IMDb RATING
6.0/10
3.7K
YOUR RATING
Peter, infatuated with neighbor Erica who sees him as just a friend, camps out on her lawn all summer hoping his persistence will win her heart.Peter, infatuated with neighbor Erica who sees him as just a friend, camps out on her lawn all summer hoping his persistence will win her heart.Peter, infatuated with neighbor Erica who sees him as just a friend, camps out on her lawn all summer hoping his persistence will win her heart.
- Awards
- 3 wins total
Mark L. Taylor
- Peter's Father
- (as Mark Taylor)
Marcia Moran
- Marge, Peter's Mother
- (as Marcia Shapiro)
Patrick Thomas O'Brien
- Erica's Father
- (as Patrick O'Brien)
Jean St. James
- Ms. McCoy
- (as Jean Pflieger)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Peter is utterly infatuated with his longtime neighbor Erica (Keri Russell). With 3 months left before she goes to an east coast college, his grandfather Nonno urges him to go for it. He decides to stay on her front lawn. She tells him that she wants to be "just friends". His best friend Matt is obsessed with self-pleasure even with a watermelon. She is going out with the bully Nick. Peter waits day after day on her front lawn as he observes the neighborhood.
This reminds me a little of American Pie with masturbating inside food. It also tries to be a sweet coming-of-age movie. The two aspects do clash. On the one hand, Keri Russell has a wet T-shirt scene and Peter pontificates about her breast. On the other hand, it's a sugary sweet puppy love story. The old lady's revelations are really compelling but Michael Davis sometimes goes down a cheesy kiddie movie road. Joshua Schaefer is good as the lead but his narrations should be trim down. Finally, R.D. Robb is not funny enough to be the comedic best friend.
This reminds me a little of American Pie with masturbating inside food. It also tries to be a sweet coming-of-age movie. The two aspects do clash. On the one hand, Keri Russell has a wet T-shirt scene and Peter pontificates about her breast. On the other hand, it's a sugary sweet puppy love story. The old lady's revelations are really compelling but Michael Davis sometimes goes down a cheesy kiddie movie road. Joshua Schaefer is good as the lead but his narrations should be trim down. Finally, R.D. Robb is not funny enough to be the comedic best friend.
I don't see how anyone could say this film is the Breakfast Club of our generation. No way. This movie could have been good. Well, thats a stretch. Had someone else written it, someone else directed it, and someone else played the lead role... Then it could have had some potential. But the only bright side of this film is Keri Russel. And the only reason she lifts this movie up is her body. A movie cannot be driven by one gorgeous female. It needs good acting, good directing, and countless other things. This film is full of bad cliches and bad dialogue.
On the other hand, I must admitt I did enjoy this film somewhat. It had a few bright points and Keri Russel sure helped. See it. Forget it. I give it a 5/10.
On the other hand, I must admitt I did enjoy this film somewhat. It had a few bright points and Keri Russel sure helped. See it. Forget it. I give it a 5/10.
Although I would never call this movie a masterpiece, and I don't care to own it, I was surprised by its quality. You might say that if one's expectations are low enough, anything can seem surprisingly good, but if your expectations are that low you wouldn't rent the movie to begin with.
Although this movie didn't begin its life as a stage play, it easily could have as 90 percent of it is shot in the front yard of the character played by Keri Russell. The movie is reminiscent of John Cusak's "The Sure Thing" for the way it shamelessly admires the body and beauty of Keri Russell. And much of the humor recalls "There's Something About Mary" and "American Pie."
I do have a complaint, though, for the way the filmmaker makes buffoons out of Keri Russell's Christian parents. The consensus in Hollywood is that serious Christians are pathetic hypocrites who have no understanding or tolerance for others. Whoever made this movie must be a particularly virulent example of the Hollywood Christian-loather considering the extent to which he makes foolish villains out of Keri Russell's parents.
Although this movie didn't begin its life as a stage play, it easily could have as 90 percent of it is shot in the front yard of the character played by Keri Russell. The movie is reminiscent of John Cusak's "The Sure Thing" for the way it shamelessly admires the body and beauty of Keri Russell. And much of the humor recalls "There's Something About Mary" and "American Pie."
I do have a complaint, though, for the way the filmmaker makes buffoons out of Keri Russell's Christian parents. The consensus in Hollywood is that serious Christians are pathetic hypocrites who have no understanding or tolerance for others. Whoever made this movie must be a particularly virulent example of the Hollywood Christian-loather considering the extent to which he makes foolish villains out of Keri Russell's parents.
A film that I'd never heard of and chanced upon by accident, Eight Days a Week deserves to be a mainstay of teen cinema in the same way that John Hughes' eighties work is.
Joshua Schaeffer has just the right balance of geek and cool individualism to pull off a character that could very easily fall into stalker territory and R.D. Robb is excellent as his sex-obsessed sidekick; keeping what could very easily become a caricature grounded in reality. The supporting cast of oddballs never overshadow the main story, but equally don't feel like padding as we learn more about their slightly kooky lives.
It's a shame that films like this go unnoticed in a world where much more crass attempts at summing up teenage life (complete with thirty year old actors) can become box office hits.
Joshua Schaeffer has just the right balance of geek and cool individualism to pull off a character that could very easily fall into stalker territory and R.D. Robb is excellent as his sex-obsessed sidekick; keeping what could very easily become a caricature grounded in reality. The supporting cast of oddballs never overshadow the main story, but equally don't feel like padding as we learn more about their slightly kooky lives.
It's a shame that films like this go unnoticed in a world where much more crass attempts at summing up teenage life (complete with thirty year old actors) can become box office hits.
Well its a teen movie, even its not a sex comedy but still its good. the movie story is simple n straight. the performance is also ok .
but the only thing i really didnt like is the ending. i mean call it stupid youth or stupid teen love, that watching a crush with someone else and knowing that they both banging every night. and then in the end she finally fall for the kid.. pfff.
If the boy just moved on his life even knowing that his lover now feeling for him , then it would be great ending.
but the only thing i really didnt like is the ending. i mean call it stupid youth or stupid teen love, that watching a crush with someone else and knowing that they both banging every night. and then in the end she finally fall for the kid.. pfff.
If the boy just moved on his life even knowing that his lover now feeling for him , then it would be great ending.
Did you know
- TriviaThe film gets its name from the Beatles song "Eight Days A Week".
- GoofsPeter mispronounces "quixotic."
- Quotes
[last lines]
Peter: My grandfather was right. I now know in my heart of hearts that people are supposed to make love. It is their main purpose in life. All those other activities - playing the violin, washing dishes, reading novels, drinking wine - are just ways of passing time, until you can make love again.
- Crazy creditsThis film is dedicated to Andrea, whose balcony I would stand under eight days a week.
- ConnectionsEdited from Frankenstein's Daughter (1958)
- How long is Eight Days a Week?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Standing in the Shadows of Love
- Filming locations
- 159 North Primrose Avenue, Monrovia, California, USA(Erica's house)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $9,090
- Opening weekend US & Canada
- $9,090
- Feb 28, 1999
- Gross worldwide
- $9,090
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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