The Grand

Of the many extended series from England, I think this is the best conceived & written. 3 dimensional, complex characters, rejection of obvious, feel good, wrap-it-up-neatly plot lines make it the most fascinating of classy soap operas. Flawless acting, direction. Engrossing.

This series had me hooked from the first episode. The period stuff was done well, in the English tradition, and the acting and writing were first-rate. Yes, the majority of the characters are reprehensible, but they are human, and yes, justice does prevail for them. All of the actors are good, with the magnificent Susan Hampshire a stand-out in a well-modulated performance as a Madam with a heart-of-gold. The characters change from season one to season two, but the interest never wanes. I do not understand the negative reviews that I have seen for this series, but I really enjoyed it. Further, this series had a most satisfactory conclusion which really left me feeling uplifted.

British period soap opera in the `Duchess of Duke Street' tradition set in a high-class Manchester hotel in the nineteen-twenties. A remarkably well preserved Susan Hampshire plays an aging courtesan to the gentry, Tim Healey is excellent as Jacob, the all-seeing Hall Porter with principles and Mark McGann is perfect casting as devious, supercilious hotel proprietor Marcus Bannerman.

However, a couple of cast changes to major characters cause confusion and some of the storylines, especially the surrogate baby issue, become extremely far-fetched.

Watch out for spunky little chambermaid Kate. She's played by Rebecca Callard, daughter of Beverley who was the lovely Liz Macdonald in the legendary `Coronation Street'. A soap dynasty in the making?

Typical English attention to production values by way of sets & costumes makes this undemanding entertainment.

I thoroughly enjoyed season one. I became so engrossed I actually imagined they were real people. I felt for them. I was there. The scenes were amazing: 1) the son kissing/sobbing his love who admitted her true nature; 2) the wife and the brother looking at each other while the symphony played in the last episode of season one. It was spellbinding, another world, a dream. I was jolted, rather violently out of this dream during season two. The people were replaced with characters of themselves, who talked differently, interacted differently, and in some cases looked different. Actors/Actresses who were amazing were switched for horrible versions the second season. It would have been better to have gotten rid of them in this case. The script seemed forced and the characters who you grew to know and understand were acting grossly unlike themselves. I honestly could only get through two episodes of the second season. So sad. I will tell anyone, watch the 1st Season of the Grand...and that's it.

Man, I haven't seen so many cat fights since General Hospital, Days of our Lives, or as the World Turns hit the mid-afternoon time slots and infested American television way back when.

"The Grand" is a series heralding from the mid 90s about the trials and tribulations of a family owned and run hotel in Manchester England circa the first World War. It's a period piece, and full of vibrant female characters and interpersonal conflicts that should appease the most ardent of female viewer-ship. Ostensibly we're looking the social schism of English mid upper society and their servants, and the intrigues that culminate from that rift and intermingling.

Blue bloods and working girls looking for survival, life and love, all the while internecine fighting takes place with the occasional slap, punch, scratch or hair pull after a verbal confrontation conflagrates.

As a guy who, to be honest, welcomes a break from the usual guns and spaceship fare I'm so often exposed to, I do have to admit to getting a little weary of a recycling of themes here. But, when you're aiming for the classic Jane Austen like set (perhaps fast forward 50 or so years), you're going to get a little repetition in the story and thematic departments.

Still, it is a visually attractive, well written, and exceptionally well acted piece of televised theatre. Exceptionally well shot for a TV production (not to mention very well lit, and I rarely say that about any TV show), this is a show to see, if only once.

The themes are adult in nature, so parents with pre-teen girls (or even boys if they're so inclined) might want to screen or caution their young ones as they watch.

Enjoy.