IMDb RATING
4.8/10
3.3K
YOUR RATING
A couple circa 30 breaks up after 2 1/2 years - or do they?A couple circa 30 breaks up after 2 1/2 years - or do they?A couple circa 30 breaks up after 2 1/2 years - or do they?
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I'm conflicted about this film.
The two leads have zero chemistry together, which gives their messed-up relationship no credence whatsoever. In real life these two would have never gotten together in the first place. Someone decided two "on their way up" stars should make a movie, and it wasn't a great decision. They do their best, but it fails to carry the movie.
I liked the script though. Sometimes relationships aren't a clean breakup where people just decide that they want to be out. There's indecision, better the devil you know, maybe it's not so bad after all, the uneasy feelings of breaking it off permanently. This film encapsulates all of that. It does feel a bit repetitive for all the breaking up and getting back together, but it's perfectly captured.
Hated the direction! Inexplicable moves from colour to black-and-white, weird camera angles, lighting changes, jumping from one shot to the next. I suppose it was meant to feel jarring and analogous to the relationship being portrayed, but it was super annoying and discombobulating for the viewer. Ultimately this is the thing that made me give this film such a low rating. It felt like the director was trying to be edgy (in a very 90s way) but it did not work at all.
Not a great movie. I wished I liked it a lot more, but unfortunately the pieces just don't fit.
The two leads have zero chemistry together, which gives their messed-up relationship no credence whatsoever. In real life these two would have never gotten together in the first place. Someone decided two "on their way up" stars should make a movie, and it wasn't a great decision. They do their best, but it fails to carry the movie.
I liked the script though. Sometimes relationships aren't a clean breakup where people just decide that they want to be out. There's indecision, better the devil you know, maybe it's not so bad after all, the uneasy feelings of breaking it off permanently. This film encapsulates all of that. It does feel a bit repetitive for all the breaking up and getting back together, but it's perfectly captured.
Hated the direction! Inexplicable moves from colour to black-and-white, weird camera angles, lighting changes, jumping from one shot to the next. I suppose it was meant to feel jarring and analogous to the relationship being portrayed, but it was super annoying and discombobulating for the viewer. Ultimately this is the thing that made me give this film such a low rating. It felt like the director was trying to be edgy (in a very 90s way) but it did not work at all.
Not a great movie. I wished I liked it a lot more, but unfortunately the pieces just don't fit.
I found this movie rather uncomfortable viewing and I wondered why the two protagonists were a couple in the first place. There was a lot of confrontation and restless, irritable behaviour and this rubbed off on me. The theatrical origin is clear, as it is in such films as Two Girls and a Guy, and the atmosphere is claustrophobic - this may be intentional. I bought this movie because I wanted to see Russell Crowe's work outwith Gladiator and LA Confidential, and this character is definitely different. Russell plays an American and I think he gave a good performance, as did Salma Hayek. See this film for the sake of the stars or if you need to deal with your anger about breaking up, but it is not a relaxing experience.
i have decided to write a review motivated by an unfairly low mark this movie has. negative votes are made by people who give 1 to likes of 'memento' and 8 to 'death race 2'. most of negative voters are clearly unable to get the point of this movie.
it is a movie for mature audience. it speaks on a level which requires personal experience of love and its losing.
it is a very honest movie which takes you on an emotional roller coaster whose main plot is summarized in the title. the directing is somewhat dated, but efficient, and the movie never becomes dull. the plot should not be read as an exercise in depicting reality, and the director follows the approach faithfully. still, the movie hits the nail on the head in the overall.
both leads have performed an excellent job!
it is a movie for mature audience. it speaks on a level which requires personal experience of love and its losing.
it is a very honest movie which takes you on an emotional roller coaster whose main plot is summarized in the title. the directing is somewhat dated, but efficient, and the movie never becomes dull. the plot should not be read as an exercise in depicting reality, and the director follows the approach faithfully. still, the movie hits the nail on the head in the overall.
both leads have performed an excellent job!
What was the point of making this movie. I can't think of one. The movie stars two big name actors but all that happens is they break up get together break up get together.... We get some silly scenes such as Steve in the tub picturing Monica with a guy at the gym. It was obvious the two didn't belong together, so why should the audience care if they break up. That was part of the problem with it besides it just being a stupid idea for a movie.
FINAL VERDICT: Not to good. Don't expect the Russell Crowe from Gladiator in this. I don't recommend it.
FINAL VERDICT: Not to good. Don't expect the Russell Crowe from Gladiator in this. I don't recommend it.
Steve is a photographer, Monica is a teacher. They don't get along. So it's time for them to break up. Watching two people try to break up for nearly two hours (fortunately, that included lots of commercials) is not my idea of entertainment. Unless they are funny, which these two generally were not.
The film showed promise. At the start, both characters are talking to an unseen interviewer or counselor, or maybe just to the camera (they also talk just to the camera in a later scene). They are giving good performances at that point. Then things go downhill quickly.
The film was not a total waste of time.
The best part of the movie had Steve and Monica doing what appeared to be a documentary, shot in black and white, where they interviewed ordinary people on the street about male-female relationships. These people seemed real and may in fact have been real (they certainly weren't shown in the credits). One little girl said the best thing to do with a man was 'dump him in the garbage'.
Also good: a sequence of fantasies about what the wedding might be like, inside a church, involving a demented minister, an Einstein lookalike, and Steve and Monica both lying on couches with a psychiatrist between them.
Salma Hayek looked good in a swimsuit. Too bad that was only in a fantasy (Steve's, actually) where a Fabio type with Schwarzenegger muscles was bench pressing her.
Several scenes had really good music, most of the good music being real jazz. There was also 40s-style easy listening. And then there was contemporary music that didn't appeal to me at all. (Well, what can you expect when the man in charge of music led Devo?) One scene was spoiled for me when the trumpet and the stand-up bass were cut off prematurely when the couple started bickering again.
I'm not sure what this meant, but several sequences other than the 'documentary' were filmed in black and white with no dialogue from the characters on screen. Two had quick editing and gave the impression of quality. One had Steve and Monica in a restaurant with a series of different dates, in what appeared to be just a few minutes as the camera went back and forth between them.
The only way this could have been a good movie is if it was in fact one of those art films that appeals to the people who go to coffee houses and listen to poetry. I'm not one of those.
The film showed promise. At the start, both characters are talking to an unseen interviewer or counselor, or maybe just to the camera (they also talk just to the camera in a later scene). They are giving good performances at that point. Then things go downhill quickly.
The film was not a total waste of time.
The best part of the movie had Steve and Monica doing what appeared to be a documentary, shot in black and white, where they interviewed ordinary people on the street about male-female relationships. These people seemed real and may in fact have been real (they certainly weren't shown in the credits). One little girl said the best thing to do with a man was 'dump him in the garbage'.
Also good: a sequence of fantasies about what the wedding might be like, inside a church, involving a demented minister, an Einstein lookalike, and Steve and Monica both lying on couches with a psychiatrist between them.
Salma Hayek looked good in a swimsuit. Too bad that was only in a fantasy (Steve's, actually) where a Fabio type with Schwarzenegger muscles was bench pressing her.
Several scenes had really good music, most of the good music being real jazz. There was also 40s-style easy listening. And then there was contemporary music that didn't appeal to me at all. (Well, what can you expect when the man in charge of music led Devo?) One scene was spoiled for me when the trumpet and the stand-up bass were cut off prematurely when the couple started bickering again.
I'm not sure what this meant, but several sequences other than the 'documentary' were filmed in black and white with no dialogue from the characters on screen. Two had quick editing and gave the impression of quality. One had Steve and Monica in a restaurant with a series of different dates, in what appeared to be just a few minutes as the camera went back and forth between them.
The only way this could have been a good movie is if it was in fact one of those art films that appeals to the people who go to coffee houses and listen to poetry. I'm not one of those.
Did you know
- TriviaKelly Preston auditioned for the role of Monica.
- Quotes
Monica: Something happened to the world and nobody understood it. It was confusing and people started jumping to conclusions. There are no more absolutes. Time space good evil the things we know the things we believe in the things we see we thought we understood these things but maybe we don't maybe they're all relative.
- Crazy creditsThe end...(maybe)
- ConnectionsReferenced in Unprecedented: The 2000 Presidential Election (2002)
- SoundtracksCOME TO ME
Written by Diesel
Performed by Diesel
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Details
Box office
- Gross US & Canada
- $11,690
- Opening weekend US & Canada
- $4,493
- Oct 19, 1997
- Gross worldwide
- $11,690
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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