Walking and Talking

Hip, witty, likable precursor to Sex and the City. The film has a Woody Allen feel, but with a 90s feminist slant. Set in New York City, the camera follows the romantic trials and tribulations of its two lead females (in two exquisite performances from Keener and Heche). The dialog is bristling with insight and vigor unlike many films of that era that Hollywood mass produced as so -called romantic comedies. Yet this film is much more than a romantic comedy. Inspired by Woody Allen's more intimate and small-scale New York films, it adds its own voice to that tradition. This is definitely on of the better indie comedies of the 1990s, and stands the test of time even after the demise of Sex and the City.

There's not an unusual amount of walking in this flick, but it has all the talking you'd care for. So if movies that are in the 'thirtysomething' mold aren't to your liking, don't stop here. (The star, Catherine Keener, even looks like she'd fit in perfectly on that TV show.) On the other hand, if you like nothing better than a film that revolves around characters and their relationships, I don't think you'll go wrong giving this one a try.

How you feel about the film will of course be determined by how much you care for the characters, and I found them likeable enough to give it a positive rating. Amelia (Keener) is the confused one here, who doesn't want any more than a platonic relationship with her longtime male friend, and can't figure out why she can't get a worthwhile relationship going with any other man. Her best friend from childhood is Laura (Anne Heche) who seems to have everything that either of them wants as far as a relationship goes. Laura is soon to be married, which doesn't help Amelia's frustration any.

The movie doesn't ever get overly serious about things and stays enjoyable throughout. Keener is fine in her role and Heche seems to do well in every film she's in. This is a strong first-time effort by the writer/director, Nicole Holocener. I think she made the film she set out to do. It will be interesting to see if in the future she has anything more or different to say.

Catherine Keener (as Amelia) spends the opening scenes putting down everyone in her life. She doesn't like best friend Anne Heche (as Laura)'s engagement ring. She calls video store geek Kevin Corrigan (as Bill), who wants to date her, "The Ugly Guy". She repeatedly calls ex-boyfriend-turned-friend Liev Schreiber (as Andrew) an ass----, for enjoying telephone sex. Her cat has cancer. And, her kitchen sponge stinks.

Intriguing character study, from writer/director Nicole Holofcener. Ms. Keener's "Amelia" seems to have a lot going for her; she is funny and attractive, and, she manages to keep friendships while being excessively judgmental. Things may have started going wrong for her when roommate Heche moved in with boyfriend Todd Field (as Frank). Mr. Field becomes another supportive friend, however. Although Keener is cranky throughout, she eventually proves to be an interesting, supportive friend.

The performances are all terrific. Mr. Corrigan may be most memorable, as the horror movie geek Keener labels "The Ugly Guy"; watch for an outstanding scene as he overhears a message on Keener telephone answering machine. Some back-hair might have helped him look more ugly, though. Then, again, hairier Rafael Alvarez does seem prove excessive hair isn't so ugly. Wonderfully ironic to see Randall Batinkoff (as Peter) play a waiter so well, and an actor so poorly. "Walking and Talking" manages to be a story about meaningful friendship without being terribly meaningful.

****** Walking and Talking (1996) Nicole Holofcener ~ Catherine Keener, Anne Heche, Kevin Corrigan

"Walking and Talking" is a slice of life flick which focuses on two thirtyish female best friends (Heche & Keener). A dialogue-intensive plotless situational relationship light comedy, "W&T" offers good performances, a lively script, and a variety of situations with which thirtyish guys and gals will be able to identify. An enjoyable way to wile away 1.5 hours.

While an observation of New York neuroses hardly breaks new ground, the characters as drawn by writer/director Nicole Holofcener are interesting enough to keep us engrossed in this charming, sometimes moving comedy.

A New York drama critic faulted Catherine Keener in a stage performance for not acting, but for being just herself. Keener is perhaps not the most versatile performer, but she's always compelling on screen and even just "being herself" is more than enough.

Holofcener has a way with actors coaxing credible and funny performances from all. It's a very talky affair with not enough meat on it to make a lasting impression. But her talent is crystal clear. She's way above most other independent directors with an assured feel for dialog and formidable directing skills.