The Delta

OMG i can't believe this John guy he talk an Engrish that i can clearly understand, and he look and act exactly like my gay friends in here, in Vietnam, the director did so good about that, i'm so glad to see a Vietnamese in a gay film, we did make some gay films here too but it too little... about this film, i can tell that why things happened in this film, prob it not a love story, just another lonely and sad one that make me feel so bad, it good itseft, but it just so.... realistic.

"THE DELTA is wanting in focus, maundering in a scattershot fashion that becomes a norm in 1990s indie sphere and later the "mumblecore" in the noughties (often in default of a scintillating script and/or munificent funds). For instance, the passages depicting Lincoln's social life with his entitled friends feel wretchedly slack, totally disengaged from the film's theme. It is also not helping by the fact that Gray is a pretty but empty vase, a polite smile of condescension is his only expression regardless of what happens. However, Sachs shows more promise in his attempt to probe John's intersectionality (black, Asian, gay and immigrant constitute a gold mine, which is a rare sight). John's dialogue hews closely to the subculture vernacular and Chan pours out enough raw emotion into John's dysphoria-turned-cynicism-and-resentment, which poignantly projects a sharp political angle to elevate the film slightly above its ilks."

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This movie provides a sleepy, dreamlike experience. The director shows you many places, relationships, and conflicts. He sets moods, but doesn't judge his characters. Refreshing enough. It's up to you as the viewer to determine how you feel about the people and their conflicts. And it's up to the viewer to decide how things end up because everything is not explained. There was a lot of heart in this film. Some of these reviews seem to miss that. Watch this on an overcast Sunday afternoon and fall in love with Shayne Gray and The Delta.

If you have time, watch it again with the Director's commentary. The director, Ira Sachs, shares a lot about himself and his experience making this film. He is very honest about what he was trying to achieve, the scenes with which he was pleased, and those with which he wasn't. I would like to see more of Ira Sachs's work.

I was into the movie as I watched it, all the while wondering where it was going. When it ended, I thought I had skipped about 30 minutes ahead, because it just seemed unfinished.

I thought the lead actor, Shayne Gray, was excellent in the part. I thought he was so natural and acted without any bit of effort. His responses, his actions, his emotions, all were very natural. I was sorry to see that this was the only film he's been in. I would very much liked to have seen him in other films.

This film was interesting, but after seeing it through to the end, there was no point to it, I'm sorry to say. I wanted to know more about where each character was going to go, but since the film is 11 years old now, there's no way that's going to happen. Worth seeing, but just be prepared that it's going to end just as it gets interesting.

Ira Sachs is undeniably a filmmaker who knows precisely what he wants to say and how he wants to say it. He's a masterful storyteller, and I'm kicking myself for not discovering this film sooner, especially considering I fancy myself a dedicated Sundance Film Festival follower.

Shot on 16mm in 1996, the film's visual texture is not a mere affectation; Sachs chose this format because it perfectly complements the narrative's raw and intimate nature. The grainy, dreamlike quality of the 16mm footage evokes a sense of nostalgia and longing, mirroring the emotional landscape of the characters.

Thanks to Mubi, this remarkable queer narrative can be enjoyed in a high-quality transfer. It's a film that shouldn't be missed, especially while it's readily available on the platform.

"The Delta" is a coming-of-age story set in the languid heat of Memphis, Tennessee. It follows the journey of Lincoln, a young man grappling with his sexual identity and the complexities of desire. Sachs's direction is both sensitive and unflinching, capturing the raw emotions and unspoken yearnings of his characters with a delicate touch.

The film's performances are uniformly excellent, with Shayne Gray delivering a breakout performance as Lincoln. His portrayal of a young man caught between societal expectations and his own desires is both heartbreaking and hopeful. Thang Chan, as Minh, the Vietnamese-American man who becomes the object of Lincoln's affection, is equally compelling, his quiet intensity and vulnerability drawing the viewer into his world.

The film's languid pacing and atmospheric cinematography create a sense of timelessness, allowing the viewer to fully immerse themselves in the characters' lives. The soundtrack, a mix of blues, gospel, and ambient sounds, further enhances the film's emotional resonance.

"The Delta" is a film that speaks to the universal human experience of longing, love, and the search for self-acceptance. It's a testament to the power of cinema to explore the complexities of the human heart with honesty, compassion, and a touch of poetic grace.