Funny Bones

When I first saw this film I thought that it was brilliant. At first it seemed to have an amateurish quality about it, but this turned out not to be true. What I thought was amateurish about it turned out to be the sound. The ever present ocean seems to add to the sound quality as if the viewer were really there, experiencing what actually happened.

This is undoubtedly one of Oliver Platt's best roles. I thoroughly enjoyed watching the intriguing Mr.Fawkes. Lee Evans was also unbelievably riveting in his portrayal as the mentally disturbed young man.

This film is very representative of the small town in Britain with it's quiet undisturbed population that seems to be frozen in time, in contrast to Fawkes's father's life in America, which is busy and ever-changing, where the most important thing in life is money, as opposed to memories being just as important back in the small British town.

The best part of the film is watching (in small parts) the unravelling of the horrific event that had happened so many years before and turned the young man (played by Lee Evans) into the person he is today.

A riveting watch. See it.

How did I never hear of Lee Evans before I saw this movie? He is my new idol. When this movie came out, I gave it a miss because of Jerry Lewis (King of Comedy notwithstanding -- he gives me the creeps, man), but I caught it on Sundance the other night and was bowled over. It starts out sorta weird, but then hooks you with the story of this guy trying to be a standup comic in the shadow of his showbiz-legend dad (is there any worse word than "showbiz"? Maybe "node," but other than that, "showbiz" is just such a bad word!!!), and then all of a sudden you are in Blackpool, England, being treated to (a) some amazing vaudeville performers from an era sadly gone by, and (b) some amazing performances by clowny guys (not the creepy kind), and (c) Leslie Caron singing a torch song in a man-tailored shirt, and (d) a beautiful story of lost dreams, redemption, and wax eggs. Rent it, fool. Rent it now if you have a funny bone in your body.

Funny Bones is not a traditional comedy. It starts off being deliberately unamusing, yet it later becomes evident that this was done not only to establish reason for the events that occur during the rest of the movie, but also to create good character development. Oliver Platt proves that he is not only a great comedic actor, but he can be just as good when he is trying NOT to be funny. His on-stage scenes early in the film were not only well-lit but also wonderfully acted and photographed. Jerry Lewis also performs a surprisingly convincing role in a startling turn from sheer comedic hilarity to a seriously dramatic role as Platt's legendary comedian father.

Platt plays Tommy Fawkes, a struggling stand-up comedian trying to live up to the legacy that his famous father George Fawkes (Jerry Lewis) has created. George is now retired, and Tommy is struggling to get his career started. After yet another painful failure onstage, Tommy decides to travel back to Blackpool, England, where his family's comedy originated. The people that Tommy meets there are strangely fascinating, and Lee Evans delivers a particularly interesting performance as Jack Parker, the high energy comedian who is on the run from the law and is also George Fawkes' bastard son. His one full length comedy act is absolutely amazing to watch.

As Tommy is holding auditions trying to find something funny to include in his own act back in the States, he learns more and more about the people living in Blackpool and about their history as well as some dishonorable actions of his own father, and he learns an important lesson from it all. He ultimately finds his place in the world of live acting, and the transformation from who he was at the beginning of the film to who he is at the end is incredible.

Funny Bones is an excellent but very different comedy that is ultimately very rewarding and satisfying. The cinematic trickery and the skillful use of lighting add to the experience, and the acting is excellent all around. The circus scene at the end of the film was great, it was tense and amazingly well done. Although slow at times, this is a great film about overcoming obstacles and developing your own view of the world, as well as the importance of finding your rightful place in it.

Although mostly overlooked at the time of release, this is undoubtedly one of the best films of the 90's. Elegantly surreal, Funny Bones is filled with wonderful visuals and a timeless quality.

At the center of this story stands Tommy Fawkes, a reluctant young comedian struggling in his famous father's (Jerry Lewis) shadow. Fawkes is masterfully portrayed by Oliver Platt, an incredibly talented actor who is often placed in supporting roles. Adept at all roles, it's always refreshing to find him as our lead. Platt has a particular gift for portraying the edgy hero, reminiscent of Karl Malden at his best. Somehow, he manages to make Tommy dark, yet uncomplicated.

In contrast, we have Jack Parker--seemingly the simplest of characters, he is the darkest and most complicated of all. This offered many of us our first glimpse of Lee Evans, a brilliant young UK actor/comedian with an astonishing penchant for physical comedy. His energy alone is enough to leave the viewer completely awestruck. If Fate is kind, we should have the good fortune of seeing a great deal more of him.

As for the rest of this stellar cast, Leslie Caron is charming as ever, George Carl and Freddie Davies are pure energy, and Jerry Lewis is, well, Jerry Lewis (there is no higher compliment I can pay him).

Essentially, this film is a requisite for anyone who enjoys surreal, dark comedy with a philosophical edge and an often slapstick pace.

"The dark moon, she pulls the tides also." --Thomas Parker (Freddie Davies)

Not really a comedy - more a surreal, sometimes weirdly comic piece about comedians, about families, about the awfulness of having a famous father, about genius, about the problem of what makes a comic funny, about the sublime sadness of failure. Lee Evans is absolutely haunting as the tortured comic genius, the natural comic who is so purely a comedian that he can barely communicate except in gags, yet who will never be allowed to perform in public because of his dark past. Leslie Caron is heart-rending as his mother, a brave, faded French beauty stranded for ever singing mildly risque songs in Blackpool pubs, and their tender scenes together are for me the best thing in the whole film.

The whole cast is incredible...right down to Oliver Reed camping it up gloriously in a bizarre sub-plot which at first I thought might be part of the Evans' character's fevered imagination. It is a movie absolutely crammed with magic but in one of my favourite scenes, Oliver Platt arrives in Blackpool and instantly sees it peopled with characters from Donald McGill postcards - fat ladies, saucy girls with flouncy skirts, burly men. The ending is a bit wonky and looks to my eye to have been changed from a tragic one to a "happy" one to please audiences. In the two opening sequences, both Evans and Platt utter the words "I'm going to die" in very different circumstances, and mean very different things, and other variations on the theme of death and laughter follow - all this seemed to be pointing down a much darker alleyway than the one we got. Doesn't matter, though. Still a great movie.