Idiot Box

From the deadly serious likes of Animal Kingdom or Two Hands, the darkly humorous hybrids such as Chopper or Death in Brunswick or the downright outrageous misfits like Gettin Square and The Mule, Australian cinema has a long and storied affiliation with the crime genre, with the rarely spoken about but well-regarded local cult oddity Idiot Box a mostly forgotten crime comedy gem that is an important piece of the early Ben Mendelsohn puzzle in the years leading up to his eventual ascension up the Hollywood ranks.

Written and directed by long-standing Australian filmmaker David Caesar, whose delivered other well known Australian features such as Mullet, Dirty Deeds and various episodes of a large collection of home grown TV series, Idiot Box follows the daily exploits of bogan best mates Kev and Mick (played with a lot of energy by Mendelsohn and his co-star Jeremy Sims, whose now a successful director) as the two dole inspired no-hopers hatch a haphazard plan to rob a bank and strike it rich in an attempt to escape the holes they have dug themselves.

Consisting of a lot of Mick and Kev merely roaming around their neighbourhoods, visiting pubs, gaming arcades, local shopping malls and hanging around at home while listening to rock music and drinking VB longnecks, Idiot Box isn't always a barrel of laughs, as sadly the depressing lives of Mick and Kev aren't exactly the lives of a fantasy world that doesn't exist, Idiot Box has a rough and ready feel too it that has allowed it too barely age these close to 25 plus years on from initial release that saw the film become a minor hit at local cinemas before heading the way of a largely obscure existence in the home video market, making it a film hard to track down in today's climate.

Key to the films success and a large reason why the film is able to overcome its sometimes aimless and walking in circles narrative is the interplay between Mendelsohn and Sims who work each other fantastically as their fairly unwise but somehow likable nobodies grow on us as the runtime wears on as we are caught up in their unlikely scheme to make a quick buck and start winning at life.

Now a well known commodity when it comes to bringing the troubled too life in a variety of ways, Mendelsohn is as good as you'd expect as the eternally angry Kev, a man who reveals in his anger and even suggests that it is one of his main hobbies while Sims gets less moments to explode his also quietly effective as the poem loving Mick with the two performers creating one of the more memorable Australian duos of the 90's in roles that shaped their career trajectories in the years to follow.

Final Say -

It's not grand Australian stuff but Idiot Box is a film that deserves more reflective viewing in today's era as it sits largely unspoken about in the hallways of local productions and it stands as a further reminder of the talents of Ben Mendelsohn who has long been lighting up the screen as Hollywood slowly but steadily caught on.

3 1/2 heartfelt poem recitals out of 5.

For more reviews check out Jordan and Eddie (The Movie Guys)

Look, I applaud any Australian movie that tries to tell a story about contemporary life in this country, but time and time again local film makers either make movies too derivative of overseas releases ("the Australian 'Scream'", "the Australian 'Pulp Fiction'"), or sabotage themselves with basically lousy and unconvincing characters. 'Idiot Box' does both. Everything about it is seen-it-all-before. The friendship between two losers, one supposedly sensitive, the other self destructive, the half baked robbery plan, the "ironic" use of pop culture references (in this case the corny cutting between the on screen story and the TV shows the characters watch), c'mon, this is supposed to be original and innovative movie making?

The characters of Kev and Mick (played by Ben Mendelsohn of 'The Year My Voice Broke' and Jeremy Sims of soapie 'Chances') are simplistic caricatures, who in no way are a true representation of suburban blue collar angst. Kev in particular is so yobboish that you never care a hoot about him. Mick's poetry and relationship with the girl who works at the local bottle shop (former pop singer Robyn Loau in a ludicrously under-written role) is supposed to show him as more worthy I suppose, but again, his character is so unconvincing there is no empathy or interest there.

A much more successful and disturbing look at Aussie surburbia can be seen in Rowan Woods superb movie 'The Boys'. Ironically two of "the boys" John Polson and David Wenham have supporting roles in 'Idiot Box'. Polson as a dim drug dealer, Wenham as a bank teller.

'Idiot Box' is phony and trite rubbish, and a complete waste of time.

What is needed for this film is a cultural reference point, that is some sort of experience/insight to suburban Australian life.

As anyone who has ever lived or spent time in the western suburbs of Sydney will no doubt know, the options for fun and excitement are, to say the least, somewhat limited. All that exists is a cycle of bad straight tovideo movies, longnecks in the park, and conversations with a selection of dodgy blokes in pubs...

Now with that background in place, we come to idiot box. The film, although a comedy, is no satire. It is more an accurate representation of the pointlessness and utter boredom of the Sydney suburbs an draws its humor from such.

A feeling of subdued frustration prevails in this film, in fact it is the general theme of it. The characters plan to rob a bank, however woefully conceived, is an extension on this, a philosophy that it does not matter whether they succeed, fail or even try, it matters only that they have done SOMETHING.

Idiot Box resonates with Sydneysiders, with Australians, it is an extremely relevant and poignant representation of a culture of boredom and frustration,a culture that lays its blame for this othersat the feet of others. It is not a film that translates well to other cultures.

Both the style and content of this film (as previous reviewers have stated) are far from fresh, but I can't be too unkind to a film that at least doesn't pander to the PG-13 crowd with the usual doses of sitcom sensitivity and redemptive moralism. The performances are all well delivered, the look of the film is grimly realistic, and the only obligatory, sensationalistic aspect of the piece is the annoyingly typical song-track music (that gleefully exploits and sells the usual mishmash that adds up to a pop-muzak CD). There's some good dialogue here and some fine widescreen photography for those film enthusiasts who are interested in checking out the DVD release of this decent Aussie indie.

Not going to add spoilers, but it's a good movie. very much worth the watch