Different for Girls

What a brave and unusual romantic comedy. Thank God the BBC is still open-minded enough for such projects, which are not only important, but ultimately wonderfully entertaining.

At the core of the boy-meets-girl, who used to be one of his mates at school, now transsexual, love story is Steven Mackintosh, who portrays Karl-now-Kim with such dignity and style that this film never feels sticky or cumbersome, as one might fear going into it.

Rupert Graves plays the bad-boy "Prentice" with such charm that one thoroughly understands why Kim allows her new-found, quiet life to be turned upside down. He shows Kim that finding the right gender doesn't necessarily make you a whole person...That comes from conviction and caring. It requires passion - something he's full of and is able to rekindle in his old schoolmate. And who knows...maybe she'll get him to change his socks daily!

Thoroughly charming!

Love, in Different for Girls, broke all boundaries. It went past the idea of straight or gay and went directly into the idea that two people can fall in love no matter what consequences or hurdles life may have awaiting for them. It went beyond the sexual parameters set forth in most films and instead lied them out on the table for the world to see. The was a very real love story. In fact, I would say it was one of the more true stories that I have seen on the screen for a very long time. You could see the chemistry, you could see the insecurity, you could see the beginnings of a beautiful relationship and it was perfect. You know the unsure feelings that you have when you first begin a relationship, the hesitancy, the butterflies, the stepping stones . well, they were all demonstrated in this film. I cannot speak enough of how real and true this film was. It confirmed my belief that you do not need to have the clichéd, pronounced roles of male and female to have a beautiful love story, all you need are two people and a heart that needs to be found.

The acting was decent. There could have been a bit more passion between the two, but I am not complaining. I completely understood what they wanted, where they wanted to go, and what they needed to do to achieve it. One of the most powerful scenes of this film was when Kim undresses and they make love. For the first time in cinema history, it was love and not sex. They did it to better their relationship, to say to each other that they were comfortable with their decisions. They wanted to say "I love you" in the best way possible. While no words were spoken, you were able to glance into their minds and hearts, and it takes very good acting to allow this to happen. They even demonstrate this even further when Prentice lays for a while after talking about what just happened and he ponders over what to do now he had no job or money and nowhere to live. Together they work on a solution. There is no "me" in this relationship. This is when Prentice decides to finally make his true feelings known in a very bold, yet beautiful fashion. You will have to see the film to experience the true emotion.

Overall, I was very impressed with this film. I loved the boundaries that it broke, again .. the truth that it spoke, and the realistic story that it presented. For those that will look at this review and get quinsy in their stomachs, I ask you think . what is so different between this story and most of the recycled Hollywood garbage that we watch on a weekly basis? My answer is nothing. If I have to watch a man and a woman kiss for twenty minutes on screen, I sure as anything want to see other parts of our culture as well. This was a beautiful film that will be used as a stepping stone for other films of this nature. While I cannot say that it was perfect, it was a start. I cannot wait to see where this film will take us in the future. I suggest this film to anyone that is looking to see a fresh story on a very old tale. Beautiful and amazing!!

Grade: *** out of *****

I am a male to female transsexual, and all I can say is this is the first and ONLY film I have seen handle this subject matter with taste and tact.

It sat on my shelf for two years before I watched it. I have seen this theme abused and twisted too many times, and I had assumed the worst. I'm very happy to say I got a very pleasant surprise.

Steven Makintosh did a wonderful job of playing Kim, and the fact that Kim's body is not "perfect" is a touch of reality seldom shown when movies or television fictionalize transition.

It was an honest approach, as opposed to the the usual "and far less realistic" sexy female actress that a Hollywood would have insisted on using.

Kim does not live as a "transgendered person" as is implied in some reviews but as a normal white collar woman in London, her old school friend comes into her structured and very low profile life and turns it upside down from emotional outbursts in restaurants, to a confrontation with the police.

His growing acceptance of Kim as a woman, and their growing relationship are wonderful to behold.

I don't want to give anything away, but from yet another person who's "been there" the film went between having me on the edge of my seat to having me in tears.

I cannot rate this film too highly.

"For people who NEED a nitpick, I think seeing Pauls girl friends reaction to goings on would have been good, she sort of just drops out of the plot and you never really know why"

Alright...maybe this is too psychoanalytical an approach for the film, but here goes. Completely intrigued by the development of the principal characters and their evolving relationship, I took in 2 screenings of this film, as this movie is like an onion -which to get to the core of its subject and to understand its mystery, you have to peel off the multiple layers. A shower scene, a school picture, and a tabloid article are crucial clues that mold the dependency and sexual confusion that bonds the Prentice and Karl/Kim characters together. Their relationship has endured since highschool. We see a young man, who has subtly hidden his sex is embracing his feminine side in the schoolshower. Just before he gets the sh-- kicked out of him by homophobic schoolmates, another boy gallantly rescues the pretty boy from the mob. The audience immediately assumes that it is Karl who was questioning his sex in the shower--but disclosed in later pics, we discover that it is actually Prentice who was doing the introspection! Karl/Kim who could relate to the scene was the actual rescuer.

Portrayed as cool, bold, logical, and independent Karl/Kim presents him/herself with the unflappable reserve of a male personality, who feels dysfunctional with exterior male genitalia. Changing Karl to Kim remedies his/her warped body image, so that he can obtain the feminine exterior which appears so desirable. Expression of the dual conflicting natures can be seen throughout the film as she tries to overcompensate for this masculine interior of herself, by dressing in conservative woman's clothing and finding a feminine career as a Greeting card composer. Even her condo is done up in overtly feminine hues. Prentice is the antithesis of Kim. He is flighty, emotional, dependent and vulnerable. Contrasting Kim, he has an interior feminine nature that is contained in a masculine exterior that is repressed and hidden in a major bravado of masculinity. This is demonstrated with his embracing the fury of punk music, playing the leather-clad macho biker messenger, and keeping up an affront of being a boozer and rebel-rouser. Even Prentice's studio apt seems an exercise in testosterone proving, looking much like an uncleaned dormroom. Peeks at his interior femininity however do come through subtly- he fems up in a ruffled shirt for Kim, and wears a purple T-shirt under his workgarb. Look at Prentices enchanted glance to Kim, versus her patriarchial look back at him in the school pic. His eventual assertion that men are women with an added chromosone. In summation, Prentice completes Kim in that his feminine interior desires her masculine interior, while alternately his masculine exterior fulfills her (now) feminine exterior. If you don't look at Kim's Before/After photo in the tabloid, you don't realize that the character's gender roles were reversed in the school scenes. Kim becomes Prentice's rescuer once again when he emotionally loses it after their first date, and she must stand up again for him (this time it's police bullies) in court! When Kim strips for Prentice, It is like a mirror to the inside of his soul. Complex Film indeed!!!

Missed this first time round, but unintentionally caught a late night/early hours TV airing in the UK. Steve Mackintosh sustains a serious dramatic presence and role as Kim against the heavily scripted comedic/stereotype 'unreformed male' buffoonery of the friend/partner Paul Prentice played by Rupert Graves. Although at times the dynamic of the two styles gives an uneven feel to the whole narrative, the underlying point of apparent complete contrasts, but underlying and overlapping commonality of involvement and feeling is well made. Some of the scenes are intensely moving, particularly those in the police station when Kim is facing arrest and conviction and is placed alone in a cell, uncertain of whether she will face the immediate unwelcome company of another unknown male cellmate, and/or eventual consignment to a male prison. This is hardly comedy, certainly real life drama, and contains the essence of real tragedy. Other scenes in the film evoke similar high tensions in emotional colour and reading.

Overall delivery was a little uneven, but well worth viewing again. Would be worth a full 'in-line drama' remake of the theme, as other commentators have also hinted. A good attempt at a very difficult subject which manages to hit the right emotional responses without actually falling off the tightrope between banality and exploitation.