A reformed convict goes undercover with the help of an angry detective to ensnare a psychotic mobster.A reformed convict goes undercover with the help of an angry detective to ensnare a psychotic mobster.A reformed convict goes undercover with the help of an angry detective to ensnare a psychotic mobster.
- Awards
- 1 nomination total
Featured reviews
America has the best justice money can buy- meaning gentry that pay for the privilege of justice receive it and normal citizens will see justice only by pure accident. Here is a normal citizen who served his time but continues to be harassed by police- a common tactic of pigs- since they are too stupid to be detectives- they make their informants do all the dirty work of investigation under penalty of return to prison on some lies and setups-ya know- who they gonna believe? Me or you? This is the framework this movie operates in- the reality that most cops and lawyers are total scum that need two neat in the back of the head, and justice is a fairy tale in America.
Add in a little action jackson moments to spice it up and we have a watchable movie that is reasonably OK- not stellar- but watchable to the finish and a decent job of acting by our lead. This is one of the few action flicks that actually tries to do some acting- our lead does a great job- his supporting actors do OK- but not great.
All in all- I would watch this movie for a matinée by myself. One of the humorous things in this movie is you see Nicholas Cage bulked up as a guido in a disco.
Add in a little action jackson moments to spice it up and we have a watchable movie that is reasonably OK- not stellar- but watchable to the finish and a decent job of acting by our lead. This is one of the few action flicks that actually tries to do some acting- our lead does a great job- his supporting actors do OK- but not great.
All in all- I would watch this movie for a matinée by myself. One of the humorous things in this movie is you see Nicholas Cage bulked up as a guido in a disco.
My friend made me watch this and I found it to be a surprisingly entertaining movie. It's a remake of a 1940s film noir, but I haven't seen that one. Here David Caruso plays the typical gangster-gone-straight in order to support his new family, but one of his friends (played by Michael Rappaport) pulls him in for one last deal which (unsurprisingly) screws him over big time.
The casting here is absolutely phenomenal. The performances by all the lead actors are some of their best: Nicholas Cage, Stanley Tucci, David Caruso and Michael Rappaport all bring serious color to the story. It is clear here that the careful casting makes a big difference. I'd like to say one performance in particular stands out (maybe Nicholas Cage, in one of his best roles ever) but everyone pulls their weight. Michael Rappaport, despite staying in his typical character role, manages to play the most loathsome character in the film! Even the villains have more humanity to them than he does...
The story is good too. It's not original, but very well done. Many classic crime twists are provided in ways one doesn't expect and there are some plot points that are only alluded to, not blatantly shown (i.e. the reason certain characters get knocked off, etc.). It also gives us a good rundown on the inside of a corrupt court system which only protects ex-cons if there's a profit to be made.
And to top it off, despite the criminal element and violence, there is a cool sense of humor to several scenes. Little Junior's (Nicholas Cage) mourning scene stands out as a highlight. And then the way the movie ends, you'd think you were watching Beethoven or something. Hee hee, and Stanley Tucci was in that one too!
It's not some critically acclaimed showboating from the '90s, like American Beauty, The Usual Suspects, and so on, but it is a solid little '90s period piece.
6.5
The casting here is absolutely phenomenal. The performances by all the lead actors are some of their best: Nicholas Cage, Stanley Tucci, David Caruso and Michael Rappaport all bring serious color to the story. It is clear here that the careful casting makes a big difference. I'd like to say one performance in particular stands out (maybe Nicholas Cage, in one of his best roles ever) but everyone pulls their weight. Michael Rappaport, despite staying in his typical character role, manages to play the most loathsome character in the film! Even the villains have more humanity to them than he does...
The story is good too. It's not original, but very well done. Many classic crime twists are provided in ways one doesn't expect and there are some plot points that are only alluded to, not blatantly shown (i.e. the reason certain characters get knocked off, etc.). It also gives us a good rundown on the inside of a corrupt court system which only protects ex-cons if there's a profit to be made.
And to top it off, despite the criminal element and violence, there is a cool sense of humor to several scenes. Little Junior's (Nicholas Cage) mourning scene stands out as a highlight. And then the way the movie ends, you'd think you were watching Beethoven or something. Hee hee, and Stanley Tucci was in that one too!
It's not some critically acclaimed showboating from the '90s, like American Beauty, The Usual Suspects, and so on, but it is a solid little '90s period piece.
6.5
Kiss of Death boasts an impressive cast, authentic locales, and a gritty, accessible storyline, but it still comes across as an asthmatic remake of the film noir classic. Nobody "stars" in KOD; rather, David Caruso, Helen Hunt, Nicholas Cage, Samuel L. Jackson, Ving Rhames, and Kathryn Erbe all put in good, workmanlike performances that just don't catch fire.
I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.
Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.
I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade.
You may find a gem here!
I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.
Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.
I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade.
You may find a gem here!
David Caruso and a beefed up Nicholas Cage star in this remake of the 1947 noir film..In this one David Caruso, on parole, is talked into doing a job to help his cousin, when he is busted, his cousin takes advantage of him and his wife Helen Hunt. Caruso is offered a deal by a slippery DA with political aims, played with the usual excellence by Stanley Tucci. Caruso then discovers the meaning of the word politics and seeks revenge on those who betrayed him. An underrated movie that didnt get much press when released (probably due to Caruso's controversial exit from NYPD Blue) this film builds the suspense and keeps you involved and interested.Caruso, the Cagney for the 90s, plays his part great with a tension you can feel. All the other roles are played well in this sleeper movie.. Well recommended Kiss of Death rates a 8
A mostly gripping crime drama with a good script and a great cast. This is David Caruso's best movie by far as a leading man, the reason he left NYPD Blue, and it portended a good career to follow. Well, his movie career tanked but this is still a good character study and underrated neo noir entry. Cage is all breathy snarl and wonderful menace in the flashy sociopath role originated by Richard Widmark. Hard to imagine assembling a backup cast with Ving Rhames, Helen Hunt, Stanley Tucci, Michael Rapaport and Samuel L. Jackson these days on this budget, and they all put in nice turns.
Probably worth a shot if you are a fan of modern noir and gritty crime dramas, though it does peter out a bit with the too-convenient denouement. Cut from the same tough cloth as other sleeper modern noir movies like DEEP COVER and ROMEO IS BLEEDING.
"You F#&$ with the bull, you get the horns." 7.5 / 10 Would rate higher if not for the too-cute ending.
Probably worth a shot if you are a fan of modern noir and gritty crime dramas, though it does peter out a bit with the too-convenient denouement. Cut from the same tough cloth as other sleeper modern noir movies like DEEP COVER and ROMEO IS BLEEDING.
"You F#&$ with the bull, you get the horns." 7.5 / 10 Would rate higher if not for the too-cute ending.
Did you know
- TriviaThe club featured in the film was actually a small office building next to McDonald's in Queens, New York.
- GoofsThe Rolls-Royce being torched at the salvage yard has a perimeter frame; genuine Rolls-Royce Silver Shadows are unibody vehicles.
- Quotes
Little Junior Brown: I have an acronym for myself. Know what it is? B.A.D. B.A.D... Balls, Attitude, Direction. You should give yourself an acronym... 'cause it helps you visualize your goals.
Jimmy Kilmartin: How about F.A.B.? Fucked At Birth.
Little Junior Brown: No good. Too negative.
- Alternate versionsThe FX cable TV version that aired in the late '90s/early 2000s did the usual violence and language edits and most notably during the strip club scenes adds black blurs (ex: when Nicolas Cage is talking to a few people, the topless dancer has a digitally added black dress so that the scene is safe to air).
- How long is Kiss of Death?Powered by Alexa
Details
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $14,942,422
- Opening weekend US & Canada
- $5,317,066
- Apr 23, 1995
- Gross worldwide
- $14,942,422
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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