Cats Don't Dance

Cats Don't Dance (1997) is a hyper-saturated animated feast for the senses and an especially fun treat for those familiar with the musicals and screwball comedies of the 1930's. Having been accustomed to the beautiful detail of Pixar and the delicate touches of Disney's golden age, I was pleasantly surprised by a movie that takes absolute advantage of the slapsticky world of cartoons.

Danny (Scott Bakula) is our wide-eyed feline protagonist who sings and dances his way into a big studio picture headlined by America's Sweetheart Darla Dimple (part voiced by Ashley Peldon and sung by Lindsay Ridgeway). His friends/critics include cynical bit players Tillie the Hippo (Kathy Najimy), Cranston the Billy goat (Hal Holbrook), Wollie the Elephant (John Rhys-Davies) and Pudge the Penguin (Matthew Herried). Also in the mix is obvious love interest Sawyer (voiced by Jasmine Guy and part sung by Natalie Cole). I say obvious because she absolutely despises Danny through two thirds of the film and she's the only other cat in the film. Call me crazy but I think that relationship is a lock.

Danny learns quickly that animals aren't considered star material in Hollywood. His hamming on the set captures the attention of an infuriated Darla yet gains the respect of the other animals. This dynamic is reminiscent of how African Americans were treating during the time. Those who made a go of acting were type-casted as slaves, maids and shoe shiners. Those lucky enough to take full advantage of their roles like Hattie McDaniel in Gone with the Wind (1939) received death threats.

It's interesting to not that in addition to the barrier breaking Gone with the Wind, The film also makes references to The Wizard of Oz (1939), regalia of the LGBT community instilling since of community. Maybe the creators of Cats Don't Dance wanted to make a modern day fable holding to the maxims of equality and acceptance towards all. Though the more reasonable rationale for both films getting their names in lights is they were both released in 1939.

There are other sly riffs on Hollywood classics such as The Footlight Parade (1933), The Ten Commandments (1956), Singin' in the Rain (1952) and Bringing Up Baby (1938). That is in addition to the Darla Dimple character being an obvious parody of Shirley Temple at one point ravenously biting off the heads of animal crackers in front of the beleaguered Danny. They even have an onslaught of throwaway gags involving King Kong (1933), Zsa Zsa Gabor and The MGM Lion among many, many others.

Yet those not looking to reduce an animated movie to a game of "I Spy" will still find a lot to take away. The plot while well-worn is nevertheless genuine and interesting, the animation is eye-popping- ly goofy and the songs are entertaining if occasionally a little bland. One would wish that the characters were given a little more breathing room since the pace of the film is near neck-breaking yet seeing the gang sing "Nothing's Gonna Stop Us Now" makes it all worthwhile.

Directed by the man who gave you The Emperor's New Groove (2000), featuring songs written by the considerably talented Randy Newman and starring the Captain of the Starship Enterprise NX-01, Cats Don't Dance is infectious fun. Overall not quite up there with The Lion King (1994) but comparable to Disney's Hercules (1997) released the same year. It's certainly not a film deserving of its obscurity so track it down and watch it if you can.

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Nothing's more of a nostalgic movie for me than Cats Don't Dance, the energetic animated musical of Hollywood, passion, and the pursuit of dreams that is the most criminally underrated movie I have ever seen in my life.

We are introduced to Danny, a cat full of ambition and dreams of making it AS A STAR! He arrives in Hollywood and quickly meets the other wonderful cast of animals: Tilly Hippo, Cranston Goat, T.W Turtle, later Woolly Mammoth, and another cat simply named Sawyer; who is not too pleased with Danny's dream-chasing, singing and dancing attitude.

Shortly after the introduction to the others, he lands a spot on the latest movie "Little Ark Angel" starring "America's Sweetheart, Lover of Children and Animals" Darla Dimple: who's pretty much a cross between Shirley Temple, Baby-Doll from the animated Batman, and a Disney villain. While filming the movie, Danny makes himself noticed much to the displeasure of Darla who shows her true colors as a spoiled little munchkin who again is as heinously evil as some of Disneys most evil villains. Which results in the calling of the gargantuan servant of Darla known as Max, which results in Max teaching Danny a lesson that I'm not gonna lie is actually pretty funny.

After that happens, we find out why no one liked his little number and why Sawyer is so despondent toward Danny. We find out that Hollywood, for no clear reason, wants talented human actors and not talented animals. And the other characters we've met have talent that was wrongfully overlooked, Sawyer being both the most promising and seemingly the most broken of the group. But Danny, still wanting to follow his dream, tries to convince the others to do the same. The result: the rest of the movie.

If I took out the nostalgia, I would love Cats Don't Dance all the same. I love how fun it is, I love how sincere it is, but mostly I love how passionate and driven it is. Its not a flawless movie; some of the singing voices sound a bit odd when compared to the talking voices. Danny isn't THAT well developed but not enough that I think he brought the film down. But aside from a few nitpicks I truly do love it.

The music is done by Randy Newman. And while I don't "love" Randy Newman, this is really good. The songs are both catchy and fit the moods appropriately. The orchestral work is impressive as well, fitting the 1930s Hollywood setting perfectly. The animation is fantastic too; offering a familiar Warner Bros. animation feel.

Honestly, I love this movie. I love everything about it. It's great, fun to watch, memorable and very underrated. I love the characters, the music, the animation, the drama; but mostly the passion. Its serious nostalgia for me, and people should definitely watch it.

I'll always be a hardcore Disney fan, but I can't help but have a real soft spot for movies which prove that dreams can come true. This movie about anthropomorphic characters (animals that are like people) is simply incredible- animation stylized, cute, and fun... with an incredible plot, great music (I bought the soundtrack), amazing voice talent (that includes singing!), and believable characters. This is a real keeper...and I'm surprised that it didn't get as much attention as it deserved. I'd reccomend it to anyone who's had a dream, or who has one... and those who just love cartoons.

Cats don't dance is a fun entertaining cartoon for all the family and it's one of the best animated musicals I've ever seen. Scott Bakula is wonderful as Danny the talented ambitious cat who dreams of making it big in Hollywood. Along the way he meets a couple of animal buddies who are also like himself waiting for their chance to make their big break but whose stars have faded. Cats don't dance has some fantastic songs that are toe tapping good including Scott Bakula singing Danny's arrival song, the animal jam session, and Nothings gonna stop us now with incredible vocals from Natalie Cole and Scott Bakula.As I was saying Scott Bakula is great as Danny the enthusiastic cat with stars in his eyes. I think he did a brilliant job and his voice in the songs were just spectacular. This is cute,funny,uplifting and a feel good cartoon with a lot of heart and emotion. If you are looking for something with a real story that's fun and entertaining than look no further than this one it's a classic and one the kids will love.

How about an animated story with animal subversives as out of work actors/musicians rising up against a repressive Hollywood movie-mogul dynasty by way of performing the hippest, swingingest dance number. Think it'll work?

Only if the story is realistic enough.

I haven't had this warm and swingin' a feeling watching an animated feature since, well, the last time I watched Tom O'Malley and Duchess (Phil Harris and Eva Gabor's voices) in the movie The Aristocats.

If you haven't seen this animated musical yet and you've been yearning to see a new cartoon feature that is produced the way they used to make 'em, this one's for you. Besides satisfying a craving for 30s/deco styled cartoons, the writing also toys with some deeper themes reminiscent of that era. It's a funny combination because we usually expect cartoons to never dig deeper than surface humor as there's never enough time for character development. However, some very witty writing (there were 10 writers listed in the credits) manages to take this story well into subject matter that is almost downright noir! That's saying a lot for a cartoon musical, and to top it all off we get Randy Newman songs composed apparently during an especially fertile period of this already extremely talented songwriter and Steve Goldstein's Broadway flair adds up to a wallop of absolutely top-notch songs.

"Big & Loud" has an arrangement that Mancini undoubtedly would have been very proud to have written and is belted to perfection by vocalist Lindsay Ridgeway. The female cat character is as jaded and sultry as Michelle Pfeiffer was in Baker Boys, and is sung by Natalie Cole who we all know is one of the most incredible female swing vocalists who has ever lived. This film really has it all. A rare gem, especially for a cartoon.

My favorite character is Woolie Mammoth, a cynical elephant pianist that immediately reminds me of Brahms, only he's a ragtime genius on the keys. In fact, there is not one (NOTE: NOT ONE) weak character in the whole cast. That is, every single supporting wiseacre line in this fast moving musical romp is written & executed perfectly. Of course, when you're writing classic 30s shtick there's plenty of tried & tested winning material and timing (timing, timing, timing!!!) to draw from and it's therefore easier than trying to make a gargoyle or a sea turtle funny. That's exactly where this flick excels, and there's no shame in that.

The most amazing thing about this movie is how it wasn't a blockbuster success from the tee-off. That's okay; there's nothing wrong with being a sleeper success. Absolutely unbelievable that Malkin panned this filck has bad as he did, considering how good it is and the quality of music etc. In the recent rush of animation features vying to break out of the children's film mold during the past few years, it seems you need a stylish techno look to get noticed. But in the long run, the real talent will eventually outshine the rest. Cats Don't Dance is one that should easily hold its place on the video collectors shelf. But to me, well... there are only a few movies that can make me cry. The Sound of Music is one that always "gets me right here." There are certain places in Cats Don't Dance that are very touching, too. Okay, I admit it. I'm a sentimental old fool. Fortunately for me, movies & sentimentality go together like cookies & milk.