When A.T.F. agent Nick Adams (David Bradley) goes undercover in a prison to unravel the mystery of a fellow agents death there. Warden Pike (Charles Napier) and his pet goons are involved in... Read allWhen A.T.F. agent Nick Adams (David Bradley) goes undercover in a prison to unravel the mystery of a fellow agents death there. Warden Pike (Charles Napier) and his pet goons are involved in all kinds of corrupt activities; dope dealing and gun smuggling to name a few.When A.T.F. agent Nick Adams (David Bradley) goes undercover in a prison to unravel the mystery of a fellow agents death there. Warden Pike (Charles Napier) and his pet goons are involved in all kinds of corrupt activities; dope dealing and gun smuggling to name a few.
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I discovered this movie by accident, and after watching I have to say that I'm a bit surprised of how unknown it is. I love prison movies as a genre, and when it delivers like this is makes for enjoyable viewing. The plot is pretty standard, a cop goes undercover in a jail to solve a crime. David Bradley is an action man more than an actor, and luckily they understood that and threw him into a lot of cool action scenes. There are fights, a great car chase at the end, and overall more than enough tough and gritty bad-assness to keep action lovers satisfied. A well executed action movie that you shouldn't hesitate to watch if you get the chance.
A tremendous action movie that I have ever seen. It was the first expression that I uttered after watching it twice on the local TV in my country, Indonesia. A combination between a constant shooting and a great fighting choreography played well by David Bradley. He was good here besides "American Samurai". His skill in martial art was performed above average. He succeeded to make the fighting scenes nice to watch. Not only punching and kicking like what most of martial artists show in their movies. David Bradley could utilize all the martial arts techniques such as punching, throwing, locking and kicking. More stylistic and riveting than Van Damme's or Seagal's. Yes, I know that some scenes were inspired by John Woo's movies but that's okay as long as they were not taken entirely..Nevertheless, this is truly a slam-bang action movie!! Very Recommended for action fans.
Let's be clear, that's a crap destined to TV or video - DVD - audiences, so you already have an idea to what you are dealing with. If you can't sleep, are depressed and want to change your ideas, clean your head, if you want to "kill time",as we say in France, you can watch it. This garbage stuff is obviously inspired by John Woo in terms of action scenes, and in 1993, the great director from Hong Kong was not working in the US since a long time, only HARD TARGET, and the rest of his filmography was only from ASIA: THE KILLER, A BETTER TOMORROW 1 and 2, A BULLET IN THE HEAD. So this junk that we are talking now is destined to specific audiences seeking for fun, only fun.
David Bradley is on a lower level than Seagal or Van Damme. Just like Sasha Mitchell, Michael Dudikoff and Mike Norris. He's not too bad an actor, but he can't make it to the big leagues.
"Hard Justice" is without a doubt David Bradley's best movie. The plot is: Nick Adams (Bradley) goes undercover in a prison to root out his best friend's killer. He realizes that not only is the prison corrupt, his arch enemy Jimmy Wong is back to even the score. The plot is basically a rip-off of the Van Damme movie "Death Warrant", but it makes up for that in the action sequences. The opening is fantastic, with almost non-stop action. The climax is also well-executed. But the middle, where Adams is in the prison does lag a little.
Charles Napier is great as the evil warden. The fight choreography does show off Bradley's martial arts ability, thankfully the filmmakers didn't over-edit the scenes. Overall, this is the Bradley movie to see.
For more insanity, please visit: comeuppancereviews.com
"Hard Justice" is without a doubt David Bradley's best movie. The plot is: Nick Adams (Bradley) goes undercover in a prison to root out his best friend's killer. He realizes that not only is the prison corrupt, his arch enemy Jimmy Wong is back to even the score. The plot is basically a rip-off of the Van Damme movie "Death Warrant", but it makes up for that in the action sequences. The opening is fantastic, with almost non-stop action. The climax is also well-executed. But the middle, where Adams is in the prison does lag a little.
Charles Napier is great as the evil warden. The fight choreography does show off Bradley's martial arts ability, thankfully the filmmakers didn't over-edit the scenes. Overall, this is the Bradley movie to see.
For more insanity, please visit: comeuppancereviews.com
In the mid-90's, Nu Image had a good thing going with its direct to video action pictures. Movies like "Live Wire: Human Timebomb" were fun and action-crammed with decent budgets and a high guilt factor. By the preview, the following entry "Hard Justice" seemed it would be the peak of this entertainment scene. With fresh, John-Woo inspired director Greg Yaitanes, B-Movie legend Charles Napier and lots of great stunts and explosions, how could it go wrong? Unfortunately, this one is a big misfire with too much emphasis on a weak story rather than on its well-done action sequences.
The opening scene is promising, as narc officer Nick Adams (a forgettable David Bradley) takes down a large-scale drug deal in a seemingly fail-safe warehouse. Wouldn't you know it, there's an overhead window Nick smashes through by means of dropping from a helicopter, guns blaring. He is marginally successful, but consequences lead him to go undercover in a hardcore prison to find out who murdered his ex-partner.
This is where the movie starts to go flat. Writers Nicholas Amendolare and Chris Bold invest way too much in the prison section of the film. The subplots of goings-on in the prison are clearly more interesting to these writers than they are to the poor audience member. The action scenes are stifled by this plot structure, being that they are pushed aside so that a weak, mostly boring plot can be developed. The results are a very mediocre action movie.
One recommendable aspect of the film is the few big action sequences. Yaintes is very skillful in capturing details as to involve the viewer in the action. He has an eye for what looks cool in terms of stunt work, gun play and special effects. With a better script, he could make a very strong action film. Its too bad this is a less than strong debut.
Also, watch for good performance by Yuji Okomoto and the beautiful Benita Andre, who plays Nick's wife Hannah. They do what they can in a limiting script, and their work should be recognized.
The opening scene is promising, as narc officer Nick Adams (a forgettable David Bradley) takes down a large-scale drug deal in a seemingly fail-safe warehouse. Wouldn't you know it, there's an overhead window Nick smashes through by means of dropping from a helicopter, guns blaring. He is marginally successful, but consequences lead him to go undercover in a hardcore prison to find out who murdered his ex-partner.
This is where the movie starts to go flat. Writers Nicholas Amendolare and Chris Bold invest way too much in the prison section of the film. The subplots of goings-on in the prison are clearly more interesting to these writers than they are to the poor audience member. The action scenes are stifled by this plot structure, being that they are pushed aside so that a weak, mostly boring plot can be developed. The results are a very mediocre action movie.
One recommendable aspect of the film is the few big action sequences. Yaintes is very skillful in capturing details as to involve the viewer in the action. He has an eye for what looks cool in terms of stunt work, gun play and special effects. With a better script, he could make a very strong action film. Its too bad this is a less than strong debut.
Also, watch for good performance by Yuji Okomoto and the beautiful Benita Andre, who plays Nick's wife Hannah. They do what they can in a limiting script, and their work should be recognized.
Did you know
- TriviaFinal credited film project of Professor Toru Tanaka before he died of heart failure on August 22, 2000.
- GoofsWhen the SWAT Team lands in helicopters, the footage is obviously the same landing and SWAT guys jumping out, filmed from two different angles as the three men disembark the helicopter in the exact same order and way both times.
- Alternate versionsThe German Video-Release (FSK18) was cut for violence. TV-Version is also cut, showing material that was not on the Video-Release. Therefore scenes of the Video-Release are missing. IN the end both versions are heaviliy cut.
- ConnectionsEdited into Past Perfect (1996)
Details
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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