A documentary focusing on the life of novelist and philosopher Ayn Rand, the author of the bestselling novels The Fountainhead and Atlas Shrugged and originator of the Objectivist philosophy... Read allA documentary focusing on the life of novelist and philosopher Ayn Rand, the author of the bestselling novels The Fountainhead and Atlas Shrugged and originator of the Objectivist philosophy.A documentary focusing on the life of novelist and philosopher Ayn Rand, the author of the bestselling novels The Fountainhead and Atlas Shrugged and originator of the Objectivist philosophy.
- Nominated for 1 Oscar
- 1 win & 2 nominations total
Sharon Gless
- Narrator
- (voice)
Michael S. Berliner
- Self - Editor of Rand's Letters
- (as Dr. Michael S. Berliner)
Harry Binswanger
- Self - Professor and Friend
- (as Dr. Harry Binswanger)
Leonard Peikoff
- Self - Intellectual Heir and Friend
- (as Dr. Leonard Peikoff)
John Ridpath
- Self - Professor: York University
- (as Dr. John Ridpath)
Buzz Aldrin
- Self - Astronaut on Moon
- (archive footage)
- (uncredited)
Neil Armstrong
- Self - Astronaut on Moon
- (archive footage)
- (uncredited)
Cecil B. DeMille
- Self - Addresses Extras
- (archive footage)
- (uncredited)
Phil Donahue
- Self - Interviews Ayn Rand
- (archive footage)
- (uncredited)
Grand Duke Nicholas
- Self - Accompanies Tsar Nicholas
- (archive footage)
- (uncredited)
Edith Head
- Self - Pins Costume
- (archive footage)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
What a horrible woman. I have never read anything by her or about her but was really astounded by this documentary. Basically, she believes that everyone should be selfish and think only of themselves. Government should not take care of anyone. There is no God. she babbles incoherently about the future of the human race and her greatest philosophical achievement is a book about an architect that every selfish conservative in the world has bought next to only the bible. She sounds like a cult. I plan to watch Fountainhead. I wonder how it became the favorite book of Anne Hathoway (The Princess Diary). Wonder what her parents were like? If I somehow come up with a different opinion, I will let you know. Until then, watch this and tell me if you can find any redeeming value. Check out the parts where the audience is watching her on talk shows of the 70's with a collective look of horror as she spouts out her ideas that God doesn't exist, people should not seek help from their government and people who believe in helping others are wimps. Now you will know why conservatives love her and shun Jesus, Gandhi, Martin Luther King and other petty altruists. Ugh....
Let's face it. Every documentary is biased. No matter how objective (forgive the situational wordplay) a documentary filmmaker wants to be in presenting his/her subject, he/she has a point of view, or else why bother making the film at all?
The problem here is not Michael Paxton's bias, although he is clearly an adoring fan of the writer/philosopher. The problem is that in painting a portrait of this equally celebrated and vilified woman, he never shows, and only barely tells of, the vilification. As a result, he doesn't give viewers, not even her most ardent admirers, reason to celebrate her.
The film mentions in passing some of her flaws as a person, and repeatedly talks of the criticism surrounding her ideas. But we never hear any of the criticism, any of the arguments against, anything at all to cast her in the light of "defender of the faith," or defender of anything at all, for that matter. She states her case time and again, in interviews, in excerpts from her novels and philosophical works, etc. But we're left with a feeling of "Great. Why should I care?"
Not many people will see this film -- 2 1/2 hour docs rarely draw the masses in theater, on video or anywhere else -- so I'll make a rather simplistic analogy. Think of "Star Wars". How compelled would we be to root for the good of the force if we hadn't heard Darth Vader expound on the power of evil (the Dark Side)? How can you convince anyone of any point, positive or negative, without at least presenting the counterpoint?
Viewers who already adore Rand will no doubt cheer this film. For them, it's very palatable candy. Her detractors shouldn't waste their time. But a documentary is supposed to educate viewers in some way, and the uneducated will get nothing more than a biography and an unquestioned statement of philosophy. That's not much for any doc, but especially for one this long.
The problem here is not Michael Paxton's bias, although he is clearly an adoring fan of the writer/philosopher. The problem is that in painting a portrait of this equally celebrated and vilified woman, he never shows, and only barely tells of, the vilification. As a result, he doesn't give viewers, not even her most ardent admirers, reason to celebrate her.
The film mentions in passing some of her flaws as a person, and repeatedly talks of the criticism surrounding her ideas. But we never hear any of the criticism, any of the arguments against, anything at all to cast her in the light of "defender of the faith," or defender of anything at all, for that matter. She states her case time and again, in interviews, in excerpts from her novels and philosophical works, etc. But we're left with a feeling of "Great. Why should I care?"
Not many people will see this film -- 2 1/2 hour docs rarely draw the masses in theater, on video or anywhere else -- so I'll make a rather simplistic analogy. Think of "Star Wars". How compelled would we be to root for the good of the force if we hadn't heard Darth Vader expound on the power of evil (the Dark Side)? How can you convince anyone of any point, positive or negative, without at least presenting the counterpoint?
Viewers who already adore Rand will no doubt cheer this film. For them, it's very palatable candy. Her detractors shouldn't waste their time. But a documentary is supposed to educate viewers in some way, and the uneducated will get nothing more than a biography and an unquestioned statement of philosophy. That's not much for any doc, but especially for one this long.
This documentary presents a well organized and concise picture of one of the most important thinkers of our time. If you don't know much about Ayn Rand, this film is worth watching, if only to be introduced to her ideas. Even though her philosophy is more aligned with the founding principles of America than that of any other 20th century thinker, she is all but discarded in American public schools. The popularity of twentieth century anti-mind/anti-humanism philosophies, amongst the Ivory Tower, has muted the voice of Ayn Rand in the classroom. If you grew up in the United States, you probably missed out on her side of the debate altogether. Rand's ideas are worthy of your consideration, and they're highly worthy of serious critical review.
I hope you will take the review of this film written by ChrisWN with an entire shaker of salt. The size of the shaker is up to you, but you should know that the immature ranting of ChrisWN is typical of those who despise Ayn Rand. Let the fatuous nature of his writing be the measure by which he should be taken seriously as a film critic or as a critical thinker. And, further, let his ramblings be recorded as representative of the opposite of Ayn Rand's devotion to reason.
I hope you will take the review of this film written by ChrisWN with an entire shaker of salt. The size of the shaker is up to you, but you should know that the immature ranting of ChrisWN is typical of those who despise Ayn Rand. Let the fatuous nature of his writing be the measure by which he should be taken seriously as a film critic or as a critical thinker. And, further, let his ramblings be recorded as representative of the opposite of Ayn Rand's devotion to reason.
Ayn Rand created herself out of whole cloth. This must be acknowledged, and yes it's impressive. Often an immigrant, who had to struggle for freedom, ends up doing more than a rank and file American, who takes it for granted. Rand was definitely a force to be reckoned with. Unfortunately... paradoxically... over-achievers can also be full of cr*p. Any admiration for Rand must be tempered by the fact that her writing is a mono-maniacal, unpersuasive snooze. Add to that the sheer creepy, oiliness of the also-Rands she left behind, and she's a complete wash-out. No college studies Rand's disreputable "philosophy."
Rand didn't have a body of work that became a school; instead she had a lot of hard-won, reactive opinions that became serviceable as a personal philosophy; and a generous segment of the population without rudders came to grovel at her feet, and hear why being selfish was actually a good thing; uniting sociopaths and young capitalists under one umbrella.
She quickly became a self-parody. She hated collectives terribly but paradoxically could only conceive of individualism as a cultish dogma she constrained you with. (!?) As few in America have a philosophical life, an early naive encounter with her material (as with $cientology, and Moonie literature) is apt to derail the development of actual emotional depth or a conscience for five to thirty years, lost in the fog of mystification and hero worship.
Her work follows an absurd tiresome pattern. You could write the next Rand tome by just following this handy template: A vigorously independent industrialist wants to use (insert some industry) to prove he's got big brass ones. For 1,500 pages he must endure a bizarre gang of paper-deep anti-individualists motivated by volition that no one has ever actually encountered on earth (Bad man: "grrrrr... I hate maverick individuals!" Good man: "I hate collectives!"). But with the attention of an impressively miserable woman, who only experiences joy when (pick two: she breaks beautiful things / gets put in her place sexually / she can pursue her erotic fixation with machinery) they stand together in triumph on top of (pick one: his own skyscraper, his train, some other phallic symbol) in the end. Spare yourself a read of Atlas Shrugged and just wait for Brad Pitt/Angelina Jolie's self-impressed, half-understood production which should be putting theater-goers to sleep in the next year or so.
The ultimate refutation of her ideas comes from Allen Greenspan, a Rand acolyte who when asked to explain why he allowed the country's economy to run itself into the ground, stated that he couldn't fathom that bankers would act in their own self-interest without concern for the well-being of the nation. Well, I guess that makes me smarter than you Allen. Please go away, Randlings.
Rand didn't have a body of work that became a school; instead she had a lot of hard-won, reactive opinions that became serviceable as a personal philosophy; and a generous segment of the population without rudders came to grovel at her feet, and hear why being selfish was actually a good thing; uniting sociopaths and young capitalists under one umbrella.
She quickly became a self-parody. She hated collectives terribly but paradoxically could only conceive of individualism as a cultish dogma she constrained you with. (!?) As few in America have a philosophical life, an early naive encounter with her material (as with $cientology, and Moonie literature) is apt to derail the development of actual emotional depth or a conscience for five to thirty years, lost in the fog of mystification and hero worship.
Her work follows an absurd tiresome pattern. You could write the next Rand tome by just following this handy template: A vigorously independent industrialist wants to use (insert some industry) to prove he's got big brass ones. For 1,500 pages he must endure a bizarre gang of paper-deep anti-individualists motivated by volition that no one has ever actually encountered on earth (Bad man: "grrrrr... I hate maverick individuals!" Good man: "I hate collectives!"). But with the attention of an impressively miserable woman, who only experiences joy when (pick two: she breaks beautiful things / gets put in her place sexually / she can pursue her erotic fixation with machinery) they stand together in triumph on top of (pick one: his own skyscraper, his train, some other phallic symbol) in the end. Spare yourself a read of Atlas Shrugged and just wait for Brad Pitt/Angelina Jolie's self-impressed, half-understood production which should be putting theater-goers to sleep in the next year or so.
The ultimate refutation of her ideas comes from Allen Greenspan, a Rand acolyte who when asked to explain why he allowed the country's economy to run itself into the ground, stated that he couldn't fathom that bankers would act in their own self-interest without concern for the well-being of the nation. Well, I guess that makes me smarter than you Allen. Please go away, Randlings.
As someone who spent a lot of time reading and thinking about Rand's ideas many years ago, I found this film very informative and entertaining. It presents Rand with just the right breath of grandeur. It shows her the way I like to think of her.
Like Thomas Jefferson, flaws in Rand's personal life throw a bit of shadow on her intellectual triumphs. This is not to suggest that Rand's achievements come close to Jefferson's. But, like Rand, his lifestyle contradicted his life's major achievement: the Author of The Declaration of Independence was a slaveholder.
In Rand's case, the champion of individualism surrounded herself with a "Collective" of yes-men (and -women) that systematically excluded anyone who didn't toe the line on matters of philosophy, religion, aesthetics, and even cigarette smoking. Incredibly, this champion of "independent judgement based on facts" would actually forbid her followers from reading things written by people she deemed "evil."
But, just as a tribute to Jefferson might not dwell on slavery at Monticello or mention Sally Hemmings, this love letter to Ayn doesn't explore her problematic social life or her peculiar band of followers. But I still think this documentary earned its accolades from the film industry. Ayn Rand probably would have approved of the film herself.
Like Thomas Jefferson, flaws in Rand's personal life throw a bit of shadow on her intellectual triumphs. This is not to suggest that Rand's achievements come close to Jefferson's. But, like Rand, his lifestyle contradicted his life's major achievement: the Author of The Declaration of Independence was a slaveholder.
In Rand's case, the champion of individualism surrounded herself with a "Collective" of yes-men (and -women) that systematically excluded anyone who didn't toe the line on matters of philosophy, religion, aesthetics, and even cigarette smoking. Incredibly, this champion of "independent judgement based on facts" would actually forbid her followers from reading things written by people she deemed "evil."
But, just as a tribute to Jefferson might not dwell on slavery at Monticello or mention Sally Hemmings, this love letter to Ayn doesn't explore her problematic social life or her peculiar band of followers. But I still think this documentary earned its accolades from the film industry. Ayn Rand probably would have approved of the film herself.
Did you know
- ConnectionsFeatures The Mark of Zorro (1920)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Ayn Rand: Un sentido de la vida
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Gross US & Canada
- $205,246
- Opening weekend US & Canada
- $26,101
- Feb 16, 1998
- Gross worldwide
- $205,246
- Runtime
- 2h 25m(145 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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