A freighter crew responds to a distress call from a station run by an AI opera diva. The AI manipulates life support, VR, and nanosystems, posing dangers the crew must overcome to survive.A freighter crew responds to a distress call from a station run by an AI opera diva. The AI manipulates life support, VR, and nanosystems, posing dangers the crew must overcome to survive.A freighter crew responds to a distress call from a station run by an AI opera diva. The AI manipulates life support, VR, and nanosystems, posing dangers the crew must overcome to survive.
- Directors
- Writers
- Stars
- Awards
- 1 win total
Tsutomu Isobe
- Heinz
- (voice)
Shôzô Îzuka
- Ivanov
- (voice)
Kôichi Yamadera
- Miguel
- (voice)
Shigeru Chiba
- Aoshima
- (voice)
Ami Hasegawa
- Emily
- (voice)
Gara Takashima
- Eva
- (voice)
Hideyuki Hori
- Nobuo Tanaka
- (voice)
Ken'ichi Ogata
- Omaeda
- (voice)
Osamu Saka
- Kamata
- (voice)
Hisako Kyôda
- Grand Mother
- (voice)
Michio Hazama
- Nirasaki
- (voice)
Kayoko Fujii
- Sakiko
- (voice)
Yu Hayashi
- The Boy
- (segment "Cannon Fodder")
- (voice)
Keaton Yamada
- Father
- (voice)
Keiko Yamamoto
- Mother
- (voice)
Ryûji Nakagi
- Teacher
- (voice)
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Featured reviews
10yuehans
Great old school sci-fi
Magnetic Rose has the air of a science fiction classic about it. The plot starts out simple : a space waste collection crew receive a mysterious SOS signal, and set out to attempt a rescue mission. But what they discover exceeds their wildest expectations, and the operation spirals out of control.
The short's ambiance is allegedly inspired by Ridley Scott's Alien, and the story by Katsuhiro Ohtomo is reminiscent of other SF classics when it approaches the psychology of dreams (Solyaris) and the dangers of AI (2001), but it also approaches the subject of virtual reality in a unique and interesting way. This might seem like an odd mish-mash, but in the end it all fits together perfectly.
The thick and menacing ambiance in this short is helped by beautiful, fluid animation of a rare caliber and an excellent soundtrack that deftly combines Madame Butterfly (a story element) with electronic ambiances and its own instrumental score. Once again, Yoko Kanno delivers a masterful composition.
I'm normally not a fan of Japanese animation, but this soars above the anime landscape in terms of quality and attention to detail. In fact, after having re-watched it, it's become a favorite of mine in the realm of SF. Magnetic Rose is published as part of the compilation "Memories", but I preferred to review it by itself.
The short's ambiance is allegedly inspired by Ridley Scott's Alien, and the story by Katsuhiro Ohtomo is reminiscent of other SF classics when it approaches the psychology of dreams (Solyaris) and the dangers of AI (2001), but it also approaches the subject of virtual reality in a unique and interesting way. This might seem like an odd mish-mash, but in the end it all fits together perfectly.
The thick and menacing ambiance in this short is helped by beautiful, fluid animation of a rare caliber and an excellent soundtrack that deftly combines Madame Butterfly (a story element) with electronic ambiances and its own instrumental score. Once again, Yoko Kanno delivers a masterful composition.
I'm normally not a fan of Japanese animation, but this soars above the anime landscape in terms of quality and attention to detail. In fact, after having re-watched it, it's become a favorite of mine in the realm of SF. Magnetic Rose is published as part of the compilation "Memories", but I preferred to review it by itself.
Strange
Memories (3/3) - Cannon Fodder - 6.5/10
The most visually unusual of the three, Cannon Fodder also stands out because it runs for 20-something minutes, while the other two shorts are both approximately 40-45 minutes each. As much as I can gather, it's about the meaningless of war, all done with a futuristic slant that bleakly suggests the human race will never change, and firing increasingly advanced cannons will always just be a thing.
It feels satirical, but not in a truly funny way. It's kind of feel-bad and has a vibe that feels off, but that feels intentional, and I think it makes for an offbeat and sort of fitting end to the overall anthology movie that is Memories.
The most visually unusual of the three, Cannon Fodder also stands out because it runs for 20-something minutes, while the other two shorts are both approximately 40-45 minutes each. As much as I can gather, it's about the meaningless of war, all done with a futuristic slant that bleakly suggests the human race will never change, and firing increasingly advanced cannons will always just be a thing.
It feels satirical, but not in a truly funny way. It's kind of feel-bad and has a vibe that feels off, but that feels intentional, and I think it makes for an offbeat and sort of fitting end to the overall anthology movie that is Memories.
Amazing anime trilogy
Amazing anime trilogy from AKIRA's Katsuhiro Otomo, who presents three unrelated sci fi stories directed by different directors (he did the last one, writers/first-time directors Tensai Okamura and Koji Morimoto did the other two). They are amazing vignettes with some stupendous animation in three different styles. Otomo's is especially unique in that there are no cuts the "camera" moves fluidly through every scene without a jump or a stop. Morimoto's 40-min "Magnetic Rose" is stunningly animated, the most amazing of the two, telling of a space ship's investigation of a distress signal discovering a magnificent world created by a woman's memories the music takes advantage of the operatic aria, Madame Butterfly, arranged by Yoko Kanno, who also supplies an excellent original score. "Stink Bomb," the middle segment, is clever and funny and fast-paced; Otomo's anti-war statement in "Cannon Fodder" closes out the film with a subtle bit of thought-provocation about a city whose entire purpose is the firing of cannons at an unknown enemy.
Before Watching: Memories (1995)
"Memories" (1995) is a pretty good movie, and if you want to get as much out of it as possible, there are a few things you need to keep in mind before watching:
Memories is a three-episode anime including three separate stories: "Magnetic Rose", "Stink Bomb" and "Cannon Fodder". There is no cohesion between the stories, so don't spend time looking for similar plot elements. There are none.
The first episode, Magnetic Rose, is a sci-fi anime that occasionally borderlines horror, similar to "Alien" but in a more psychological way. This part is rich with great visuals and superb sound, so get close to the screen and turn all the lights out. If possible, use a pair of headphones to get really submersed.
Stink Bomb is a light, bioterrorism comedy. It provides a few shocking frames in the first third of the movie which can be a bit intense, but it lightens up afterwards and provides a hilarious ride which shouldn't be taken too seriously.
Cannon Fodder is the more artistic and rawer episode out of the three. Pay attention to the smooth flows between the sceneries and get ready for some 1984-like vistas and philosophies.
My personal grade: a solid 7/10. If you found this helpful, check my profile for more reviews.
Memories is a three-episode anime including three separate stories: "Magnetic Rose", "Stink Bomb" and "Cannon Fodder". There is no cohesion between the stories, so don't spend time looking for similar plot elements. There are none.
The first episode, Magnetic Rose, is a sci-fi anime that occasionally borderlines horror, similar to "Alien" but in a more psychological way. This part is rich with great visuals and superb sound, so get close to the screen and turn all the lights out. If possible, use a pair of headphones to get really submersed.
Stink Bomb is a light, bioterrorism comedy. It provides a few shocking frames in the first third of the movie which can be a bit intense, but it lightens up afterwards and provides a hilarious ride which shouldn't be taken too seriously.
Cannon Fodder is the more artistic and rawer episode out of the three. Pay attention to the smooth flows between the sceneries and get ready for some 1984-like vistas and philosophies.
My personal grade: a solid 7/10. If you found this helpful, check my profile for more reviews.
Classic anime
After seeing Akira it's natural to be curious of what Otomo's produced. This collection of short movies(all more than 20 minutes though) is a fun, action-packed and imaginative reminder why anime is among the best genres, and NOT restricted to kids(or in the case of these shorts, not really for kids at all).
The last short of the three is called Cannon Fodder. It features a very cool style unlike normal anime, some neat "camera" tricks and illusions of 3D, and a heavy but playful mood. It's quirky and good but not great.
The second short is called Stink Bomb, which is a crazy, fast-paced disaster/action story with a healthy dose of black humour. It's very well made, with insanely detailed tanks, helis, airplanes etc, and lots of explosions. The whole thing is funny and bizarre, and easily a classic.
The first of the three shorts, which in my opinion should have been saved to last, is Magnetic Rose. Here the humour of the two others is gone, and we have a very gripping and serious story set in a sci-fi environment. This is more like Otomo's Akira stuff; epic but with great characters. Some scenes are gut-wrenchingly emotional and disturbing. All set to a classic opera score, it is chilling and eerie and grand-scale in a way Hollywood never seems to get right.
If you like to watch the occasional anime, this is a very good choice. Don't know how easy it is to get a hold of, but it seems to be very popular at least in Japan.
The last short of the three is called Cannon Fodder. It features a very cool style unlike normal anime, some neat "camera" tricks and illusions of 3D, and a heavy but playful mood. It's quirky and good but not great.
The second short is called Stink Bomb, which is a crazy, fast-paced disaster/action story with a healthy dose of black humour. It's very well made, with insanely detailed tanks, helis, airplanes etc, and lots of explosions. The whole thing is funny and bizarre, and easily a classic.
The first of the three shorts, which in my opinion should have been saved to last, is Magnetic Rose. Here the humour of the two others is gone, and we have a very gripping and serious story set in a sci-fi environment. This is more like Otomo's Akira stuff; epic but with great characters. Some scenes are gut-wrenchingly emotional and disturbing. All set to a classic opera score, it is chilling and eerie and grand-scale in a way Hollywood never seems to get right.
If you like to watch the occasional anime, this is a very good choice. Don't know how easy it is to get a hold of, but it seems to be very popular at least in Japan.
Did you know
- TriviaIn "Magnetic Rose," the opera singer's lover is named Carlo Rambaldi. This is most likely a tribute to film special effects creator Carlo Rambaldi who has contributed effects to "Alien" and "Close Encounters of the Third Kind" (among others).
- GoofsIn the three tales anthology segment, Cannon Fodder, depicts a city with numerous windows amid very large cannons. Oversized cannons generally blow out window panes.
- ConnectionsFeatured in Katsuhiro Otomo Cinema Anthology (2005)
- How long is Memories?Powered by Alexa
Details
- Runtime
- 1h 53m(113 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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