Desperate Measures

Although following the formula for films in its class, including a saved dying child, a brave female doctor, a psychopath, and a dedicated detective trying to save his son, even the mandatory car chase sequence, I still found "Desperate Measure" an exciting and enjoyable thriller. The locations and presumably some sets are effective as is the dialogue and general situation set ups. It has great stunts, some by Keaton and Garcia themselves. The movie has not been well received by jaded critics who too easily criticize the formula elements, in my opinion. It has the high production values often found in many such films.

Michael Keaton and Andy Garcia are perfectly matched in this generally absorbing action thriller; you can sense right away that they had great chemistry working together, and they manage to create two characters more three-dimensional than the ones typically found in the genre. The film does have some plot holes (okay, Garcia can't kill Keaton. But why can't he shoot him in the leg or something?), and the last 20 minutes are pretty overblown, but the concept is thought-provoking and the filmmakers deserve credit for avoiding a cliched moralistic conclusion; indeed, the final scene of the film is very amusing. (**1/2)

Well-crafted but overly contrived thriller about a man driven to desperate means to try and save his dying son. García is convincing as a San Francisco cop who's forced to choose between doing his job and being a good father when he discovers that his ill son can be saved with a bone marrow transplant. The only compatible donor: imprisoned convict and multiple murderer Keaton (in a cunning performance). The story is intriguing, and there are plenty of good performances, but the script just becomes more and more far-fetched as it goes along. Watchable thanks to the talented cast, and a witty cat-and-mouse game between the two leads. **

Many reviewers have mentioned "cat and mouse games." I think what they mean is that everybody seems to be pursuing everybody else and nobody ever stops to take a breath, including the viewer.

Garcia's nine-year-old boy has leukemia and his life can be saved only by a bone marrow transplant from a compatible donor. Only one such donor is available and he's a lifelong murderer with an IQ of 150. That means he's eligible for MENSA but I doubt they have a chapter in the San Francisco prison system.

San Francisco doesn't have a hospital like this one either. It's the emptiest, darkest hospital you've ever imagined, and it's full of laundry chutes, steam pipes, cross-highway walkways, underground tunnels, and varied niches. If you had to characterize the movie with one still shot, there would be a man pressed against a brick wall, next to a corner, forearm cocked upward, pistol in hand. After evacuation the hospital is nothing more than a gray gaunt shell.

There's that kid, too. Kids are usually a big nuisance in a movie, but this one manages to get by -- no more than that. The kid, Garcia's son, is kidnapped by escaped killer Michael Keaton. He's a strong, brave kid despite his leukemia and we can see the bond between him and Keaton in the offing.

Andy Garcia's character is the most complex because he's torn between two allegiances -- his son and the values of the society that both he and his son are members of. Would you let your child die or would you rather save his life by loosing a killer on the city street? You see what I mean? Keaton's not bad, by the way. I mean, his character is pure evil until his redemption but Keaton's performance is pretty good. He plays the villain as mean, not suave. He's not given any unique traits but that's the writers' problem, not the actors.

It's a curious coincidence but when Keaton first begins to make demands on the corrections officers in return for agreeing to the transplant, he complains that the cigarettes he's given are stale. He and I worked in a movie together, the unforgettable Whatever It Was. I was a bar tender and Keaton was a customer and when the cameras weren't rolling he examined a pack of Property Department cigarettes on the bar and asked if they were stale. "Only if you call a year old 'stale,'" I said.

Little use is made of the Bay Area locations. Nobody hangs by a thread from the Golden Gate bridge or races through Chinatown. Not until the end, anyway, when there is an explosion of action on highways and bridges.

Very little of the story is actually plausible and if constant tension is your thing then your thing is congruent with this movie.

Andy Garcia and Michael Keaton star in the classic policeman vs bad guy story, but with a twist. Garcia is Frank Conner, a cop with a son named Matt who desperately needs a bone marrow transplant. Keaton is Pete McCabe, a hardened prisoner who seems to be the only person in the world who matches little Matt's bone marrow type. So eventually, Pete is talked into giving the marrow transplant, but in reality has a plan for escape, leaving Matt and his father, Frank, with nobody, Frank has no other choice but to find Pete and bring him back alive. This is where the cat and mouse plot begins, after nearly an hour of setting it up.

Desperate Measures had the potential to be so bad. I never would have imagined myself enjoying it this much. Thanks to a rainy day and a few hours to kill, I decided to watch this movie and it exceeded my expectations (which were not very high).

I still would not say this is a great movie. In fact, it is pretty average but Michael Keaton gives an enjoyable performance as a hardened prisoner. Normally, I would expect Garcia to be the bad guy and Keaton to be the cop, but Keaton honestly works out better as the bad guy.

The worst part of the movie has to be the kid, Matt, played by Joseph Cross. Nothing he says or does is what a young child his age would actually be thinking or saying. I am not even really disappointed so much with that, but his delivery was terrible. I know he is just a kid, but there are much better child actors who could have portrayed this much better. All in all, worth about a 7/10.