Mary Reilly

Not many movies can get away with keeping Julia Roberts from smiling, but Mary Reilly does so well. It's a movie of subtleties and moods. Its dark themes deal with the oppression of a strict, class-based society in Victorian England as well as the secrets that we all hide inside our hearts. The familiar tale takes intriguing new turns from the viewpoint of the house's servants. John Malkovich, while a tad thin on his English accent, delivers a fantastic performance as both Jekyll and Hyde as he plumbs the depths of morality and the human soul. Hyde is a stark contrast of freedom among the restrained servants of the Jekyll house, and his subtle sexual innuendoes quietly violate the chastity of Victorian stereotypes. Much of the violence occurs off camera until near the climax of the film, which may be one of it's shortcomings. The film is very quiet and slow and may put some viewers to sleep. Another issue I had was the lovely Henson-Workshop-provided effects at the end, which are imaginative, but don't make a bit of sense when compared to the rest of the film. If you can stomach a quiet and very subtle thriller, however, this is a real gem.

Initially, I stayed away from this movie as it received merciless reviews. The fact that Julia Roberts was in it also was another obstacle. Yet as other reviewers have mentioned, she actually gives a good performance. John Malkovich is excellent as the tormented Jekyll/Hyde character.

The cinematography and moods are haunting. One feels they are actually re-living the Victorian era, where the servants woke up at 4AM to complete their drudgery. The kitchen conjures up the stark realities of survival, the eel that is chopped up for dinner (while alive) Mary Reilly turns white as a sheet as she sees the animal die. I actually began to appreciate Ms. Roberts' performances more after this film (also in films like "Mona Lisa Smile", she projects a certain believability; is not just a physical presence). At one point, there is a most effective scene wherein Roberts must see to her mother's burial, and goes to the tenement to make arrangements. The landlord has placed her mother's body in a damp cellar closet, saying she is "most comfortable" as he hands her one shilling, the only money Roberts will inherit. Roberts then says; ..."ä poor wage for a lifetime of drudgery"... We are reminded of the workhouses of Dickens, and the rigid class structures which she must survive...

While the dialect is at times choppy, she is believable as an Irish maid; and the supporting cast also lends credence to this story. Malkovich varies his performance between Jekyll/Hyde, and it is effective and visceral.

If you initially avoided this film, I would highly recommend seeing it now. The atmosphere and music are haunting and sad. 9/10

OK, so this film was trashed by the critics... and I would bet a fortune that the average MTV generation movie-goer will practically fall asleep watching it - but I posit that their trouble with this film says more about them than it does about Frear's Gothic tale.

There are weaknesses - above all the fact that everyone else (including Julia Roberts ) has an accent but Malkovitch refuses to even attempt one. What's an American accent doing in the middle of all this? Malkovitch also seems to be channeling his own performance in Frear's masterpiece, Dangerous Liaisons - but if you haven't seen that film you should love what he does in this one.

But other than that, I found the slow pace to be totally gripping... The entire story is told from the viewpoint of Mary Reilly, and I have never seen Julia Roberts do a better job than here. She is wonderfully effective... it is worth watching this film only for her performance. But it is also worth watching because of the attention to period detail. You really get a feeling of what it must have been like to live in the 19th century. The manners, the utensils, the class differences...the psycho-sexual straight-jacket.

I will not give any details about the film - I'll let those who watch it discover it for themselves. But I would like to say one thing about the pace. This is not an action film, it is not even a horror film in the traditional sense. It is mainly a story of discovery - dealing with the slow realization of hidden desires and uncontrolled motivations; as such it should not - nay, could not be done at a quicker pace. It's really too bad that fewer and fewer people today seem to be capable of watching something that is subtle and slow. The loss is theirs.

I am glad to see a few other reviewers calling this "underrated." I figured I was the only person who actually liked this film. All the national critics sure hated this low-key re-telling of Jekyll and Hyde.

The muted colors with the grey overtones caught my eye and were very interesting to observe. Julia Roberts also was interesting to watch: no makeup, no smile, just sad, somber looks yet still appealing. Despite critics' comments to contrary, I found this an intelligent adaption of the famous story.

People don't care for subtly in films anymore. They want in-your-face smash- ups, gore, violent contrasts....and a lot of it. This movie is extremely low-key and subtle, although there are some bloody scenes.

I have to admit that I agree with one criticism, that it's hard to believe Roberts' character "Mary Reilly" would not recognize Jekyll from Hyde (played by John Malkovich) when he didn't change facial appearances! And, yes, the film, generally- speaking, is a real downer, a depressing tale.

Yet, for some odd reason, despite the above paragraph, I recommend the film to people who enjoy slower films and subtle suspense, even if they have to suspend a little believability. I thought it was oddly fascinating.

A housemaid (Julia Roberts) falls in love with Dr. Jekyll (John Malkovich) and his darkly mysterious counterpart, Mr. Hyde (John Malkovich).

Stephen Frears, an excellent director, cast two very big names and put them in a twist of the Jekyll and Hyde story. This is not a horror tale, and the violence and gore are kept to a minimum. In some sense it is a love story, but only in the most general of terms. More accurately, it is a woman who is loyal to her employer.

The strangest thing about this is how little they tried to make the two halves look different. When Hyde comes out, he is still obviously Malkovich. How can they not notice? Someone remarks that they bear a resemblance, but it is much more than that.