IMDb RATING
5.6/10
2.5K
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While Bruno is an international money mover and influence peddler and Virginia is his very beautiful wife, his sexual appetite requires the services of banker and part-time hooker Alex. It's... Read allWhile Bruno is an international money mover and influence peddler and Virginia is his very beautiful wife, his sexual appetite requires the services of banker and part-time hooker Alex. It's love at first sight. But, who are the lovers?While Bruno is an international money mover and influence peddler and Virginia is his very beautiful wife, his sexual appetite requires the services of banker and part-time hooker Alex. It's love at first sight. But, who are the lovers?
Candace Kita
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Stunning piece of b-rate trash that should be honored not criticized. Cliched but effective plot keeps you frozen to the screen. Heche and Chen's believable love for each other shines through, but it's Walken's over the top performance that takes this film to another level. The scene where Walken says the quote "10 years pal in a cage with a gorilla with a psycho gorilla" is classic walken and that one quote alone is reason enough to check out this film.
Intriguing, eye-opening thriller this, featuring an outrageous, insane and over-the-top performance from Christopher Walken even compared to his usual crazed output. Essentially a romance between the two leading ladies, Walken is the central figure and catalyst of all events as his loopy as hell gangster feller messes around with some women, is picked on by some dodgy coppers, and generally acts like a total loon. Joan Chen and Anne Heche are good as, respectively, his longtime girl and partner in crime, and his newest conquest and hobby, both putting in subtly sensual and remarkably sympathetic performances, and Steven Bauer is impressive (in the first role I've really noticed him in since Scarface) as the totally twisted, corrupt undercover cop on Walken's back, but this is really all Walken's show, as he chomps at the scenery with massive gusto. The atmosphere is dark and warm and a little steamy, there's plenty of expensive looking whisky about the place and people leading lives on the edge of sanity; the tragic Cammell's last film is a dark, intense, often inspired and occasionally hilarious gaze into the wilder side of sexuality and empowerment. Definitely one to watch with an open mind.
I remember reading a review of this in one of those phone book sized movie guides you can get at a book store. They gave it their lowest rating, saying that it looked like it was all improvised in a series of motel room and apartments.
Yea, I can kind of see it.
Anyways, Wild Side is an OK noir film of sorts about a bank worker by day, high class prostitute by night (Heche) who gets involved with a crime boss (Walken) and his sexy girlfriend (Chen). Heche and Chen end up falling in love, and concoct a plan of sorts to get away.
The film probably would have faded away if it wasn't for the scorcher of a love scene between Heche and Chen. With an agonizingly erotic set up (a long dinner date between the two, followed by a first kiss in the womens bathroom), the actual love scene is allowed to play out nice and slow, in a big bedroom with the summer light and breeze blowing in. Seriously guys (and girls, I guess) this is everything you could want in a scene like this.
I wish I could say the movie around it was memorable enough to live up to that kind of glory, but it really doesn't. I'm sure Donald Cammell was a great director, and it's probably real sad that the film was chopped up before he could finish it to it's satisfaction. But I've got a feeling that whatever state this movie was supposed to in, it would have turned out the same.
Eroticism aside, the lesbian scene is asthetically like a breath of fresh air. It's bright, and wide open in the way it plays out across the screen. Compared to that, the rest of the movie really does play too dark; It really is kind of like sitting with your legs crossed on the floor in the corners of dark apartments while listening to other people talk. Dreary, in other words.
By the way, check out the Canadian video cover for this one compared to the static "3 portraits" cover we got in America. A classic example of how just how puritanical our culture can be sometimes.
Yea, I can kind of see it.
Anyways, Wild Side is an OK noir film of sorts about a bank worker by day, high class prostitute by night (Heche) who gets involved with a crime boss (Walken) and his sexy girlfriend (Chen). Heche and Chen end up falling in love, and concoct a plan of sorts to get away.
The film probably would have faded away if it wasn't for the scorcher of a love scene between Heche and Chen. With an agonizingly erotic set up (a long dinner date between the two, followed by a first kiss in the womens bathroom), the actual love scene is allowed to play out nice and slow, in a big bedroom with the summer light and breeze blowing in. Seriously guys (and girls, I guess) this is everything you could want in a scene like this.
I wish I could say the movie around it was memorable enough to live up to that kind of glory, but it really doesn't. I'm sure Donald Cammell was a great director, and it's probably real sad that the film was chopped up before he could finish it to it's satisfaction. But I've got a feeling that whatever state this movie was supposed to in, it would have turned out the same.
Eroticism aside, the lesbian scene is asthetically like a breath of fresh air. It's bright, and wide open in the way it plays out across the screen. Compared to that, the rest of the movie really does play too dark; It really is kind of like sitting with your legs crossed on the floor in the corners of dark apartments while listening to other people talk. Dreary, in other words.
By the way, check out the Canadian video cover for this one compared to the static "3 portraits" cover we got in America. A classic example of how just how puritanical our culture can be sometimes.
Ok, so it's a trashy soft-porn B-flick. I still like it. I got my first eyeful of Anne Heche (full frontal and backal--thx, Dilbert) plus more of Joan Chen, a fave since Twin Peaks. What more could you want? Walken gets a little weird...surprised? Isn't that why we love/hate him so? And Steven Bauer sure can play a jerk, the big hunky galoot. I've liked him since "Thief of Hearts."
The soundtrack is a bonus with a lush groove to it. I'd love to see the director's cut which sounds much more divine than the somewhat annoying cable version, but until then I'll have my finger poised confidently over my remote's FF button so I can get to the good stuff. Btw, Anne's performance reminds me of a young Bette Davis with her nervous fidgeting and self-conscious sashaying. Anyone else see it besides me? Just curious...maybe <grin>.
The soundtrack is a bonus with a lush groove to it. I'd love to see the director's cut which sounds much more divine than the somewhat annoying cable version, but until then I'll have my finger poised confidently over my remote's FF button so I can get to the good stuff. Btw, Anne's performance reminds me of a young Bette Davis with her nervous fidgeting and self-conscious sashaying. Anyone else see it besides me? Just curious...maybe <grin>.
It all begin with a boring introduction (a closeup one the city with ugly techno music that is makes me think of the 70s...) but it gets better after that. Christopher Walken is great and his speech about power at the end of the movie won't be forgotten (more funny than intelligent do...) Joan Chen and Anne Heche are sooooo cute in one of the best lesbian scene ever made (and they don't even need to be nude to be so cute ! ). Steven Bauer is also excellent ( we hate him, we find him morron and we hope him to die but that's his role and he's doing the job well...and don't worry you will like to see his fate at the end...).
Did you know
- TriviaDonald Cammell was introduced to Nu Image by producer Elie Cohn, with whom he had worked on the unmade Marlon Brando film "Jericho". Nu Image was also familiar with Cammell's work and appeared to like the "Wild Side" script. However, the relationship between Nu Image and Cammell quickly turned sour. First, the company tried to prevent the casting of the then completely unknown Anne Heche as Joan Chen's lover. Then they questioned Cammell's working methods, sparking a battle of wills between him and Cohn. When Cammell delivered his rough cut, the producers were horrified. They fired off a memo ordering the film's editor Frank Mazzola to remove all flashbacks, flash forwards and jump cuts. Unsatisfied, the producers sacked him and re-cut the movie themselves.
- GoofsDuring Anne Heche and Joan Chens sex scene, the sheets change position in quite a few shots.
- Quotes
Bruno Buckingham: I have contempt for money.
Alex Lee: What, yours or mine?
- Alternate versionsAvailable in both "R" and unrated versions.
- How long is Wild Side?Powered by Alexa
Details
Box office
- Budget
- $3,500,000 (estimated)
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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