When a bishop comes to a prison to hear the confession of an old friend he is forced to watch a play, performed by the inmates, about their youth together, love and betrayal.When a bishop comes to a prison to hear the confession of an old friend he is forced to watch a play, performed by the inmates, about their youth together, love and betrayal.When a bishop comes to a prison to hear the confession of an old friend he is forced to watch a play, performed by the inmates, about their youth together, love and betrayal.
- Awards
- 8 wins & 14 nominations total
Benoît Lagrandeur
- Prison Ensemble
- (as Benoit Lagrandeur)
Pierre Leblanc
- Prison Ensemble
- (as Pierre LeBlanc)
Jean Lévesque
- Prison Ensemble
- (as Jean Levesque)
Featured reviews
This film is proof that some of the most iridescent, incredible films never make it to mainstream America. Barely anyone I know has even heard of this movie, and it's quite saddening. Although it has won numerous awards and lots of prestige in Canada, where it was made, I've often seen it lying on the shelf untouched at Blockbuster or gay film shops.
The movie begins with a prisoner named Simone who requests that a specific priest come to hear his confession. The priest, perplexed as to why he has been summoned, arrives at the prison, not knowing what to expect. It is soon divulged that the priest has some confessing of his own to be done when the prisoners trap him in his confessional box and begin to perform a play. This play is about Simone's childhood, when Simone was attending a Catholic all-boys boarding school and was in a gay relationship with his schoolmate, Valier. They keep their love clandestine until another schoolmate, Bilodeau (the priest as an adolescent), unearths something of what the two lovers have been doing. He confronts them about it, calling them a "disease," when it is revealed later that he is more insidious than they are.
Things take another dramatic turn when Simone's father discovers his son has kissed a boy and mutilates his body with a whip. Out of searing rage, Simone succombs to arson. A Parisian woman (who is portrayed by a male actor because the play is being performed by male prisoners) visits the schoool and falls in love with Simone. Despite the distinctely male features on her which expose the actor's gender, the he does an excellent job of emulating a pristine, romantic woman desperately seeking love.
Simone repudiates Valier, saying "it's time he started thinking about girls" and that he plans to marry the Parisian woman. Valier is devastated and runs to his mother, who is scorned by the rest of society because she believes herself to be a countess. She is shockingly compassionate and supportive when she learns of Valier's homosexuality. At the engagement banquet for Simone and his fiancee, Valier sabotages the celebration by dressing like a Greek God and reciting a monologue from the romantic Greek play he and his beloved were rehearsing together in the beginning of the film. And I can't tell you the rest. It'll ruin it. All I know is everyone should see this movie-especially gay Catholics. Incredible directing, eloquent dialogue, wonderfully abstract scenary-there's no way this movie could have been done better!
The movie begins with a prisoner named Simone who requests that a specific priest come to hear his confession. The priest, perplexed as to why he has been summoned, arrives at the prison, not knowing what to expect. It is soon divulged that the priest has some confessing of his own to be done when the prisoners trap him in his confessional box and begin to perform a play. This play is about Simone's childhood, when Simone was attending a Catholic all-boys boarding school and was in a gay relationship with his schoolmate, Valier. They keep their love clandestine until another schoolmate, Bilodeau (the priest as an adolescent), unearths something of what the two lovers have been doing. He confronts them about it, calling them a "disease," when it is revealed later that he is more insidious than they are.
Things take another dramatic turn when Simone's father discovers his son has kissed a boy and mutilates his body with a whip. Out of searing rage, Simone succombs to arson. A Parisian woman (who is portrayed by a male actor because the play is being performed by male prisoners) visits the schoool and falls in love with Simone. Despite the distinctely male features on her which expose the actor's gender, the he does an excellent job of emulating a pristine, romantic woman desperately seeking love.
Simone repudiates Valier, saying "it's time he started thinking about girls" and that he plans to marry the Parisian woman. Valier is devastated and runs to his mother, who is scorned by the rest of society because she believes herself to be a countess. She is shockingly compassionate and supportive when she learns of Valier's homosexuality. At the engagement banquet for Simone and his fiancee, Valier sabotages the celebration by dressing like a Greek God and reciting a monologue from the romantic Greek play he and his beloved were rehearsing together in the beginning of the film. And I can't tell you the rest. It'll ruin it. All I know is everyone should see this movie-especially gay Catholics. Incredible directing, eloquent dialogue, wonderfully abstract scenary-there's no way this movie could have been done better!
I have seen Lilies on more than one occasion, and am amazed each time at the intricate and ingenious use of the "theatrical" in the movie. When watching the movie from the beginning, it doesn't take a moron to realize that the "play" is being put on by inmates at a prison.
Staying true to the "setting" of the play, the movie uses males to play all roles, including the roles of women. It is unique as the characters in the "play" react and respond to the female roles as if they were women and not men playing women's roles.
There is an incredible depth to the movie that chronicles the life and love lost by Simone through the deception and lies of the "church." There is much more meaning here than just the plight of one man. The movie tell the story of many men and women around the world who are persecuted, imprisoned, and often sacrifice their lives for being true to their love of the same sex. It is good to see a movie that does not portray a same sex relationship as one of casual sex or one-night stands. The relationship is one of committment, of trust, of pain and caring, of going through the good and the bad together. Heterosexuals do not have the corner on good relationships. This movie tries to portray the love between two people and the struggles they faced, largely due to the intolerance and rigidity of the church.
Staying true to the "setting" of the play, the movie uses males to play all roles, including the roles of women. It is unique as the characters in the "play" react and respond to the female roles as if they were women and not men playing women's roles.
There is an incredible depth to the movie that chronicles the life and love lost by Simone through the deception and lies of the "church." There is much more meaning here than just the plight of one man. The movie tell the story of many men and women around the world who are persecuted, imprisoned, and often sacrifice their lives for being true to their love of the same sex. It is good to see a movie that does not portray a same sex relationship as one of casual sex or one-night stands. The relationship is one of committment, of trust, of pain and caring, of going through the good and the bad together. Heterosexuals do not have the corner on good relationships. This movie tries to portray the love between two people and the struggles they faced, largely due to the intolerance and rigidity of the church.
10bob-504
Luscious cinematography, soulful musical score, terrific casting, and limited use of revelatory flashbacks to dramatize the theme of societally-defined mores and criminal behavior. Artistic and judicious use of nudity and sexuality to illustrate the dilemmas of public versus private morality.
After a spate of disappointing gay films in the mid 90's, Lilies appeared from Canada as a fresh bouquet presenting a refreshing change of pace. Improving upon the play its based on, Lilies uses various cinematic conventions to its advantage, with cuts between prison re-enactments and the actual events given seamlessly and often artisticly breathtaking. The use of cross gender casting (this is an all male film) is humorous to a degree, but never in a mocking drag queen tone. We come to believe these men are really women. And the coming of age love story at the center of the plot, done to death by so many other films, is achingly tender.
It was once said that gay work has to have someone die in it and this film is no exception. But the deaths portrayed here and the long hidden betrayal finally revealed are handled quite effectively. The artifice involved only adds an extra layer of beauty upon the story. A remarkable acheivement.
It was once said that gay work has to have someone die in it and this film is no exception. But the deaths portrayed here and the long hidden betrayal finally revealed are handled quite effectively. The artifice involved only adds an extra layer of beauty upon the story. A remarkable acheivement.
10Tesse
Everyone does things they would rather forget. Lilies is about one man's horrible sin returning to haunt him, 40 years after the fact. As a rash child, young Jean Bilodeau did all he could to seperate gay lovers Simon and Vallier- not for any high-minded moralistic reason, but out of his own jealousy and desire for Simon. 40 years later, Bilodeau and Simon meet again, and witness their history performed by prisoners in a Quebecois jail. What results is heartwrenching and beautiful.
The cinematography of Lilies is flawless, moving effortlessly between 1952 and 1912 with lush, vivid colours. The performances are also excellent, with Brent Carver a notable standout as Vallier's deluded mother (as the movie is a play set in a jail, we see the male prisoners perform all of the roles, including the female ones). Jason Cadieux and Danny Gilmore are beautiful as the young lovers going through the awkward pangs of adolesense, coming out, and first love. A truly beautiful movie for anyone who loves a good cinematic experience, I cannot recommend Lilies enough.
The cinematography of Lilies is flawless, moving effortlessly between 1952 and 1912 with lush, vivid colours. The performances are also excellent, with Brent Carver a notable standout as Vallier's deluded mother (as the movie is a play set in a jail, we see the male prisoners perform all of the roles, including the female ones). Jason Cadieux and Danny Gilmore are beautiful as the young lovers going through the awkward pangs of adolesense, coming out, and first love. A truly beautiful movie for anyone who loves a good cinematic experience, I cannot recommend Lilies enough.
Did you know
- Quotes
Young Simon: [to Vallier] I shall be reborn. My breath in the heavens, bear witness. We shall be free. We'll we be loved. If you do truly love me, let your love be known unto me.
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Details
Box office
- Budget
- CA$2,200,000 (estimated)
- Gross US & Canada
- $301,548
- Opening weekend US & Canada
- $28,781
- Oct 12, 1997
- Gross worldwide
- $301,548
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