- Nominated for 1 Oscar
- 10 wins & 12 nominations total
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Featured reviews
It's not often that viewers get a chance to watch a star being born - that a talented unknown actor's performance that is so spectacular it leads to the A-list in one role is rare: Julia Roberts in Pretty Woman, Brad Pitt in Thelma & Louise to name a recent few. But Edward Norton's turn as the "defendant/victim" in Primal Fear is one of those "Wow" moments that leaves the audience salivating for his next performance. In this feature debut, Norton outdistances his role, as does Richard Gere, in a resurrection no less impressive than Norton's star-making turn. Heretofore, Gere has specialized in assorted intelligent professional cad roles. Here, he gets a chance to inhabit one that not only wears his dubious character on his sleeve, but wears it, drives it, drinks it... revels in it. Yeah, sure somewhere there's a heart of gold, but like his client, the layers on top serve him better, and the heart of gold is tarnished. Gere is at his peak, comfortably, cheerfully inhabiting the role.
Laura Linney deserves extra credit for often being the ice-queen foil which propels the two male characters' development; her own character is rather one- dimensional, but she herself squeezes as much dazzle as she can from it. Even though everyone else obviously falls for whatever Gere's Vail purrs into their ears, it's merely enough time for Linney's Janet to get a drag on her ubiquitous cigarette; another step in what will (hopefully) someday be film's love affair with her. Wasted, sadly, are fine character actors like John Mahoney, Steven Bauer, Maura Tierney & Andre Braugher who could have lit up the screen had they not been handed scripts with generic character stereotypes.
See it to watch the ascension of Norton and Gere.
Laura Linney deserves extra credit for often being the ice-queen foil which propels the two male characters' development; her own character is rather one- dimensional, but she herself squeezes as much dazzle as she can from it. Even though everyone else obviously falls for whatever Gere's Vail purrs into their ears, it's merely enough time for Linney's Janet to get a drag on her ubiquitous cigarette; another step in what will (hopefully) someday be film's love affair with her. Wasted, sadly, are fine character actors like John Mahoney, Steven Bauer, Maura Tierney & Andre Braugher who could have lit up the screen had they not been handed scripts with generic character stereotypes.
See it to watch the ascension of Norton and Gere.
Into big city Chicago political corruption and moral decay comes an ingeniously deceptive sociopath from nearby backwoods Kentucky who we see at the opening as an altar boy singing in an all boy church choir that's performing for the city's elite at a social fundraiser for charity. Like another Gregory Hoblit film (Fracture), you have to accept a certain amount of implausibilities. Like the murder itself, for instance, around which the film evolves. But also like Fracture, this is another (earlier) and surprisingly good take on lawyers and prosecutors (Richard Gere and Lara Linney) and the elusive perfect crime. As well, is the part played by Edward Norton. He's got that backwoods hardscrabble menace down about as well as anyone since those Georgia hillbillies in Deliverance.
this is one of the best murder mystery,psychological suspense films i have ever seen.this thing will keep you riveted and guessing right down to the end.this movie belongs to Edward Norton,who plays an alter boy accused of murdering a priest.this is an early film with Norton,in fact his first feature(big screen)film.his talent is undeniable even back then(1996).there a lot of layers to this movie and a lot going on.there are also a lot of plot twists and some red herrings(false clues)to help lead you to the wrong conclusions.Richard Gere is also in the film and he does good in his role,as does Laura Linney in her role.but like i said,this is an Edward Norton film.the success of the movie hinges on his performance.he delivers in a big way,so the film succeeds.i don't think you can go wrong with this film.i urge you to check it out.for me "Primal Fear" is a 9/10
I had just gotten done seeing the movie Fight Club when a relative of mine said " If you like that movie, you'll like Primal Fear." I didn't believe him, because I had believed that Fight Club was the best movie on the face of the planet. Well, he just so happened to have a copy of Primal Fear with him. I watched it and was amazed. I was speechless.The movie has so many twists! I was convinced that it was one of the best movies I had ever seen. Gere's performance is average. I say this because it seems that in many movies he plays the same cocky character. Linney's monologue in the courtroom is mesmerizing . It was just great. And Norton? Well this may be one of his best performances ever. The fact that this was made during the starting of his acting career was unbelievable. It was a great film and Edward norton does an excellent job
Riveting courtroom drama, starring Richard Gere, with occasional flashes of action. New to me faces that impressed are Laura Linney and Edward Norton, both of whom give outstanding performances against the ever reliable Gere, a sometimes underated star actor.
Kept me on the edge of my chair throughout. One of the best of the courtroom genre films that I have seen.
A coherent script, well directed and edited, leaving me guessing to the end, with a really neat twist in the final stage. Excellent.
Kept me on the edge of my chair throughout. One of the best of the courtroom genre films that I have seen.
A coherent script, well directed and edited, leaving me guessing to the end, with a really neat twist in the final stage. Excellent.
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Did you know
- TriviaThis is Edward Norton's motion picture debut.
- GoofsIt is stated by several characters that a plea cannot be changed mid-trial. However, it is entirely possible to change a plea before sentencing.
- Quotes
[first lines]
[while getting dressed as Naomi helps him]
Martin Vail: On my first day of law school, my professor says two things. First was: from this day forward, when your mother tells you she loves you, get a second opinion.
Jack Connerman: [chuckles] And?
Martin Vail: If you want justice, go to a whorehouse. If you wanna get fucked, go to court.
- SoundtracksIntroitus: Cibavit Eos
by William Byrd
Performed by The Voices of Christ Church Cathedral Choir
Conducted by Stephen Darlington
Courtesy of Nimbus Records
Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $56,116,183
- Opening weekend US & Canada
- $9,871,222
- Apr 7, 1996
- Gross worldwide
- $102,616,183
- Runtime
- 2h 9m(129 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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