Funny Bones

How did I never hear of Lee Evans before I saw this movie? He is my new idol. When this movie came out, I gave it a miss because of Jerry Lewis (King of Comedy notwithstanding -- he gives me the creeps, man), but I caught it on Sundance the other night and was bowled over. It starts out sorta weird, but then hooks you with the story of this guy trying to be a standup comic in the shadow of his showbiz-legend dad (is there any worse word than "showbiz"? Maybe "node," but other than that, "showbiz" is just such a bad word!!!), and then all of a sudden you are in Blackpool, England, being treated to (a) some amazing vaudeville performers from an era sadly gone by, and (b) some amazing performances by clowny guys (not the creepy kind), and (c) Leslie Caron singing a torch song in a man-tailored shirt, and (d) a beautiful story of lost dreams, redemption, and wax eggs. Rent it, fool. Rent it now if you have a funny bone in your body.

I do have to say from the outset that I really like this film, disjointed though it is, perhaps because it is so different. This is a story of a broken family and hidden secrets - Tommy Fawkes goes to Blackpool, once one of the world's showbiz capitals, to learn how to be funny; once there he finds a duo (played by veteran British comics Freddie Davies and George Carl) who he thinks have stolen his famous dad's act - but are things really as they seem? Jack Parker is a Blackpool born lad with the innate ability to be creatively humorous (Lee Evans is excellent in this role) while lacking in the social skills to survive in the real world.

Against this backdrop is something about mysterious eggs which hold some mystical secret or other (giving Oliver Reed yet another strange role as the oddball Dolly). The really interesting aspects of the story are the skeletons in the closet that bring Jack's mother (Leslie Caron) and Tommy's father (Jerry Lewis) together again. The strongest scenes though are the ones which truly shock - the flashback outlining the tragedy that has affected Jack's life, and the final few sequences in the show arena.

'Funny Bones' may be hard to fathom but I think it repays attention by giving its audience something a bit unexpected - plus some great performances along the way.

Not really a comedy - more a surreal, sometimes weirdly comic piece about comedians, about families, about the awfulness of having a famous father, about genius, about the problem of what makes a comic funny, about the sublime sadness of failure. Lee Evans is absolutely haunting as the tortured comic genius, the natural comic who is so purely a comedian that he can barely communicate except in gags, yet who will never be allowed to perform in public because of his dark past. Leslie Caron is heart-rending as his mother, a brave, faded French beauty stranded for ever singing mildly risque songs in Blackpool pubs, and their tender scenes together are for me the best thing in the whole film.

The whole cast is incredible...right down to Oliver Reed camping it up gloriously in a bizarre sub-plot which at first I thought might be part of the Evans' character's fevered imagination. It is a movie absolutely crammed with magic but in one of my favourite scenes, Oliver Platt arrives in Blackpool and instantly sees it peopled with characters from Donald McGill postcards - fat ladies, saucy girls with flouncy skirts, burly men. The ending is a bit wonky and looks to my eye to have been changed from a tragic one to a "happy" one to please audiences. In the two opening sequences, both Evans and Platt utter the words "I'm going to die" in very different circumstances, and mean very different things, and other variations on the theme of death and laughter follow - all this seemed to be pointing down a much darker alleyway than the one we got. Doesn't matter, though. Still a great movie.

Here is one more somewhat-unknown film I wish got more notice, although I'm not sure how many would like it because it's so different. It's a bizarre combination of humor and tragedy, of supernatural and straight drama. It's just an odd mix, but I find it very, very interesting and I've seen it three times, equally fascinated each time.

The movie goes back and forth between drama and comedy which makes unsettling for some viewers, but not me. It kept me on my toes, so to speak, even with those multiple viewings. Also in here is another example of how good comedians can be in dramatic roles, in this case, veteran comic Jerry Lewis. Oliver Platt plays his son, and does an outstanding job as the main figure in this film. The comedy is really provided by others, most notably the most tragic figure in the film: "Jack Parker," effectively played by Lee Evans.

There is really is no way to adequately explain this strange film in a few paragraphs. I would just say if you are looking for something different, give this a try. And stay with it, even if the first half hour is not to your liking. You will be rewarded.

This film is a very underrated gem - it cant be put into a nice little box like Hollywood always wants to do with projects. "This is a wacky comedy" "This is a dark family drama", etc. You could tell they did not know how to market the film when it first came out in the US. They made it look like a wacky farce which it is not. This film works as a dark comedy about talent, those that have it and those that dont and yes, Jerry lewis gives a strong performance (right up there with King Of Comedy)and Lee Evans is a marvel as a talented comedian and Oliver Platt gives one ofhis best performances as an untalented offspring of a legend. Worth seeing - just dont expect slapstick, expect three-dimensional flawed people trying to make peace with one another and get through their torn lives.