Haunted

The film is much better than the book... brilliant atmosphere and simple ghost story... big question at the end

Please adopt the 2nd book as ghosts of sleith was a cracking book

A couple of years old this now but still worth a mention. Originally A very spooky James Herbert book the film doesn't quite hit the mark in the same way but it's still worth a look especially if you haven't read the book. Dashing surrogate Yank Psychologist Quinn returns to native England in the thirties with two aims: to pursue an academic career and the expose all who make others believe in a spirit world. He investigates the case of a mad old woman, whose house is supposedly haunted by her daughter and husband. Her three adult grandchildren are also in tow, including the alluring Christina (Kate Beckinsdale) - alluring enough to tempt at least one of her brothers and the new visitor. However, the ghosts of his own past - either real or imagined - start him doubting his own ability to rationally explore what is going on. Personally Kate Beckinsdale saves the film for me as it's very difficult to judge it in it's own right if you have already read the book and constantly find yourself noticing huge differences. To bring it down to a more basic level, for me Kate Beckinsdale puts her more famous English namesake far into the shade as a top example of what English actresses have to offer.

I think the summary about says it all. It has twists and turns and has you guessing all the way through it. And in the end, you find out you were possibly fooled all the time. It was scary at times and I would rate it as an excellent film of this genre. I must admit, that I am a real fan of this type of film.

Haunted is directed by Lewis Gilbert, who co-adapts the screenplay with Bob Kellett and Timothy Prager from the novel written by James Herbert. It stars Aidan Quinn, Kate Beckinsale, Anthony Andrews, Alex Lowe, John Gielgud and Anna Massey. Music is by Debbie Wiseman and cinematography by Tony Pierce-Roberts.

Following the accidental death of his twin sister when they were just kids, David Ash (Quinn) has grown up to be a parapsychologist determined to debunk the existence of ghosts. Receiving an invitation from the Mariell family to investigate supernatural activity at their family home, Edbrook House, David accepts and quickly finds his life flipped upside down…

It's from the old fashioned school of horror, a period piece of some worth, but not one for anyone looking to be scared out of their wits. Actually the novel by the late great James Herbert was becalmed when judged by his superb standards, so it really will help any potential first time viewer to go into this expecting a more ethereal chiller than anything else.

There's an air of romanticism constantly hanging in the air, and with Gilbert nodding towards the likes of The Haunting for his scares and Don't Look Now for the meditation on grief angle, it's a film of mixed blessings. Also nice to see very good period design for the 1920s setting, while Roberts' photography skilfully brings beauty to the English countryside and murkier tones for the inner workings of Edbrook House.

Cast are fine, with Quinn and a perky Beckinsale creating good sensual chemistry, and Andrews and Lowe are suitably odd as the clearly off- kilter Mariell brothers. Massey, however, is not challenged by her role and Gilegud is only really filing in for an easy money cameo.

It gets away from itself a little in the final stretch, where it's not helped by some shoddy effects work, but there's good value to be had in the picture. With grief, guilt, redemption and incest bubbling away thematically, and the spectral visage of David's dead sister haunting the edges of the frame, film never lacks for literate effort or a sense of unease. The book is much better, mind. 7/10

A modestly effective supernatural thriller based on the James Herbert novel, and directed by veteran Lewis Gilbert. Weakness is the over lighting of many scenes that would have been much better in low key, but there are moments of shock that work well, especially in the early sequences. Quinn is somewhat wooden, and its left to Kate Beckinsale to add zest and glamor, which she does effectively, with several nude scenes and some moments of steamy sex. Lewis Gilbert directs without enthusiasm, though at times can we see traces of his earlier and better screen work. Finally the plot which has a major twist at the ending, is full of red herrings and pot holes, which makes it less than believable. A precursor to "The Others" which handles a similar situation with more classic flair, better cast and direction.