Home for the Holidays

What I like most about this movie is the atmosphere it creates: the anticipation of returning home during the dreariness of the season's weather, the hustle and bustle of the holiday, the conflict between the loneliness and yet the quiet peace of waking to the first moonlit dusting of snow. There's always such a buildup to that big day, and then it's over, and, as one titled scene suggests, "now what?"

But what touches me about this movie is what it has to say about love. "The very thought of you" is more than a song at the movie's end, it's a theme that permeates the movie: such as when the father watches the home movie of his children, illuminating one of the pivital moments of his life that was only seconds in length, but brings his life such joy and meaning. The movie reminds us that it is "the very thought of you" that brings joy to us all.

I am so glad I found this movie. It is a snug little favorite of mine already. I come from a big family (all weirdos) who somehow get along very well. But this story of a bunch of weirdos who do not is just GRAND. Others may say that the themes of family and home and blah blah are the central idea here, but I say it is that Claudia (Hunter, playing our protagonist) has a really wonderful brother (Downey Jr. who nearly steals this film altogether).

Brother Tommy comes home for the holidays unexpectedly because he finds out his sister has just had a reaaaaalllly bad day (fired from her job, teen daughter announces she's going to have sex, loses her coat, makes out with her boss, etc) and dealing alone with the family would be unthinkable. He arrives with some hilarious fanfare, and proves to be excellent moral support for Hunter, a distraction for his family, and the provender of an interesting new element....in the person of Leo Fish, who may or may not be Tommy's new "partner."

Tommy ((heavily embellished and ad-libbed by Downey...listen carefully to his banter...hilarious)ends up taking the inevitable flack for his gayness (probably why he was not going to come home in the first place) but her lets it roll off his back, choosing instead to enjoy his sister's company and his parents' foibles. He also really enjoys (and so do we) watching Claudia and Leo Fish figure each other out.

They do...albeit obliquely and elliptically, with the conclusion sort of up in the air (hee hee). But in the process we are treated to Leo's very funky and offhand outlook on life. Listen for his very wry speech about trying to talk golf with his own father...."Par Par Bogie Bogie Par Par" has become a catchphrase for "blah blah blah" in my house...

Anne Bancroft and Hunter are stellar, and McDermott is darned cute (the making-out-on-the-doorstep scene is darling). But Downey (yet again) is the one you watch. The director's commentary by Foster gives a clue that he was frustrating to work with, but it seems very worth it here. He is just SO watchable, boistrous, too-energetic, motor-mouthed and loveable. We should all have such a brother. Lucky Claudia.

OH! Don't miss the turkey scene. Play it again to catch the peripheral characters' faces. I cannot wait for Thanksgiving!

Plot In A Paragraph: After losing her job, making out with her (soon to be ex) boss, and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson (Holly Hunter) has to face spending the holiday with her family.

Director Jodie Foster has assembled a ridiculously talented cast Holly Hunter, Anne Bancroft, Charles Durning (Whom I love, and am a big fan of) Robert Downey Jr, Dylan McDermott, Steve Guttenberg, Geraldine Chaplin, Claire Danes and Austin Pendleton.

However Robert Downey Jr steals this movie from a very talented cast. As Tommy, Larson's gay brother. Although Downey Jr has admitted to regularly using heroin during the filming of this movie, it is not affected performance one bit. Listening to director Jodie Foster on the commentary track on the DVD, it would appear that Downey Jr was a pain to work with the times, as he kept improvising and going off on a whim. So I'm not sure who the praise should be aimed at Downey Jr for being able to give a good performance during such a troubled time in his life, or Foster for getting the performance out of him!!

This film, when stripped of all its humour, cover-ups and bravado, is one of the saddest stories put to film in recent years. The line that strikes me the most is nearing the end, when Claudia and Leo go to Joanne's to return her Tupperware. The dialogue goes as such:

Claudia: You don't know the first thing about me, Joanne. Nothing.

Joanne: Likewise, I'm sure. [pause] If I just met you on the street, if you gave me your phone number, I'd throw it away.

Ouch. If either of my sisters said that to me I'd have to hurt them. This is a touching, heartfelt film, and I adore it.

People either love or hate this film. It seems to me that, for those who hate it, there is too much going on in the scenes. The dialogue is often open ended, and the action is at times frenetic so that the viewer isn't sure where he/she should be focusing attention. That, I submit, is the true beauty of this unusual movie. It has an over the top realism that makes it a rewarding film to watch multiple times. There are so many layers in the dialogue and the acting, so many subtleties between characters, that you can watch it many times and still be noticing something new. This may be billed a comedy, but it is filled with heartbreak and tragedy, betrayal and disappointments. This is not a run of the mill feel good holiday movie. I think those who rate this movie poorly, in some way, miss that. I hope Jodie Foster directs again. She's immensely gifted.