Hard Core Logo

This is a dramatic comedy, and more than any other type of dramatic comedies, it''s dark and very real. Though there are quite a few jokes, many inside jokes, it melts into the tension of the four guys like a fast gliding bird would melt into a brick wall in a cartoon. Worthy to be a classic. Hugh Dillon is a great actor and has perfect chemistry with Callum Keith Rennie.

I love "Hard Core Logo", a fine black comedy. Hugh Dillon, Callum Keith Rennie, John Pyper-Ferguson, Bernie Coulson, and Julian Richings as Bucky Haight all did a great job portraying an aging band that never lived up to it's own ambitions. Frankly, I am so tired of "This is Spinal Tap", a film I liked the first two times I saw it. It wore thin on me all too quickly. I still love HCL, and that has to be because it is based on Michael Turner's book. Turner's own experiences in the Hard Rock Miners informed his writing and that legitimacy was kept in tact in the film. Also, from a Canadian point of view, I liked it because it was a straight up story and a straight up film. Far too often it seems that Canadian filmmakers feel that they have to go out of their way to make odd/disturbing films that just come across as pretentious and 'faux-Euro', or make films designed to pander to the lowest common denominator of the Hollywood market. MacDonald made his own film for himself and I for one am grateful.

I have enjoyed Bruce McDonald's previous road movies 'Roadkill' and 'Highway 61', both of which I recommend. 'Hard Core Logo' is another winner. I do feel that it has been incorrectly marketed as a punk Spinal Tap, which may disappoint first time viewers expecting something different. The movie shares a similar vague concept of a "rockumentary", but that's about it. 'This Is Spinal Tap' as much as I love it, was a bunch of comic scenes strung together and not much else. 'Hard Core Logo', while it has plenty of laughs, has much more ambition, and is ultimately a much more serious movie. The unexpected ending, which I won't spoil, takes it to a much different level.

So leave your preconceptions at the door, sit back and experience this superbly acted rock'n'roll morality tale(?) One of the best music related movies in YEARS!

Well... I really like this movie! I'm not going to go into the whole "Yay Canada" bit... because, well... we know we make good movies, no need to constantly pat ourselves on the back. Hey, just look at "American Beer"... love that too! Anyway, on to business... this was a great movie... Hugh Dillon is a great actor, as well as an accomplished musician (Headstones rock!!!), and does a great job. He really knows the role... being the lead singer for a band himself... he brought something unique to the role... something a conventional "actor" couldn't have, which I liked.

I must comment on the ending... it completely blew me away... I sat there while the credits began to role wondering what had just happened. That is what makes this movie so great... very few movies can do that for me. Congratulations go to Kevin MacDonald, he did a fine job!!

**** out of *****

It resembles "Spinal Tap" only in that it's about a fictitious rock band on its way down. This is a more ambitious movie, and its mood is much darker -- while it has its comic moments, it's not a film to watch when you're feeling down.

This particular American viewer had no trouble with the Canadian references -- yes, we can tell Canadian cities apart and know exactly which Quebeckers the bassist was talking about. In fact, the Canadianness of the movie was part of its appeal, and I'm not just talking about the stunning scenery. I do have to admit overlooking the angle about Canadian musicians selling out to the American scene -- I was more attuned to the sellout on the personal rather than national level. Bands in the States lose musicians to L.A., too.

At its core, this is a movie about friendship and betrayal, and in the end, betrayal wins. It's a hard, honest movie, not easy watching but worth the effort.

(Parents, this one isn't for the kiddies -- lots of obscenity and some violence, though none of it is gratuitous to the story.)