The West
- TV Mini Series
- 1996
- 1h
IMDb RATING
8.4/10
2.3K
YOUR RATING
Stephen Ives' "The West" is a PBS 4-Video Series co-produced by Ken Burns: - "Death Runs Riot" 85 min. - "Fight No More Forever" 85 min. - "Ghost Dance" 58 min. - "The People" 82 min.Stephen Ives' "The West" is a PBS 4-Video Series co-produced by Ken Burns: - "Death Runs Riot" 85 min. - "Fight No More Forever" 85 min. - "Ghost Dance" 58 min. - "The People" 82 min.Stephen Ives' "The West" is a PBS 4-Video Series co-produced by Ken Burns: - "Death Runs Riot" 85 min. - "Fight No More Forever" 85 min. - "Ghost Dance" 58 min. - "The People" 82 min.
- Awards
- 1 win & 2 nominations total
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10AlexMI
Unique, amazing, massive project thoroughly documenting the expansion of the United States into the vast territories of the American WEST. Brutally honest, sympathetic insight into the fall of the many Native American peoples... some of the material is painful, sometimes bleak, but an absolute MUST SEE for any feeling person with even a passing interest in the history of America. Outstanding photography and the classic Ken Burns look & feel (executive & senior producer), but with director Stephen Ives' own insightful point-of-view. This series ranks right along side Burns' "Civil War" in scope and depth, IMHO. See it anyway you can, then demand the set on DVD! (DVD not available at this writing).
Burns and Ives combine to produce a work that's very much up to Ken Burns' standards. As a viewing experience, it's everything you'd expect.
And then there's the content.
Much has been made about the supposed bias of Burns' presentation of the history of the west. A lot of time was spent on the way the US treated the indigenous populations, on the crimes of the US military, on the theft of lands, and the systematic attempts to eradicate native cultures. The loss of the age before white settlement is lamented.
Is this a balanced perspective? Maybe not, although I don't think it's as biased as other reviews would have you believe. The triumphs of the west are told as well as the losses. Not all whites are painted as evil, nor are all natives painted as innocent. Events are often just told as they happened, and the viewer is left to draw their own conclusions. A lot of the content doesn't concern native Americans at all.
More important that all of that, however, is that it's a story that needs telling. Americans have been indoctrinated with romantic fictions about the west for over a century. Giving Burns a chance to tell the other side of the story doesn't seem too much to ask. A few Hollywood movies that paint the indigenous people of America before westward expansion as noble savages - also a pleasant fiction, incidentally - does not make up for a century of bias, misinformation, and outright lies taught to American schoolchildren. What's worse is that for the most part, these fictions are still taught to American schoolchildren.
At nearly nine hours, The West is an experience that will take up several of your evenings, but it's nine hours that may change the way you think about American history.
And then there's the content.
Much has been made about the supposed bias of Burns' presentation of the history of the west. A lot of time was spent on the way the US treated the indigenous populations, on the crimes of the US military, on the theft of lands, and the systematic attempts to eradicate native cultures. The loss of the age before white settlement is lamented.
Is this a balanced perspective? Maybe not, although I don't think it's as biased as other reviews would have you believe. The triumphs of the west are told as well as the losses. Not all whites are painted as evil, nor are all natives painted as innocent. Events are often just told as they happened, and the viewer is left to draw their own conclusions. A lot of the content doesn't concern native Americans at all.
More important that all of that, however, is that it's a story that needs telling. Americans have been indoctrinated with romantic fictions about the west for over a century. Giving Burns a chance to tell the other side of the story doesn't seem too much to ask. A few Hollywood movies that paint the indigenous people of America before westward expansion as noble savages - also a pleasant fiction, incidentally - does not make up for a century of bias, misinformation, and outright lies taught to American schoolchildren. What's worse is that for the most part, these fictions are still taught to American schoolchildren.
At nearly nine hours, The West is an experience that will take up several of your evenings, but it's nine hours that may change the way you think about American history.
In response to the ludicrous comments of the aforegoing jingoistic 'type': The writers of The West must have had more than a few facets of their mammoth piece right in order to elicit such a typically moronic right-wing-styled response in its appeal to nationalistic myth, grand-narrative delusion and brazen stereotype positing. Not to mention - the ironic circumstance of contending that 'we' as the Caucasiatic race are being slighted in some way, in order to showcase the romanticised moanings of other races. The series does no such thing... in fact it habitually (and necessarily) DOES turn about much of the essential Ameri-myths of Frontier and Manifest Destiny (and sundry others), which have been/are so central to your much lauded and generalised "natioanl consciousness". The series, in the main, does NOT disparage these! - nor is there essentially any need to - since they're not altogether bad, of course.
So, once you're finished waving your flag about, and - somewhat ironically - prattling on about the reductive "black and white", perhaps consider that an expansive narrative like The West MUST contain motifs and themes... it cannot present a comprehensive or 'complete' history (there is no such thing)... and is perfectly entitled to present perspectives that don't accord with someone-or-other's ideal of a 'balanced' account. 'Balance' is NO objective reality, and shouldn't be thought of as 'existing' as a universal truth awaiting insertion into subjectively-conceived narratives - not even quality history docos such as The West. As far as I could ascertain, The West does NOT prefigure or predetermine to depict white settlement as inherently disastrous in any event. It is celebrated as much or as far its nasty consequences are elucidated. And, the perspectives of native peoples OUGHT factor decisively anyway - it is no narrative flaw of The West to present this perspective... especially when facts abound to corroborate.
Also, to the aforementioned 'patriot' who seems fond of collectivising white America concerning all that overstated 'swell'stuff like "fighting communism" and "winning two World Wars" ... you're okay with maintaining the 'we' for all the OTHER stuff too, right?
The West does present narrative, production and continuity issues for me also, but I'm loathe to be allied to a K.P. such as thee.
So, once you're finished waving your flag about, and - somewhat ironically - prattling on about the reductive "black and white", perhaps consider that an expansive narrative like The West MUST contain motifs and themes... it cannot present a comprehensive or 'complete' history (there is no such thing)... and is perfectly entitled to present perspectives that don't accord with someone-or-other's ideal of a 'balanced' account. 'Balance' is NO objective reality, and shouldn't be thought of as 'existing' as a universal truth awaiting insertion into subjectively-conceived narratives - not even quality history docos such as The West. As far as I could ascertain, The West does NOT prefigure or predetermine to depict white settlement as inherently disastrous in any event. It is celebrated as much or as far its nasty consequences are elucidated. And, the perspectives of native peoples OUGHT factor decisively anyway - it is no narrative flaw of The West to present this perspective... especially when facts abound to corroborate.
Also, to the aforementioned 'patriot' who seems fond of collectivising white America concerning all that overstated 'swell'stuff like "fighting communism" and "winning two World Wars" ... you're okay with maintaining the 'we' for all the OTHER stuff too, right?
The West does present narrative, production and continuity issues for me also, but I'm loathe to be allied to a K.P. such as thee.
I am a huge fan of the West so watching a docu-series by Ken Burns on the West was a must for me and he delivered. High quality content and excellent narrating from Peter Coyote!
The history of 'The West', the area of the United States west of the Missouri River, from the 16th century to the early 1900s.
Interesting documentary series. Well-researched, with some great detail. Doesn't cover just bigger-picture history but also some of the micro stuff, the lives of everyday people involved.
While the facts are interesting, this negated to some extent by the editorial bias. Instead of just giving the history, the writers decided to centre the series on the native Americans. This means that the common theme is that the white/US expansion into the west is bad and that whites are evil. You can sense the delight in Peter Coyote's voice as he details Custer's Last Stand.
Covering the native American perspective was necessary but it didn't have to be the only perspective or a good vs bad, us vs them sort of thing. This focus extends into everything, including the intro theme, the music of which became very irritating, very quickly, yet got played ad nauseam in the series.
In addition, the one thing most people would have looked for in this series was stories of famous gunslingers and outlaws from the late-1800s. There's a brief mention of people like Wyatt Earp and Doc Holiday, but that's it. This is consistent with a comment towards the end of the series that the actual West wasn't as glamourous or action-packed as Hollywood makes it out to be. This is true, but they could still have covered some of that history.
Overall, worth watching for a detailed history of the West. Just don't expect stories of gunslingers or a balanced approach to history.
Interesting documentary series. Well-researched, with some great detail. Doesn't cover just bigger-picture history but also some of the micro stuff, the lives of everyday people involved.
While the facts are interesting, this negated to some extent by the editorial bias. Instead of just giving the history, the writers decided to centre the series on the native Americans. This means that the common theme is that the white/US expansion into the west is bad and that whites are evil. You can sense the delight in Peter Coyote's voice as he details Custer's Last Stand.
Covering the native American perspective was necessary but it didn't have to be the only perspective or a good vs bad, us vs them sort of thing. This focus extends into everything, including the intro theme, the music of which became very irritating, very quickly, yet got played ad nauseam in the series.
In addition, the one thing most people would have looked for in this series was stories of famous gunslingers and outlaws from the late-1800s. There's a brief mention of people like Wyatt Earp and Doc Holiday, but that's it. This is consistent with a comment towards the end of the series that the actual West wasn't as glamourous or action-packed as Hollywood makes it out to be. This is true, but they could still have covered some of that history.
Overall, worth watching for a detailed history of the West. Just don't expect stories of gunslingers or a balanced approach to history.
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- Запад
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- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
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- 4:3
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