The Man Who Wouldn't Die

The film is truly one of the best Condon's films. The plot is extraordinary just like the performances of Roger Moore (ex-writer Thomas Grace) and Malcolm McDowell (psycho Bernard Drake). Both characters are created in the best possible way. It's a pity that Condon did only one film with Moore , but maybe that's why this film is so special. If you've got some free time and you want to spend it in front of your best friend - TV , watch this film and enjoy it.

Society columnist and former thriller writer Thomas Grace (Roger Moore) based his most successful book, "The Man Who Wouldn't Die", on the notorious killer Bernard Drake , now supposedly dead following a prison fire. But an artist (Nancy Allen) approaches Grace after she has psychic visions and claims that Drake is alive and carrying out murders featured in the plot of Grace's book.

Roger Moore stars in this lively and offbeat thriller which is a sort of an ode to mystery/pulp fiction. Moore is a joy to watch, smooth as ever and sharp. He's 67 here and doesn't look it. He always makes a film watchable. Pity he didn't make more mystery films around this period, or do a TV series. He is well supported by Nancy Allen, a psychic who warns Moore about the murders about to occur from his arch nemesis Malcolm McDowell, who relishes in his fiendish role and is deliciously hammy.

I always have been a sucker for Roger Moore films. Even though his charm has inevitably diminished with age, he still remains Simon Templair for me. His 'savoir faire' on the screen is unmistakable, it should be copyright protected (if it hasn't been already).

In this somewhat Hitchcockian film for TV (whivh proves once again that low budget TV movies can nowadays be much better than many made for the large screen), he creates a good atmosphere together with Malcolm McDowell who is as always, a truly exceptional villain. A thriller almost (as Moore) of other times, based on plot, twists and turns, and not on special f/x. A very welcome change. Thanks Roger!

I Caught this film late night on BBC2 one Friday and I was pleasantly surprised. Roger Moore is one of my favourite actors but even I have to admit he doesn't have the most glowing CV. This was really good though. There are great performances from Rog and McDowell.

The director skillfully mixes comedy and suspense never overbalancing the film with too much of one or the other. I think it would have been good if the film had of had a slightly larger budget to up the production quality a little, I think then it could have been released theatrically and comfortably made its money back.

I wish Roger were in Moore (good one eh?! erm yeah...) movies but I guess he doesn't have so much time with all his charity work and being on TV etc. No matter, its always a pleasure to see him in a quality film or show.

There's this author, right? And he based all his fictional mystery stories on real life crimes committed by a psychopath who is now thought to be dead. With me so far? The author also baseshis fictional hero upon himself. Then, it turns out that the psychopath isn't dead at all, and that he is planning a truly diabolical crime in New York City, and the author who used to write about him is now the only person who can foil his fiendish plans. Sounds complex? That's because it is.

The Man Who Wouldn't Die has a complex plot, but deals with it well and avoids the kind of confusion that could so easily have ruined the film. It unfolds in a humorous fashion and is given a real boost by two of Britain's hammiest actors in two of their hammiest ever roles. Roger Moore as the burnt out detective novelist (in a rare post-View to a Kill role) is just fine and oozes charisma. Malcolm McDowell as the villain gets to smack his lips in over-the-top glee and uncontrollable mania more than any other film since the notorious Caligula. And Nancy Allen (she of Dressed to Kill and Robocop) delivers a reasonably competent supporting performance.

The film benefits greatly by poking fun at itself, thus achieving a nice balance between farce and suspense. As TV movies go, this one is definitely an upper-class citizen!