Unstrung Heroes

During movies, some people gush and cry at the slightest hint of emotionality. For a while I prided myself for having not cried at one single film (a typical mentality for a young American male). Sure there were times when a ball of almost-ready-to-cry emotions would appear in the back of my throat, but I always considered that a normal reaction to what I call Easy Sadness scenes in movies (such as "Schindler's List", "Philadelphia" etc.). Then I saw "Unstrung Heroes".

When the end credits started rolling up, I was stuck in my seat unapologetically bawling. And the best part was that "Unstrung Heroes" wasn't particularly sad or depressing, the movie just, for lack of a better word, moved me.

Turturro is, of course, excellent as usual, Andie MacDowell has a memorable performance, but its Michael Richards' and Maury Chaykin's duo that steals the show. Their foolishness will have you laughing one minute and then amaze you with sage-like wisdom the next.

I guess the film is somewhat based on a true story. I gave a rating of 7.

Very nice, touching movie. Made me cry. A story of a boy coming of age while dealing with a dying mother and rebelling against his father all in the context of a loving extended family. The (Jewish) cultural angle gave it authenticity. A fine performance by Nathan Watt but that John Turturro is really something. Michael Richards was essentially Kramer again. Interesting in that it is a woman director (Diane Keaton) who brings this story of male family love to the screen. While mom is very loving as well, she sadly and symbolically abandons Steven/Franz by dying and it is the weird (eccentric and harmlessly schizophrenic) uncles who support him thru it all, once again posing the question, "Who really are the crazy (or heroes, for that matter) among us?" I give it an 8.

Based on Steven Lidz's memoir of his childhood in New York. His father is (we are told) a brilliant inventor; Steven adores his mother and is adored in return. Steven's relatives include two genially crazy uncles, Danny and Arthur, who live together in an apartment across town. Precise diagnoses are never discussed and their behavior is seen from the point of view of a boy, but they both appear to have variants of schizophrenia, Danny being paranoid and Arthur more undifferentiated. Steven's almost blissful family life is cruelly interrupted when his mother becomes ill with cancer. Unhappy with his home life after the change, he 'runs away' to live with his uncles. Their apartment is a crowded archive of their mental illness. Steven is alternately fascinated and mortified by their bizarre behavior, but by sharing their world, he becomes a better person. This movie has no real plot or payoff, but it is captivating and moving. My upbringing was completely different from Steven's, but as a member of a Jewish family that has produced both some very bright people and some very crazy people, I can say that the film conveys the accuracy of 'felt life'. It is the antithesis of today's usual deadly conformist, formulaic and violence-ridden Hollywood films.

Nathan Watt does a very good job as Steven. John Turturro as his father is part of the long and distinguished tradition in American film and television of Italians playing Jews (and vice versa); he's done it at least once before ("Barton Fink"). You can't help but see a bit of Cosmo Kramer in Michael Richards's performance as Danny. Best of all was Arthur as played by that shambling, rumpled Canadian bear Maury Chaikin. Most of the IMDb reviews rave about Andie MacDowell, but this Jewish reviewer feels that in fact she was woefully miscast as Steven's mother Selma; in her looks, her speech, her mannerisms, her body language, and her demeanor, she totally fails to convince as a New York Jewish woman. This was the sort of role that should have gone to someone like Lisa Edelstein, Bette Midler, Tovah Feldshuh or Debra Winger.

I really liked this film. Kudos to Andie for not looking at all like a model. Solid dramatic work from Richards, and good direction from Keaton. My biggest criticism is that the stacks of newspapers and junk in the uncles' apartment were unrealistically neat. Whoever did the set design has never seen the "real deal," and it shows! They did manage, however, to avoid pinning the film to a specific time and place, which allowed the film to seem "apart from normal experience," somewhere between reality and someone's very personal dreamworld. Unstrung Heroes is not a big film. It has no definitive message, and it may never become well-known. It was made in an artful manner, rather than for box office receipts, however, and that is one quality I deeply respect.

Since this story goes back and forth between a comedy and a really sad, dramatic story, I guess you could call it unique. The drama is much more at the end involving Andie McDowell's character.

Supposedly, this is a true-life story of Steven "Franz" Lidz and his wacky family - the kid (Nathan Watt), the father (John Turturro) and the two uncles (Maury Chaykin and Michael Richards.). The story has a lot of Jewish flavor and religious themes, pro and con. It's not an easy story to explain so I won't go past what I've said that it's simply an interesting portrait of a different-kind of family with lots of laughs early on but tears later.

You could get an idea early on that it's kind of a sweet movie, but there are some uncomfortable scenes in here. There is a little bit of about everything, guaranteed to strike everyone's emotions somewhere along the way. The story stayed with me long after I first watched it.