The Lord Protector

LORD PROTECTOR is kiddie fare, but for whose kids? Obviously shot for television or STV, this amateurish rehash KRULL has several stock characters -- a magician, an assassin, a warrior, a scientist -- on the trail of something or other in order to defeat the Dark Forces about to be unleashed on their planet. Badly written, acted and staged in available California locations like municipal parks and a ranch, LORD PROTECTOR has nothing to recommend it, not even as a time waster. Jay Underwood is the only "name" actor, and most people, especially the intended audience of five year olds, are not likely to remember him from such ancient Disney fare as NOT QUITE HUMAN. A no-name actor playing a magician in an ill-fitting silver wig at least plays it with tongue planted firmly in cheek, while those around him act as if they are in a dinner theater production of KING LEAR. I was hoping at least for a decent action or special effects sequence. Alas, the action sequences are pathetically staged and the few special effects are those old fashioned painted-over cartoon gags we used to see in 1950s and 1960s fantasy flicks, like Bert Gordon's THE MAGIC SWORD. The filmmakers planned a sequel that mercifully never came to be. Often, such cheap Hollywood back-lot productions use a combination of legit and porn actors. I kept myself occupied during the film's seemingly interminable running time, trying to figure which was which in this one. I didn't have much luck.

Charlton Heston does a fine job narrating this fantasy film featuring an other-wordly plot and some neat special effects. Patrick Cassidy (David's brother)stars along with Jay Underwood (The Boy Who Could Fly). The entire cast seems to be having fun, playing their parts with tongues planted firmly in cheek. Of course, this sort of G-rated fare is produced primarily for the kid demographic, but grown-ups can enjoy it too.

The budget on this film was nearly nonexistent, so with this in mind, I think they did a terrific job with what they had. Patrick, who I think is the most attractive in a very attractive family is a great person and I think that comes across very well. All of the other players are appealing as well and proved to be good sports. None of these actors are or were porn stars as was suggested in another review. Artists are just that, dreamers always striving to express themselves in a way that can touch other lives and I can only cheer on these artists in their quest to lift the audience out of drab reality into fun fantasy. It is nice also to see a film that doesn't pander to the least common denominator.

Narrated by Chuck Heston, you can tell he did only one take on some of the entries due to the inflection. Musetta Vander has one short scene, love ya Mu, wish there were more of you in this! Cassidy tries hard, and keep up the effort, but I have to say that Jonathan Fuller's performance makes the film watchable. If you're into D&D and renaissance festivals, you might find this fun. One of my best friends lost his shirt investing in this, but he has since gotten back on his feet. Yes, the producers had done a number of successful films in the past, and everyone is allowed a turkey or two. I just wish it hadn't been this one. I wish I could give it more than 5 stars, but 3 of them are because of John as Malthon/Nohtlam. The bit with the hand that has a mind of its own is a blast. I noticed they fixed some of the soundtrack issues when they re-named the film, and more of a back story would have helped. Still, with a few disjointed scenes and all it is a fun escapism film.

When I saw this film, I assumed it had been made in the late seventies - the effects are almost drawn onto the screen; but then I spotted in was made in 1996 and my appreciation really slumped. The first thing you notice is that old Ben Hur himself is the narrator - but why? Did he need the cash? The story, not that it really matters - is a sort of "Conan" meets "Red Sonja" affair with the hero "Rennick" (Patrick Cassidy) and his trusty team of stalwarts setting off to engage the epitome of evil in a battle for the very survival of our planet. Oddly enough, the campy performances; the large-scale paper-maché sets and the merry accompanying score might be more passable if the dialogue hadn't been written by an eight year old with English as his/her fifth language. The sword and sandals fight scenes are all terribly theatrically staged, and the visual effects are similar to those on a game of "Asteroids". Not the worst, but you can see it from here...