The Crucible

This movie is in a way a great documentary on the life of early Christian migrants living in America.

The story is a witchcraft practices among the girls of a small community to get the man they love and then the subsequent developments.

Dialogues are fantastic and give you immediate sense of psycho, social life sphere of the time.

As always, watching Daniel Day-Lewis is immense enjoyment. Winona Ryder is amazing, Joan Allen is outstanding.

One would love watching these motional and deceptive scenes.

And I love also the performance of Judge, Paul Scofield, who brings sort of Godly authority to the situation.

It is a two hours movie, and feel like a comedy type but quiet serious.

Setting also gives lots of info about the life of early migrants to America.

Moral story of the movie is evil power of group thinking, and scapegoating.

After the movie you will Google who is Winona Ryder (if you don't know her like me)

An evening's dancing in the woods catches attention, Reverend Parris has to make an intervention, as young girls are all dishevelled, subjects raptured and bedevilled, although confessions may just lead to their redemption. But the ball begins to roll and can't be stopped, within this crucible of faith doors are unlocked, aspersions, defamation, no evidence, or firm foundations, as the innocent are harvested and cropped. A chance to be redeemed is offered up, John Proctor takes the pen, signature put, alas defeat is soon retaken, the next day he'll not awaken, he's the devil incarnate, it's quite clear-cut.

"The Crucible" is slow, but it doesn't make the film bad. It is a very impressing, beautiful, well-acted and well-done film.

The story of passion, lies, madness, witchcraft and tragedy kept my attention. The adaptation of Arthur Miller's play is superb.

Joan Allen deserved her nomination for the Oscar as best supporting actress and Daniel Day-Lewis should have been nominated.

A must see.

Rating: 9/10

...And I also happen to be a very critical person of most films. With that being said, The Crucible completely blows me away with its virtually flawless cinematic achievements!

Daniel Day-Lewis is absolutely superb as John Proctor; there is no other way to put it. He is simply perfect, from his bitter, withdrawn opening few lines to when he is accused of witchcraft by his former adulterous--and scorned--lover (Winona Ryder) and begins passionately fighting for his very life and existence--and, of course, his name.

Winona Ryder turns in a beautiful performance as the disturbed and tragic Abigail Williams: a Puritain orphan raised by her super-strict, brutal, and overall villainous uncle. She becomes infatuated with John Proctor, a married man and a bit of an outcast to their society, and is willing to do anything and everything to 'obtain' him, if you will.

Joan Allen's Oscar nomination for Best Supporting Actress was not undeserved. Her portrayal of the honest and saintly Elizabeth Proctor (not fake innocence, like Abigail's) was touching and a bit heart-wrenching toward the end (won't give that away here).

It wasn't just the awesome acting that won me over, but the authentic Old English dialog, the somewhat grainy cinematography (which provided an uneasy feeling in viewing the town of Salem), and wonderful sets and costumes that really made this a classic for me, and my all-time favorite movie. Highly recommend it! A perfect 10/10!

Arthur Miller wrote the play on which this movie was based in 1953. 1953 in the United States was the height of the Red Scare, with McCarthy and Nixon among others seeking to hunt down and destroy Communists - often with little or conflicting evidence, and often to the ruin of those accused on such flimsy evidence. Miller couldn't write a play depicting the abuses of the Communist witch-hunt, so he did the next best thing - he wrote a play based on the incident in American history that might be the closest thing to the Communist witch-hunts: the Salem Witch Trials of 1692, in which rumours led to suspicions, and personal jealousies and ambitions led to accusations and people lied about their neighbours and friends in order to deflect attention away from themselves and innocent people were forced to confess to witchcraft because if they denied it (no matter their innocence) they'd hang and the courts became less interested in discovering the truth than in rooting out the evil. It's actually quite a good parallel.

This 1996 movie is based on Miller's play, and the screenplay for it was written by Miller himself. It's a sometimes chaotic movie - quite in keeping with the subject matter (either the official subject matter of the 1690's or the unofficial subject matter of the 1950's) - but in its chaos one picks up the basic point of how easily otherwise good people with normally good intentions can get caught up in evil ways. The devil may well have been on the prowl in Salem in 1692 - not through the accused but rather through their accusers and the system that encouraged and empowered the accusers.

Generally speaking the performances here were pretty solid. Both Daniel Day-Lewis (as John Proctor) and Winona Ryder (as Abigail Williams) carried themselves well and the supporting cast was strong. The portrayal of life in a 17th century Puritan community is a little bit difficult to relate to, and even the Puritan manner of referring to virtually all married women as "Goody" (short for "Goodwife") grates for a while and sometimes creates confusion for the viewer in trying to keep the characters straight, because it's so unusual to modern ears - although, on the other hand, it does provide an air of authenticity to the movie.

One can only be grateful that the Witch Hunt ended fairly quickly (although a good number of people were executed.) The Communist witch hunt lasted unfortunately longer with a greater number of people being scarred for life by the experience (and, indeed, some losing their lives as a result of it.) One would like to think that we've progressed over the years, although the demonization of Moslems since 9/11 - although is hasn't perhaps reached the depths of 1692 or the 1950's - suggests that the possibilities for such excesses are still present with us. (7/10)