The Hunted

The Hunted is surprisingly high in production values, acting and story. It also provides a nice inside look into Japanese culture and society. Blood and Gore of course, are a plenty. Christopher Lambert played his role very well and kept his naiveté and innocence very well portrayed, while finding himself in the middle of a war. The sword-fight choreography is decent and very realistic. The Japanese actors put on a splendid show. This a gripping, colorful and highly satisfying film that will never have you bored at any point. I find it quite under-rated because it is quite well developed despite its obscurity. This is something I would recommend to any viewer.

Thouh not a movie of captivating interest but has some good scenes. Especially train scene is marvelous.Suspense is arose after every important incident. Film has some flaws but these can be easily ignored. The performance of man with long hair and shining sword is impressive. Film can be watched but you must not compare it with classics like T2, Pulp Action. It is entirely different movie. I will give it at least six out of ten. You cannot be bored while watching it. It is the only movie in which I was able to tolerate Christopher. It is a bit more real in theme as compare to some idiot science fictions. I think if you want to see some good movie, it is a must see but I repeat again, do not expect much from the film. If you do not expect a standard of T2, Star Wars, The Lord of the Rings then it will do fairly well.

Samurai flicks may be considered a guilty pleasure, but this one is well worth watching.

It is not a Toshiro Mifune classic, but it features plenty of Samurai action and lots of blood is spilled.

Christopher Lambert (Highlander I, II, and III; Mortal Kombat) plays an American businessman who picks up an extremely lovely Joan Chen (Lust, Caution; Xiu Xiu: The Sent-Down Girl) in a bar and they have a pleasurable time before ninjas arrive to kill her for a transgression. The leader, John Lone (The Last Emperor, Year of the Dragon) is identified and the hunt begins.

The businessman enlists the help of super Japanese actor Yoshio Harada and Yôko Shimada (Shogun and "Shogun"). What he doesn't realize ifs the Samurai isn't really interested in helping, he just wants to do battle with the Ninja.

It's fast paced and exciting with enough exploitation to make it special.

Most of Christopher Lambert's filmography reads like a guide to B-movie hell. I got conned into watching this by a friend years ago, and will be forever grateful. The story is solid, Lambert turns in an almost-acceptable performance, and most of the rest of the cast does well. My favorite thing about the movie is the (by martial arts flick standards) realism. The gaijin does not miraculously learn to swing a sword like a samurai in a matter of weeks, months, or ever. The action sequences are exciting and fairly well-executed (by 1990's b-movie standards, at least), particularly a ninjas vs samuri scene on a Japanese bullet train. Some of the characters have a bit of complexity, there are a few little plot twists, and the character interaction is often believable. They also answer that age-old question "who'd win a fight between a middle-aged ex-athlete with a few months of kendo training and a ninja who's just lost an arm and leg"? (Lamberts's character is a former fencer turned businessman, but that bit's cut out of the home video/DVD version, as is the monologue by Kinjo the ninja, which helps to serve---in part, at least, as an explanation as to why this movie, set in Japan, has almost an entirely Chinese cast). If you're in the mood for an fun, entertaining, semi-intelligent B-action flick, I whole-heartedly recommend this one.

Oddly enough, the writer of "Pretty Woman" wrote and directed this flick, which may explain why my wife liked it, too. Of course, the same guy did a flick called "Cannibal Women in the Avocado Jungle of Death".

Businessman Paul Racine is in Japan for work when he is picked up by an attractive young woman. He goes back to her flat but leaves early. Going back after second thoughts Racine witnesses her being killed by the mysterious ninja assassin Kinjo. He survives Kinjo's ninjas but is badly hurt. In hospital he is approached by Takeda and his wife, who offer him protection as everyone else who has seen Kinjo face has been killed. After a ninja attack on his hospital Racine goes with them and they prepare for a final showdown.

I've seen this film twice now. This second time I watched it because I wanted to review it but couldn't remember it clearly enough to be fair on it. The second viewing reminded why it had faded in my mind – it is trashy yet enjoyable fun. The plot is poor (laughable parts and inconsistencies) but it is short, has energy and requires no thought. The idea that this businessman would survive several ninja attacks when training samurai are easily killed is silly. Worse still is the idea (no matter how justified) that Racine could even temporarily match any of these men after only a few basic lessons in how to hold a sword! However it is quite exciting if you're in the mood. The high point is probably a train journey that is exciting simply because it is shockingly violent in it's intent. The addition of some comic relief in the final third (the old swordmaker) helps the film along to the conclusion.

Although it is not great, it is slightly refreshing to see a film of this genre without tonnes of flashy wire work or moves (having just suffered Bulletproof Monk and Cradle 2 The Grave I was glad of the basic fights). Little inconsistencies spoil it slightly – in one scene Racine is saved when a samurai sword jams in a wooden door, however later the same swords easily cuts though thick wooden pillars. Those looking for something trashy and slightly exciting should be pleased I think.

Lambert is not great in the lead and the film suffers form his character being the focal point. He mumbles his way through his lines (I think he thinks it makes him tough and mysterious) and his transformation from green businessman to ninja warrior is of no value. On the flip side of this is Yoshio Harada. Harada gives a really cool performance – he is strong and driven with an air of mystery, the script even makes him a little dark and complex too! The film would have been better if it had gradually swung the films focus from Racine to Harada's Takeda. Lone is OK as Kinjo but is not as meaty a role as Takeda. Considering the quality of the film I was watching I thought Harada did very well.

Overall I was ready for a trashy ninja movie with low value but reasonably entertaining – and that's what I got. Anyone looking for more than that should look elsewhere, but if you're in the mood this forgettable ninja movie will pass 90 minutes without being disappointing.