The Passion of Darkly Noon

The weirdly named Darkly Noon (Brendan Frasier) is the sole survivor of a Waco-style massacre and a religious fanatic. He is taken in by Ashley Judd, who lives in a isolated cabin in a huge forest. The first set of tensions come when Noon's strong attraction towards Judd clash with his religious beliefs. The second arise when Judd's mute boyfriend Viggo Mortensen returns. And then hermit Grace Zabriskie befriends Noon and tells him Judd is a witch.

This is pretty impressive stuff from writer and director Philip Ridley. He's not afraid to risk being pretentious and, in truth, he is at times. Mostly, though, he creates an unsettling, powerful piece with the texture of a nightmare. Surreal at times (a giant, glittering boot floating down a river?) it conveys the powerful and enigmatic nature of both human emotions and the unexplored forest. It's clear that things are going to end bloody but, crucially, you can't guess for who; because at times it seems the coquettish Judd might be a witch.

In this film, Bredan Fraser shows he can strech to many different roles. It is quite a change from his sweet, the boy next door characters. Drakly is a disturbed young man who loses his parents, who raised him with stict religeous beliefs. He meets Callie, played by Ashley Judd. Soon he starts to fall for her but is torn by his religous belief. As he starts to lose all traces of sanity you feel compassion and fear for him. Altough the film opens many questions, in the end they are answered. When Darkly really starts to lose his mind you begin to fear him. In the end you almost feel sorry for him and realize the effect he really had on Callie and you begin to feel sorry for all the characters involved. This is not a typical Bredan Fraser film, and if you enjoy suspense I would definitely recommend this film.

This is a very different film. Beautiful, surreal, it has a dream-like quality with stark echoes of Ridley's equally beautiful "Reflecting Skin". It is an odyssey into a waken dream which is not to be taken as real, but as some kind of fairy tale. Ridley himself is not one of those Hollywood hacks that would be lost without their million-bucks equipment, but a true artist in the noble sense of the word, with a universe of his own (as anybody who saw his "American Gothic" paintings, a direct inspiration to his two films, or his play "Pitchfork Disney" would understand. Experience it for yourself.

I have to say this is not the type of film i thought Brendan Fraser would be in but i was wrong. Brendan was pain stakingly vulnerable as Darkly who is taken in by Callie where he was found in the forests.

The story follows on as Darkly is very religious Callie a free-

spirited girl and Darkly cant stand it because he looks up to his

parent and they taught how things should be.

Callie doesn't seem to agree and thinks life should be free and having

desires and love is not a crime.

His jealousy grows when Callie's boyfriend returns Darkly seems to be having some deep feelings for Callie which he can not control.

I thought this film was very intense and dark it was one of Brendan Fraser's darkest roles i've ever seen he played the role with sensitivity and vulnerability.

This is an unusual film. The summary above does a fair description of the plot, but what it doesn't describe is the air of magic around the forest and everyone's encounters within it. It's hard to describe this, except to say that the film both brings you together with one character's descent into madness while also introducing you to people who seem as though they stepped right out of a story book.

At times, it has the feel of some children's tale of a lost soul wandering through the woods, encountering various odd characters. Some are endearing, some are frightening. The difference is that this isn't a children's tale, and the emotions and imperatives are being experienced by adults, though not always with a mature sense of self-control.

Ashley Judd is both eerily wistful and intensely sensuous as a young lady seemingly without any concept of shame or self consciousness, and deeply in love. Brendan Fraser does a credible job of portraying an inexperienced, painfully conflicted child-man and seems to sweat this tension from every pore.