Looking for Richard

This film has fascinated me ever since I first happened upon it in the library of Millsaps College in Jackson, Mississippi. By a happy coincidence, I also checked out Ian McKellen's quite excellent "Richard III" on the same day and spent most of the afternoon viewing and comparing the two.

It all works: the performances, the interviews, the clowning around on the set. I thought Spacey was wooden, but Baldwin . . . wow . . . who would have expected such a performance.

Highly recommended for anyone who reads and thinks.

Rusty

My understanding of this movie is that Pacino had been panned for a stage performance of Richard III, and that the motivation behind this movie was to emphasize the seriousness with which Pacino takes his craft. There were some suggestions that Pacino had thought he might be resting on his laurels to some extent, or otherwise thought he could simply perform Shakespeare as he had any previous role. Making this movie was a clear statement that if his previous performance was not up to snuff, he would demonstrate his willingness to learn and desire to be successful in such a challenging role.

I think the movie seems less self-indulgent if viewed in this light, and it is even more fascinating to watch someone who's as highly regarded as Pacino show so much desire and interest in further perfecting his craft.

Who would have thought that an Italian from New York City could play Richard the 3rd. ? Al Pacino is marvellous as he searches the stage and beyond for the true Richard the 3rd. Kevin Spacey, Winonna Ryder, and Alex Baldwin are just some who join him in the journey as he wonders the streets of New York and London for the true love of Shakespeare.

Like Ian McKellen's unconventional RICHARD III, this film brings us into Shakespeare in an unusual and effective way. Al Pacino gathers a number of well-known non-Shakespearian actors and they not only stage several of the more important scenes in the play, but they also discuss the meaning of the scenes and the motivations of the characters. These discussion act as a prelude to the scenes and thus make the scenes not only much clearer but also far more powerful than the traditional productions in which the audience may be lost in the dusty old politics that saturate the play. See this one before you see any of the more traditional versions.

I saw this movie in English-language version at midnight in April 2004 on a Dutch commercial TV-station. Al Pacino is to be praised for making this movie, of which I have the feeling that it could not be made in these times (are there any indies left?). I was fascinated to see what a gap there is between American and 'European' (i.e. British) ways of tackling the problem of performing a play of Shakespeare: the British interviewees were cool as cucumbers, the American actors (who all do a fine job) were sometimes desperate to find ways of passage through the labyrinth of the play. Pacino used a fine parallel: he made a historic event (the play written by Shakespeare) into a work of art, as did Shakespeare when he turned the rise and fall of the Richard III of the fifteenth century into a play. I think Pacino also tried to do something with one of the most fascinating Shakespearean themes: how life and play (or: men and actors) are intertwined and often cannot be separated. But Pacino could not elaborate on that, probably because he felt that the film otherwise would be too long. Pacino did well in trying to find the most appropriate locations for the scenes. I was mesmerized to see how Richard could do all that he wanted when inside castles and towers, but was at a loss when he found himself in the open fields. Al Pacino, there are still a lot of Shakespeare's plays waiting for you!