The Brylcreem Boys

This was a great movie of the hardships of the pilots during the war. It was a moving story that brought me to tears and laughter throughout the movie. It was beautifully done with all the actors involved. I thought Bill Campbell brought a real life feeling to the character that he portrayed. He is of course an excellent actor. It was almost like being there along side of those men who were there. I have watched this movie on several occasions, because I was able to purchase this one. It is rare that such a moving picture is released, but this one is surely a keeper. All of those who get the chance to view this movie, certainly should. I think it should receive an academy award, but who am I. I suggest this movie should be watched if at all possible. A few months ago, HBO had an airing of this wonderful movie, and I was unable to resist watching it at more than one occasion.

The Brylcreem boys is a terrific film and is a must see for all history buffs. The events in the story are all true and give us a feel of what life was like during war-time Ireland. As an Irish person I related to the anti-war theme. This is a film that can be seen again and again,a nd enjoyed by all age groups. I highly recommend it. Ayn Madigan. London-Dublin

I thoroughly enjoyed the film. The location, although set in Ireland, was actually filmed mostly at Jurby Airfield on the Isle of Man, which is an old RAF station and in many ways still as shown in the film. The shot of the cottage by the beach at Niarbyl is the same one used as Ned Devines cottage in Waking Ned.

The story of the internees in Ireland during the Second World War is a fascinating one that I was familiar with, and after hearing of this film, I thought I would give it a watch. It's a very pleasant way to spend an hour and three-quarters, though it probably will not go down in history as a world-changing piece of art. You couldn't fault the period detail and the acting throughout is of a high standard. The script, directing, and all the rest is good. I suppose part of the problem with the film is that the absurdity of the story probably doesn't translate terribly well to a film. As a result the film has to work quite hard to make the story dramatic. It perhaps goes over the top a little with the "WE ARE IN IRELAND!" details (perhaps because it is filmed on the Isle of Man?) I enjoyed the subtle visual hints (the bored horse standing next to a green phone box) and the plot details (each one of the fourteen hundred camp guards being either 'Seamus' or 'Sean'). Anyway, it's an independent movie, and for all that is very professionally done and well put together. If you see it coming on the telly one wet Sunday afternoon, don't turn it off - I'm sure you'll find much to like in it.

The Brylcreem Boys takes as its subject matter a fascinating true situation but doesn't really seem to know what to do with it. Set in the neutral Republic of Ireland during WWII the story revolves around a group of British and German servicemen who find themselves interned in the same POW camp, separated by only a thin strip of land between two fortified fences through which they trade insults. And that's pretty much it, really. There's an unremarkable romance between a Canadian serving in the British RAF (Bill Campbell) and a comely local lass (Jean Butler), and a predictably resolved rivalry between him and German officer Count Rudolph von Stegenbek (Angus McFadyen), but for most of the movie you get the impression that the writers didn't really know what to do with the subject matter.

The basic premise would seem to lend itself to a comedy in the vein of an old Ealing production: a prison camp from which none of the allied forces wish to escape, where their pay slips are received monthly, from which they receive day-passes to visit the local race meetings, and in which the only bars are the type that serve pints of beer. The comic possibilities would seem endless but the humour here is almost non-existent, as are any elements of suspense or tension, and the writers seem to approach certain aspects that could be of interest – the effect on Stegenbek of learning that his comrades slaughtered a French farming family who shielded Keogh (Campbell) for example – only to back off once the ground work is complete. The inevitable escape attempt, when it finally arrives, is glossed over in a few scenes, and the fate of the principals announced by a voice-over. All in all, while the film has some entertainment value, it's a big disappointment. And for my money any film about British POWs that casts a couple of actors from Charlottesville, Virginia and Dallas, Texas as the lead RAF characters has irreparably compromised itself from the outset.