Last Summer in the Hamptons

Saw this film in a festival a few years ago and was deeply disappointed. It is a tale of a theatre family and their ups and downs during a summer in the trendy suburbs, but that's where the interest of this viewer ended.

Filmed in a dull style which reminded me of creaky home movies, this film is stodgy, poorly-written, and half-baked. It represents the last film performance of the late Roddy MacDowell and he is totally wasted in the role he has.

I heard that this film was supposed to be influenced by the great dramas of Russia and Scandinavia, and by film auteurs such as Woody Allen and Mike Leigh. I'll take all their work before I'd watch 'Last Summer in the Hamptons' again.

It's hard to say how to describe this movie. I suppose that's because I don't often see others of its kind, which is too bad. It'd be nice to have a model to cite; though I guess it aspires to Renoir (see below).

Elements: Head games at every turn. Interesting scenario: Latest Hollywood hot property, poised to ascend to iconhood, visits rootsy theatrical community on the skids, hoping to rediscover art. Chekhovian; everybody is an angelic jerk. Serious and fairly effective pilfering of Jean Renoir's "La Regle du jeu," esp. the capturing of that web of head/heart intrigue you can cut with a knife. Are these people really a dying breed? Does their infighting and endless one-upsmanship mindf**king make you long for the warmth and sincerity of Hollywood? A touch of James Joyce. An aging grand dame of Hollywood. A weird, dark family secret. Great, harrowing self-deception, and great drama. At times I was moved, sometimes with a portrait of hope for something great in the human heart, once by the overpowering darkness of one of the family secrets. Some very good writing, some tremendous acting. For example, the scene where Oona goes to see her producer at a sandwich shop; their dialog, and that last moment where he's trying to get a kiss out of her and she's barely resisting--one of the best moments I've seen on film.

If you like good acting, thick psychological stuff, colorful characters, preening never-been jackasses, and deep humanity, see this film.

If, like me, you don't know much about legitimate theater and how serious actors learn their craft, nor how that contrasts with Hollywood's business, you will find this a pleasurable and informative look into an actors' retreat and workshop.

Victoria Foyt stars as a young actress made famous by a starring role in films about a Wonder Woman super hero. She has managed to be invited to a retreat run by a Grand Dame of legitimate theater, played by Grand Dame of legitimate theater Viveca Lindfors in her last role. Besides her acting role, Victoria Foyt is also listed as one of the writers of the movie, and maybe had something to do with getting it made. I had never heard of Victoria Foyt but thought she was truly outstanding, particularly in her training exercises playing a variety of animals. Maybe she wrote the script as a means of showcasing her talent.

I found the movie to be thoroughly enjoyable.

Comedy where???? A load of poseurs and wannabe intellectuals strut about and act like morons. And endlessly, monotonously search for 'ze meaning of lieeefe'. They whine on and on, ad nauseam about art and acting and examine their navels until you want to scream. Yawn, it felt about five hours long. Oh and of course we have to have the childish social justice nonsense about everything. It feels as if everyone wasparticipating in a poor improvisation exercise. Tedious, tedious and more so. I'm being ultra generous giving it five stars. There is really no true intellectual interest in even five minutes of this nonsense. Avoid!

What I mean by my subject line is that I am watching this on HBO on my TV, but came in late and haven't paid full attention while I am doing some other things. Which is why I scheduled it to record on my DVR the next time it is on in about a week. Maybe I can find it available at our public library and see it sooner.

However from what I have already ready in these reviews and from what I have seen of the movie, I somewhat differ from the negative reviews and am enjoying it and will enjoy it as much or more when I get a chance to see the whole thing.

While it probably won no Oscars, not everything will but that doesn't make it bad.

For my tastes, the large number of familiar cast members, the easy and often funny dialog, and the low-key progression of scenes is just doing it for me right now. It does get weird from time to time.

I don't know the writer but someone mentioned Woody Allen and it definitely has that W.A. tone to it. There is almost nothing from W.A. that I haven't enjoyed.