks fantastic. The sets, the costumes, the effects, the cinematography turn this 15 million dollar film into something looking far more epic and majestic in scope. Jean Pierre Jeunet and Marc Caro take joint plaudits and credit as directors, Jeunut more responsible visually and Caro for the character and story. This is endlessly imaginative and immensely enjoyable and is very quirky.
The story centres around a mad scientist, Krank, who is unable to dream, because of this he is aging quickly and is old beyond his year. He grows insane and has developed a technique to view and capture children's dreams so he can thereby inject them into his own mind. He kidnaps children from the nearby village and brings them to his lair, a king of oilrig in the middle of surrounding sea. He is aided by his brothers who are four identical clones of each other, unfortunately they all suffer from narcolepsy. Krank himself is a clone. His father who created them is now merely a brain in a tank and Krank was an unfortunate mistake who doesn't dream. The only clone who was right is an enigma called the original who has long since escaped the insanity of this evil lair only to be living underwater and a kind of insane junk collector. One day strong man, One, and his little brother are ambushed by Krank's men and One's little brother is kidnapped. Thus far Krank's captives have proved unsuccessful in his quest for a cure, because they all suffer terrible nightmares, partly due to his own nastiness. All this latest young victim responds to is food, he seems to have no fear and it seems he could be the one, just as long as Krank keeps feeding him. One sets out on a quest to find his brother meeting Miete, a young a troublesome orphan girl in the process. It's all good fun this film and while the story is simplistic it's a kind of delightfully Grimm fairytale sort of story that keeps your interest.
The cast are great. Ron Perlman is one of those cult actors who everyone seems to like and he has hit it big with the recent success Hellboy. He is a strong presence and unlike many musclemen of his stature he can act, something which has held him back somewhat because people have never really cast him as a leading action man, although in truth he's not blessed with good looks. The interestingly named Rufus, a Juenet stalwart is also very good as the clones, while Daniel Emilfork is excellent as Crank. Also good and a charming innocence is Judith Vittet as Miette.
Anyone who loves a visually stunning movie should watch this film it looks amazing. The sets, the impressionistic and exaggerated designs are brilliant. It is typically French in it's verve. This is a fantasy fans wet dream, believe me! ****
one of the most memorable movie experiences I've seen
Many disagree with the previous reviewer.
Not sure what the last reviewer watched, but City of lost Children is amazing cinema from the sets, color, acting, lighting, plot, it had everything pushed to the Nth from what I experienced.
It is NOT a typical American style movie. It is French and luckily, they are allowed to have an alternate path to interesting movie making.
This guy Jeunet puts a LOT into all of his productions. Almost a mentally overwhelming amount of style, info and actions (not action packed, but activities that go on in or behind the scene). He also did Amelie which is just as astounding and one of the best films ever made. Watch it start to finish if you don't believe that.
The City of Lost Childen extends its name sake across many peoples from the twisted characters that are adults and act like the children they never were, to the children who are lost from being children and must be adults. Not to mention the abductions and the reason for that.
So it is a win on many levels. One of the best, and I am so grateful I happened across this bazaar gem of a flick.
Wish more movies were as intricately entertaining as this art piece is.
Not sure what the last reviewer watched, but City of lost Children is amazing cinema from the sets, color, acting, lighting, plot, it had everything pushed to the Nth from what I experienced.
It is NOT a typical American style movie. It is French and luckily, they are allowed to have an alternate path to interesting movie making.
This guy Jeunet puts a LOT into all of his productions. Almost a mentally overwhelming amount of style, info and actions (not action packed, but activities that go on in or behind the scene). He also did Amelie which is just as astounding and one of the best films ever made. Watch it start to finish if you don't believe that.
The City of Lost Childen extends its name sake across many peoples from the twisted characters that are adults and act like the children they never were, to the children who are lost from being children and must be adults. Not to mention the abductions and the reason for that.
So it is a win on many levels. One of the best, and I am so grateful I happened across this bazaar gem of a flick.
Wish more movies were as intricately entertaining as this art piece is.
What the hell... The closest of a bad trip without drugs/
6min - and I have already seen so much weirdness... so many nice details as well. You can already tell that someone has pour his heart into this art
12min - I genuinely do not remember when was the last time I have seen so much oddity. I love it
15min - it feels like a bad bad dream but very intriguing and interesting at the same time
24min - what an absolute gem of the uniqueness this film is
34min - and I still have no idea what the f is going on here...
44min - I dare you to try to explain what you're watching when someone walks on you and see this for a few seconds or minutes lol. I am quite sure the team behind it would have done an amazing job bringing FALLOUT game into a film. Weird as hell but art is just pouring out of it
1h 14min - I wish the team of the upcoming FALLOUT tv series were that good... This film has an absolute level of fine details you can admire throughout the enitre film. Everything looks absolutely gorgeous in its own unique ugly way
1h 25min - like a bad dream or some bad acid trip lmao
1h 46min - you will never see anything like it... Giving it such low rating kind of rubs me in a wrong way but I really did not enjoy it that much... Actually it felt like a bad dream. But to capture something so unique is just stellar achievement and I think everyone should experience and watch it to come up with their own conclusion. It's definitely high quality, unorthodox art at its best/ Will you like it? There's only way to find out...
12min - I genuinely do not remember when was the last time I have seen so much oddity. I love it
15min - it feels like a bad bad dream but very intriguing and interesting at the same time
24min - what an absolute gem of the uniqueness this film is
34min - and I still have no idea what the f is going on here...
44min - I dare you to try to explain what you're watching when someone walks on you and see this for a few seconds or minutes lol. I am quite sure the team behind it would have done an amazing job bringing FALLOUT game into a film. Weird as hell but art is just pouring out of it
1h 14min - I wish the team of the upcoming FALLOUT tv series were that good... This film has an absolute level of fine details you can admire throughout the enitre film. Everything looks absolutely gorgeous in its own unique ugly way
1h 25min - like a bad dream or some bad acid trip lmao
1h 46min - you will never see anything like it... Giving it such low rating kind of rubs me in a wrong way but I really did not enjoy it that much... Actually it felt like a bad dream. But to capture something so unique is just stellar achievement and I think everyone should experience and watch it to come up with their own conclusion. It's definitely high quality, unorthodox art at its best/ Will you like it? There's only way to find out...
Did you know
- TriviaTo achieve the slightly skewed color scheme of the movie, the actors were made up in white face and the color palette corrected until they were flesh-toned.
- GoofsThe words from The Original that Miette remembers in flashback (after she receives Uncle Irvin's dream message) differ slightly from what The Original actually said, although the point of the message is still the same.
- Quotes
[after Mlle. Bismuth has been harpooned]
Clone: Does it hurt?
Mlle. Bismuth: Yes, I'm allergic to steel.
- Alternate versionsThere are two different audio tracks for the film - one is the original French language version and another is an English language dub.
- ConnectionsFeatured in Les enfants de la cité perdue (1995)
- SoundtracksWho Will Take Your Dreams Away
Music by Angelo Badalamenti
Lyrics by Marianne Faithfull
Performed by Marianne Faithfull
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- La ciudad de los niños perdidos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $1,738,611
- Opening weekend US & Canada
- $34,348
- Dec 17, 1995
- Gross worldwide
- $1,784,424
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