People from all different walks of life, encounter racial tension, rape, responsibility, and the meaning of an education on a university campus.People from all different walks of life, encounter racial tension, rape, responsibility, and the meaning of an education on a university campus.People from all different walks of life, encounter racial tension, rape, responsibility, and the meaning of an education on a university campus.
- Awards
- 1 win & 1 nomination total
Busta Rhymes
- Dreads
- (as Busta Rhymez)
Jay R. Ferguson
- Billy
- (as Jay Ferguson)
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- Writer
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The film's design seems to be the alpha and omega of some of the major issues in this country (U.S.). We see relationships all over at the university setting for the film. Befittingly, the obvious of student v.s. teacher is present. But what the film adds to its value is its other relationships: male v.s. female, white v.s. black, and the individual v.s. society. But most important of all and in direct relation to all of the other relationships is the individual v.s. himself.
I was amazed at how bilateral a point of view the director gave to showing the race relations on campus. Most films typically show the injustices of one side while showing the suffering of the other. This film showed the injustices and suffering of both sides. It did not attempt to show how either was right, although I would say the skin heads were shown a much crueler and vindictive (quite obvious towards the end). The film also discusses sex and rape. It is ironically this injustice that in some ways brings the two races together, for a time. Lawrence Fishburne does an over-the-top performance as the sagacious Profesor Phipps. He crumbles the idea of race favortism and instead shows the parallelism of the lazy and down-trodden with the industrious and positive. Other stars that make this film are Omar Epps, Ice Cube, and Jennifer Connelly. Michael Rapaport gives an excellent portrayal of a confused youth with misplaced anger who is looking for acceptance. Tyra Banks make her film debut and proves supermodels can act.
Higher Learning gets its name in showing college as more than going to class and getting a piece of paper. In fact, I would say the film is almost a satire in showing students interactions with each other, rather than some dry book, as the real education at a university. It is a life-learning process, not a textual one. I think you'll find "Higher Learning" is apropos to the important issues at many universities and even life in general. 8/10
I was amazed at how bilateral a point of view the director gave to showing the race relations on campus. Most films typically show the injustices of one side while showing the suffering of the other. This film showed the injustices and suffering of both sides. It did not attempt to show how either was right, although I would say the skin heads were shown a much crueler and vindictive (quite obvious towards the end). The film also discusses sex and rape. It is ironically this injustice that in some ways brings the two races together, for a time. Lawrence Fishburne does an over-the-top performance as the sagacious Profesor Phipps. He crumbles the idea of race favortism and instead shows the parallelism of the lazy and down-trodden with the industrious and positive. Other stars that make this film are Omar Epps, Ice Cube, and Jennifer Connelly. Michael Rapaport gives an excellent portrayal of a confused youth with misplaced anger who is looking for acceptance. Tyra Banks make her film debut and proves supermodels can act.
Higher Learning gets its name in showing college as more than going to class and getting a piece of paper. In fact, I would say the film is almost a satire in showing students interactions with each other, rather than some dry book, as the real education at a university. It is a life-learning process, not a textual one. I think you'll find "Higher Learning" is apropos to the important issues at many universities and even life in general. 8/10
Hard to believe the extremes of the reviews of this film. It's either genius or crap. I found it somewhere in between, and I have to say I enjoyed it, owing mostly to Omar Epps. I believe he's one of the best actors in America right now, and his performance in this movie really made it watchable as far as I'm concerned. Many of the characters were not developed well, and were two-dimensional at best. Rappaport's character, and in fact all the white supremacists, were mere cut-outs and actually painful to watch. I didn't get the good guy/bad guy (name your race -- I think it depends on who's reviewing) theme at all. I think Epps was the protagonist and naturally he was shown in a better light than most of the other characters, black or white. There was some intelligent dialog and some inane dialog. However, it was overall an interesting film and I'm glad I saw it. Not perfect by any means, and with its share of clichés, but a good film nonetheless.
I must have been watching a different movie to most of the people adding comments. I didn't see it as a film portraying African Americans as good and whites as bad but as a film in which all the factions were shown to have good and bad sides. Even the guy who becomes the Nazi skinhead was portrayed sympathetically in as much as he is clearly out of his depth in a social situation and becomes a recruit because only the skinheads will accept him when no-one else will. Overall, the African Americans come out as the most sympathetic but not by much.
I agree there are some fairly silly stereotypes, especially Fishburne's character, but they work in the context of the movie. Most refreshing was the fact that an American college is portrayed as a place with real issues like racism and date rape and drunken behaviour. It's refreshing because colleges are usually shown as places where nice middle-class kids never have any problem bigger than being dumped by their boyfriends before everything is resolved in the last reel.
An overly maligned movie. Not perfect but better than a million other college movies. Loved the ending too.
I agree there are some fairly silly stereotypes, especially Fishburne's character, but they work in the context of the movie. Most refreshing was the fact that an American college is portrayed as a place with real issues like racism and date rape and drunken behaviour. It's refreshing because colleges are usually shown as places where nice middle-class kids never have any problem bigger than being dumped by their boyfriends before everything is resolved in the last reel.
An overly maligned movie. Not perfect but better than a million other college movies. Loved the ending too.
After seeing this film I can't help but wonder what the screenwriting process was for Singleton. Higher Learning is a movie with every cliche I can imagine; really very pathetic. Higher Learning is good for one reason, it forces you to think about racial issues if you hadn't already, but once the glimmer of the racially just manifesto you created wears off, you realize what a load of crap this movie was. Acting was good, even Tyra Banks, who I wasn't expecting anything from, didn't make me want to gouge my eyes out. The story is, as I mentioned, cliche. It's not so bad that you should demand the money back from Blockbuster but if you really want to see a "racially profound" film, choose something else.
I wish Singleton would keep his obvious bias racially feelings out of his movies and just make a movie that's real, instead of this laughable, trite garbage.
Example: In the movie 'Boyz In The Hood', Laurence Fishburne is giving a speech to his son and son's buddy and says "Why do you think there's a liquor store and gun store on every single corner in black neighborhoods? I'll tell you why. Because they want us to kill ourselvs." Yes, I can see how movies with black people suggesting evil white people are conspiring to kill all black people by "making them kill each other" will advance race relations.
As for Higher Learning, I think the title should have been shortened to 'High'. One must be very high to watch a movie like this and feel 'enlightened' by the end of the movie.
Let's see, basically all white males in this movie are either one of two things: Very bad or very weak. All black people are either cool, heroic, intelligent or victims.
Whites in this movie: The evil racist campus security, the evil white jock rapist, the weak white hippy who tries his hardest to understand Malik but Malik turns him down, the weak Jewish roommate who shits his pants like a little girl when Remmy pulls a gun on him, yet Malik plays it cool of course, and of course the oh so very evil and BAAAAD nazi skinheads! Oh yes, nazi skinheads are just killing black people daily in college campuses and all over the country. And of course the skinheads are very weak and stupid like Remmy.
Blacks in the movie: Laurence Fishurne as a wise professor, the strong black woman "I don't take no buuuulllshit" roommate, Ice Cube's cool street smart character, Malik's "struggle" to find himself in an evil white man's world, Tyra Bank's intelligent character who becomes a victim, Busta' Rhymes beating up two skinheads at one time etc etc.
What a bunch of laughable and ridiculous clichés. Singleton definitely has a chip on his shoulder when it comes to white people. This movie was every bit as racist as any pro nazi skinhead documentary. Worst movie ever made.
Example: In the movie 'Boyz In The Hood', Laurence Fishburne is giving a speech to his son and son's buddy and says "Why do you think there's a liquor store and gun store on every single corner in black neighborhoods? I'll tell you why. Because they want us to kill ourselvs." Yes, I can see how movies with black people suggesting evil white people are conspiring to kill all black people by "making them kill each other" will advance race relations.
As for Higher Learning, I think the title should have been shortened to 'High'. One must be very high to watch a movie like this and feel 'enlightened' by the end of the movie.
Let's see, basically all white males in this movie are either one of two things: Very bad or very weak. All black people are either cool, heroic, intelligent or victims.
Whites in this movie: The evil racist campus security, the evil white jock rapist, the weak white hippy who tries his hardest to understand Malik but Malik turns him down, the weak Jewish roommate who shits his pants like a little girl when Remmy pulls a gun on him, yet Malik plays it cool of course, and of course the oh so very evil and BAAAAD nazi skinheads! Oh yes, nazi skinheads are just killing black people daily in college campuses and all over the country. And of course the skinheads are very weak and stupid like Remmy.
Blacks in the movie: Laurence Fishurne as a wise professor, the strong black woman "I don't take no buuuulllshit" roommate, Ice Cube's cool street smart character, Malik's "struggle" to find himself in an evil white man's world, Tyra Bank's intelligent character who becomes a victim, Busta' Rhymes beating up two skinheads at one time etc etc.
What a bunch of laughable and ridiculous clichés. Singleton definitely has a chip on his shoulder when it comes to white people. This movie was every bit as racist as any pro nazi skinhead documentary. Worst movie ever made.
Did you know
- TriviaOriginally, writer, producer, and director John Singleton wanted Leonardo DiCaprio to play Remy, while Michael Rapaport was originally going to play Scott Moss. DiCaprio was cast, but unable to be in this movie because of a scheduling conflict with The Quick and the Dead (1995). So Singleton had Rappaport play Remy once Cole Hauser was cast.
- GoofsRemy says he is from Idaho, but he speaks with a thick New York accent.
- Quotes
[after Malik referred to him as a "sell-out"]
Professor Phipps: So, Mr. Williams thinks I am an Uncle Tom, hmmm? Well, well, well. What does that have to do with your ability to place a comma in its proper place or put a period at the end of a sentence, hmmm?
- Crazy creditsUnlearn [appears in movie's closing shot, instead of "The End"]
- How long is Higher Learning?Powered by Alexa
Details
Box office
- Gross US & Canada
- $38,290,723
- Opening weekend US & Canada
- $13,276,662
- Jan 16, 1995
- Gross worldwide
- $38,290,723
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