Pharaoh's Army

Hidden gem here.

This is a war film, and it gives us the best of all worlds in film making.

However, I don't want to build it up too much. It's best to be somewhat pleasantly surprised, like I was.

It gives us the old fashioned war film, with a focus on an isolated group of soldiers. Here, it is the Civil War, and the soldiers are on a patrol to confiscate food for their army from Confederate sympathizers.

My initial feeling is that the characters are too three dimensional for most of IMDb's bubble boy posters. For the rest of the world, I dare say this story would envelop them in a world they could believe existed.

The cinematography is outstanding. The scenery is powerful. Everything about this film is amazing. I'd nominate everyone from cue card holder up for an Academy Award.

I'll echo what others have said. The characters look true to the times. Not like 20th or 21st century actors in uniform between video games. This is the real deal. I also like the way the accents were moderate, more Kentucky than the recent push to turn Kentucky into Mississippi. This was the "neutral" state of the Civil War. Historically, and geographically, it has never been the South, but more of the meeting of North and South.

I won't tell more of the plot, because I think you should take the ride. Trust these reviews. I don't think this film can possibly get a bad review, unless it's from a jealous competitor.

If you're even mildly interested in the War between the States, this film is worth watching. It is great historical story telling. No flashing sabres, no cavalry charges, no carnage -- just the story of a sorry group of Union soldiers stumbling into the farm of a Confederate woman and her son and taking as much as their captain's conscience allows. This quantity moves up and down as events unfold affecting his sense of humanity in conflict with his sense of duty to his men and his cause. Ultimately, he reaches a compromise that any of us would be hard put to top.

I appreciate the historical treatment of the war in Kentucky, a slave state that tried to stay neutral but eventually opted to remain in the Union under mysterious political circumstances involving the detention of certain legislators. Roughly half the soldiers from Kentucky fought for each side, but there's never been much treatment of what it was like to have lived there through those times. This film makes a great contribution simply in the "look and feel" of the time and place.

Without giving away the story, it's a pretty deep film on many levels from pain, to to hate to revenge and retribution to entitlement and remembering and forgetting all the reasons why we hate certain people in the first place.

Top class acting by Chris Cooper and Patricia Clarkson. Also very great performances by Kris Kristofferson and Richard Tyson. A film worth seeing and perhaps even, learning from.

This is one of my personal favorites, a rare little gem that seems to be undiscovered by the general population. Chris Cooper and Patricia Clarkson form the heart of the piece in what is a well-chosen cast. Few movies have ever captured the true hostilities that undergirded the Civil War, but this one seems to capture all the right tones and moods. If you're a fan of the book, Cold Mountain, try this movie out and see if you don't think it makes a good companion piece.

"Pharaoh's Army" defies formula. Instead of selling out for cliches and big stars, it relies completely on the excellent acting from a strong cast, the strength of a well written script, and a fascinating and bitter story. The result is a raw and realistic film that moves along fast, with a heavy emotional current. One of the best I've ever seen about the Civil War, and I think it can owe that to the pleasure of being an independent film (if you like this film, try to see the similarly brilliant indie Civil War film "Wicked Spring" as well).

"Pharaoh" simply tells the true story of a small expedition/forage team of Union men who ride into a Confederate farm to take provisions, but end up stuck there because of an accident of one of the men. Tensions broil and relationships are made and broken. Nothing happens the way Hollywood would write it; this movie comes from the mind of someone who actually cares about quality film and the telling of history. Superb dialogue and plot exposition move along a film that looks highly professional, but often doesn't feel like you're watching a movie, more along the lines of hearing a story.

The film boasts an incredible performance from Chris Cooper who shows an amazing versatility in the exploration of his role. He transforms, but is always at the height of believability and is easy to emotionally relate to. Patricia Clarkson is equally as stellar and realistic in a role that many actresses would crumble in. She shares an interesting chemistry with Cooper's character and where she's the more severe of the characters, is still as easy to identify with. The rest of the cast is quite capable, and fill their roles in well.

The art design and the set are wonderful, and personally I love the cinematography. It all has the feel of a Civil War period photograph with the camera presenting strong contrasting colors and shadows and a tin-like metalic tint, but always keeping the naturalistic look of the rustic setting. They seem to have used natural lighting, but whatever they used works beautifully. Everything looks like it belongs where it is, it feels period, something I find rare in American period films. The actors act 19th century, not like 20th century people in old clothes.

Above all, this film is very personal. I think that as an indie it can afford it. The film is nearly flawless with an outstanding script that effortlessly creates and explores the relationships and personalities of these characters and lets them grow in a situation, as bad as it is. It doesn't fail in getting it's point across, and it gets it's point across without the usual and overused techniques that are used in all war films these days. It's brave. It relies on it's characters, a fantastic script, human emotion, and in the cold hard fact that the Civil War wasn't all CGI, big stars, and hoop skirts.