15 months after being stabbed 9 times by a student at work as a high school teacher in NYC, Mr. Garfield is working in LA as a substitute teacher come full-time. He refuses to be a victim an... Read all15 months after being stabbed 9 times by a student at work as a high school teacher in NYC, Mr. Garfield is working in LA as a substitute teacher come full-time. He refuses to be a victim anymore.15 months after being stabbed 9 times by a student at work as a high school teacher in NYC, Mr. Garfield is working in LA as a substitute teacher come full-time. He refuses to be a victim anymore.
- Awards
- 1 win & 1 nomination total
Clifton Collins Jr.
- Cesar Sanchez
- (as Clifton Gonzalez Gonzalez)
Jonny Bogris
- Barsek
- (as Yannis Bogris)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Kevin Reynolds' 187, although billed as another "straight-laced-teacher-turns-troubled-urban-highschool-teens-into-well-rounded-individuals" movie, goes above and beyond this tired premise. The provocative story (which was apparently written by an actual highschool teacher) breathes new life into the otherwise stale highschool-drama subgenre.
Samuel L. Jackson's performance as Trevor Garfield is fantastic, and his many emotional scenes and powerfully delivered lines of dialogue work well at allowing the audience to sympathize with the disenchanted Garfield and relate to his humdrum life. Also, the characters are much more dynamic and developed here than in most movies of this kind. The student as well as the faculty roles are all given unique personalities, backgrounds, and adequate motivation for their actions, which is a refreshing departure from the typical "the reason they're bad kids is because they grew up in the 'hood"-style characterizations.
Although a few of the supporting performances are somewhat stilted (mainly because they are overshadowed by Jackson's excellence), the highly original story is clever enough keep anyone's interest piqued until the heartrending (although arguably contrived) ending. 187, aside from being smart, touching, and one-of-a-kind, really shows off Reynolds' ability to successfully convert a good, solid screenplay into a good, solid film. And since this movie was made directly after his abominable WATER WORLD, we should all by doubly impressed by his efforts!
Samuel L. Jackson's performance as Trevor Garfield is fantastic, and his many emotional scenes and powerfully delivered lines of dialogue work well at allowing the audience to sympathize with the disenchanted Garfield and relate to his humdrum life. Also, the characters are much more dynamic and developed here than in most movies of this kind. The student as well as the faculty roles are all given unique personalities, backgrounds, and adequate motivation for their actions, which is a refreshing departure from the typical "the reason they're bad kids is because they grew up in the 'hood"-style characterizations.
Although a few of the supporting performances are somewhat stilted (mainly because they are overshadowed by Jackson's excellence), the highly original story is clever enough keep anyone's interest piqued until the heartrending (although arguably contrived) ending. 187, aside from being smart, touching, and one-of-a-kind, really shows off Reynolds' ability to successfully convert a good, solid screenplay into a good, solid film. And since this movie was made directly after his abominable WATER WORLD, we should all by doubly impressed by his efforts!
A teacher (Samuel L. Jackson) makes every effort to engage his students at a tough inner-city New York high school when one day he is stabbed in the back by one of the students. After he recovers and although still traumatised he relocates to LA and an equally tough San Fernando high school where not only does he face similar challenges, but must also face up to his demons.
A slightly more fanciful thriller like variation with elements of vigilantism than films that covered similar subjects such as in the better STAND AND DELIVER (1988), MENACE II SOCIETY (1993) and DANGEROUS MINDS (1995). Nevertheless, the film still stands as a commentary on the violence in urban American high schools and for this it does an adequate job. Well acted by Jackson, his performance making the film more believeable.
A slightly more fanciful thriller like variation with elements of vigilantism than films that covered similar subjects such as in the better STAND AND DELIVER (1988), MENACE II SOCIETY (1993) and DANGEROUS MINDS (1995). Nevertheless, the film still stands as a commentary on the violence in urban American high schools and for this it does an adequate job. Well acted by Jackson, his performance making the film more believeable.
Samuel L. Jackson is superb in this hard look at the pressure that American Teachers can face. The story begins simply enough, but soon leads us into a jungle of what is right and what is wrong. It encompasses the themes of machismo, gangs, respect and the fallen and tainted profession of teaching. Jackson plays the destroyed Teacher, whose life is torn apart after a serious stabbing by one of his own pupils. It follows his fight to cling on to the only thing he has left in his life, Teaching, but soon that too is torn away from him. Watch for this amazing insight into the state of some American schools and for the complex discussions of right, wrong and what it takes to exact a change.
After a vicious assault on him, Trevor Garfield, a teacher, moves cities and works as a temp. However, he finds that things are even worse at his new school. Dealing with an important subject, this is immensely engaging and tense. While not based on any specific case, this was written by an actual teacher, and, frankly, it does feel terrifyingly authentic and realistic. The psychology is completely accurate, and this is not black and white. This is well-paced, and never boring. The plot is compelling throughout, and though you can figure some things out before they occur, this most likely *will* surprise you. Every acting performance is spot-on, and all roles are marvelously cast. Jackson is impeccable, and his particular knack for playing someone who holds anger and may lose control at any moment is excellent for this. This has a great soundtrack, with music that fits the environment(which is very nicely established; they found perfect locations and types of people), without making it appealing. The editing and cinematography are incredible, if dangerously close to being flashy. There is a bit of brutal, bloody violence, a lot of disturbing content, moderately frequent strong language and brief nudity in this. I recommend this to anyone mature enough to handle it. 7/10
In the world of 'teacher takes revenge' flicks, we have tons of flops. I think "187" is certainly not one of those flops. It is a film that has held up well since its release in 1997.
Samuel L. Jackson turns in one of his good performances here. The setting is perfect: a hazy, smoggy east Los Angeles in the 90's. Films like "American Me" and "Falling Down" also captured that 'L.A. thing' well. "187" does that. It makes you feel like you are there.
Some of it definitely plays like an after school special, but most of the plot here is gritty and believable...this is no "Class of 1984." Awesome soundtrack with lots of good Massive Attack too.
7 out of 10, kids.
Samuel L. Jackson turns in one of his good performances here. The setting is perfect: a hazy, smoggy east Los Angeles in the 90's. Films like "American Me" and "Falling Down" also captured that 'L.A. thing' well. "187" does that. It makes you feel like you are there.
Some of it definitely plays like an after school special, but most of the plot here is gritty and believable...this is no "Class of 1984." Awesome soundtrack with lots of good Massive Attack too.
7 out of 10, kids.
Did you know
- TriviaScott Yagemann, who wrote the story and screenplay for this film, worked as high school substitute teacher in the Los Angeles area for seven years. Yagemann claimed that 90% of the film's material is based on incidents that had either happened to him or to other teachers in real life.
- GoofsIn the beginning of the film, Mr. Garfield does a demonstration with a bicycle wheel in order to teach 'centripetal' force. The demonstration is actually used to demonstrate 'conservation of angular momentum'.
- Quotes
Trevor Garfield: Your whole way of life is bullshit! Macho is bullshit!
Cesar: It's all I got!
- Crazy creditsA teacher wrote this movie.
- Alternate versionsWhen aired on USA Network, the scene where Rita is topless uses different camera angles to avoid nudity.
- SoundtracksSlack Hands
Written by Ski Oakenfull (as Dominic Oakenfull), Robert Bernard Gallagher and Valerie Etienne
Performed by Galliano
Courtesy of Slack Records UK/Talkin' Loud/Mercury Records Limited
By Arrangement with PolyGram Film & TV Licensing
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Details
- Release date
- Country of origin
- Languages
- Also known as
- 187
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $5,727,130
- Opening weekend US & Canada
- $2,222,984
- Aug 3, 1997
- Gross worldwide
- $5,727,130
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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