Pie in the Sky

I liked this film- I saw it to catch a bit player Larry Holden - but Charles and Heche make this a passable romantic movie. It was just offbeat enough- romance between a sky jockey and a modern dancer to be appealing... and the side bar- the lusty landlady added to the humor... a nice variant to boy loves girl, boy loses girl and then gets her back....

Is love like a traffic flow, sometimes running smoothly, sometimes stalled and going nowhere? That's what Charlie (Josh Charles) thinks. Charlie has two great loves: traffic/traffic reporting and Amy (Anne Heche). Having met as children, the boy and the dance-loving girl meet again as teenagers and explore the wonders of first love. Yet, they are headed in two different directions, for college and otherwise. A break-up is inevitable. Years later, Charlie has traveled to Los Angeles to work at a television station and meets Amy again at a local coffee shop. She is a waitress, involved with a modern dance group in her spare time. Unfortunately, Amy is cold to the idea of rekindling the relationship and tries to discourage Charlie. Will he win her over or concentrate more on his career?

This is an offbeat romantic comedy. The swirl of characters surrounding the two leads are all a bit unusual but provide some laughs. John Goodman is wonderful as a famous traffic reporter. Heche gives a petulant performance which is very attractive at times and a bit offputting at others. Fans of movies a little less ordinary should be pleased with this effort. Others may find it pleasant but not particularly memorable.

This is an imaginative movie, with elements of the slightly farcical movies of the '80's (Secret of my Success, you know the sort of thing). It's saved from mediocrity and anachronism by a sort of twisted realism caused by disjointed, surprising plot changes/devices. This is also evident in the sex scenes (with a sort of "left a bit"/"can we... move down the bed" approach) which makes the romance element all the more touching.

Josh Charles (Threesome, Dead Poets Society) delivers a traffic metaphor heavy Kevin Bacon (in She's Having a Baby)-esque narration competently, while Anne Heche manages to pull off being equally expressive, beautiful and serene. It's very hard not to love her in this movie, should you let yourself fall into the sap trap.

It's a striking film, touching and witty. Feelgood? Yeah, I guess I feel alright.

Having worked for Metro Traffic (the organization whose LA office is featured in the film) for 20 years, I got I big chuckle out of Josh Charles' line, "After all, who wouldn't want to work for Metro Traffic."

If I remember correctly, producers of this film contacted our then-CEO David Saperstein about using the company in the film and he was glad to oblige. David and his wife, Suzanne, had recently been featured on "Lifestyles of the Rich and Famous." The scenes at the Metro Traffic Control office in LA were actually filmed on location there and not a movie set. I've had fun over the past few years loaning my copy of this flick to fellow employees and noting their varied reactions.

I actually have encountered employees in this company who have the same obsession with traffic as Charles' character. And, thank goodness I'm not one of them. I have a real life.

I had a great time with this well done, quirky film. My crush on Anne Heche started with her engaging performance in this piece. The crush is no more, but my admiration for the movie, (and Ms. Heche), remains. The film is sweet without becoming saccharine. I recommend it.