Marvin's Room

It's such a wonderful story, not at all as dreary as one would expect. The late Scott McPherson injected so much humor and heart into this film, it's hard not to just go along with it. Diane Keaton got the Oscar nomination, but Meryl Streep's character drives the film, as she works her way back into a family she turned her back on so she could have a life of her own. She was right to do so, as her sister (Keaton) has become consumed with caregiving for her father and aunt, taking absolutely no time out for herself. The film also features a nice departure for Robert De Niro from his typically heavy roles. That alone is worth seeing, and fans of his typical performances should be forced to watch this.

This quiet film may not have enough action for some, but it is far better than most films dealing with serious illness. The journey these sisters begin is something that has been explored in countless TV movies (think Lifetime), but what separates it is the humor and the character development that makes the viewer wish he/she could stay and watch the family long after the film ends. The film also benefits from the presence of Leonardo DiCaprio, who gives an unlikely nuanced performance as the older son who develops some character and helps his flighty mother grow along with him. The great thing about his presence in the film is that younger viewers (mostly female, probably) will be more likely to see this movie and get something out of it in the process.

Finally, a word about Gwen Verdon and Hume Cronyn. Their contributions to this film are immeasurable. And as already mentioned, it's great that younger viewers can watch this film and get a last look at them in these touching roles and see how charm never fades with age. Cronyn has little to do but lie ill in bed, yet somehow his character remains a focal point. And Verdon's comic relief pairing with the younger son is a real highlight. She also manages a poignant moment or two in a her scenes with Keaton. This truly is an ensemble piece, and it wouldn't have been without their talent. Why I don't yet own a copy of this sweet film is a mystery.

I came across this movie on Netflix and thought I would give it a go! Surely a movie with Meryl Streep and Dianne Keaton wouldn't disappoint! It sure didn't! While the story has been done before in various formats it's the screenplay that makes this movie a real gem. The main three actors really do a great job. But with Streep, Keaton and DiCaprio one would expect nothing less. For me the the late Gwen Verdon steals the show. she really shows how comedy should be done. The scene with the orange is one that stands out. A mixture of comedy and heart wrenching reality showcases how underrated she has been. This for me should have definitely gained a nod in any supporting actress awards. This movie certainly won't change your life but it really does provide you with food for though about love, family and the importance of life! Give it a go. It won't disappoint.

This stage to screen adaptation about two estranged sisters attempting a reconciliation after one is diagnosed with cancer is sentimental to the extreme, manipulative beyond forgiveness.....and had me close to blubbering like a baby by the time it was over.

Chalk it up to the fact that I had recently lost a grandmother to cancer, but this film nearly devastated me even as I was mad that it was so maudlin. The fact that it works as well as it does is due largely to the fact that such good actors are cast in it. Meryl Streep and Diane Keaton play the sisters (Keaton is the ill one), and while it would never have occurred to me to put these two actresses together, the decision was inspired. And right before he rocketed to international fame, Leonardo DiCaprio does strong work as Keaton's troubled nephew.

I won't even try to defend this film against those who say it's too schmaltzy to bear, but please let the rest of us enjoy it in blubbery peace.

Grade: A-

Marvin's room turned out to be a brilliant movie assisted well by a great performance by some veteran actors like Meryl Streep, Diane Keaton, Leonardo DiCaprio, Robert De Niro ( although he wasn't the center of attraction as he was the doctor ).

Meryl Streep and Diane Keaton are two sisters who have estranged each other for 20 years and Diane calls upon her sister to take care of their father as she herself realized that she was suffering from Leukemia. Leonardo portrays the character of Hank who does not get along with his mother Meryl on account of her abusive behaviour. Diane Keaton wants Meryl to take care of her Aunt Roth and their father when she would be gone. Meryl portrays a mean woman who is afraid of responsibilities and is troubled by the deliberate acts of her son Hank (Leo). The movie is a beautiful depiction of how Meryl Streep decides to eventually aid her dying sister by stepping into her shoes and taking enough pluck to set things right between herself and Hank.

Diane Keaton and Meryl Streep acted exceptionally well not to forget Leo. Altogether their performance was brilliant. I was touched by the movie. I'd rate it a 7 on 10. It was certainly one of the finest flicks that I've watched.

Neurotic, selfish, chain-smoking Meryl Streep goes to visit estranged sister Diane Keaton--currently the caretaker of their dying father--and all their old grudges come to the fore. Comedy-drama about sad sacks leans heavily on its sentimental trappings, with each character learning a thing or two about "the bonds of family". Despite the fact she obviously isn't a smoker, Meryl Streep is very amusing; Diane Keaton is convincing as a fussy smudge who stops fidgeting every now and then to beam with life; Robert De Niro has an incredibly benign role as a befuddled doctor; Leonardo DiCaprio is good as a sullen teenager (who also gets an education); but Hume Cronyn has a rather insulting role as a stroke-victim (a gratuitously-injected character who seems an after-thought of screenwriter Scott McPherson, adapting his play). This is the kind of tearjerker that aims for your gut but gets you in the teeth. This genre never seems to go out of vogue, and I for one resent it when heartstrings are not just tugged but yanked. However, since it's preconceived how we're supposed to feel about Keaton's character, I would say she still comes through with an interesting performance, garnering the film's sole Oscar nomination as Best Actress. The film certainly has its strengths, yet it's a routine soap opera, not a transcendent one. **1/2 from ****