To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.
- Nominated for 1 Oscar
- 11 wins & 23 nominations total
James Denton
- Buzz
- (as Jamie Denton)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This would not have worked had it takes itself seriously.
This film has some of the cagiest Nic Cage moments ever. And I love crazy Cage.
This film has some of the cagiest Nic Cage moments ever. And I love crazy Cage.
John Woo knows, if anybody, how to make good, stylish action. And that's exactly what this film is; good, cool, stylish action. The plot is great; fairly psychological and quite interesting. It has a fast(and remarkably even) pace, I don't think more than 30 minutes passes at any point in the movie without a giant action scene. All in all, I'd guess there are about four or five major shootouts, and two chase scenes which are each several minutes long(without getting repetitive, fortunately). The acting is excellent; every single major part is well-played. John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola, Gina Gershon, Dominique Swain... all give great, entirely believable performances. The best are definitely Travolta and Cage, though; fantastic, truly stellar performances. The characters are all well-written and credible, right down to the most minor one. The action is cool and very stylish, in every single action-scene. The theme of the film is great; of course, the story is completely unlikely, with the face-switching and all, but once you get past that, once you suspend disbelief, you'll most likely enjoy the film thoroughly. The script is excellent, plenty of action, drama, and thriller parts. Also, you gotta love the sharp contrast 3/4's into the movie, with the kid listening to sugary pop-music, while people are shooting intensely at each other. Great film. I recommend it to any fan of John Woo, Nicholas Cage, John Travolta and action films. 8/10
From director John Woo comes this exhilarating action movie that takes a deadly cat-and-mouse game to the next level! A tortured federal agent, haunted by a painful tragedy and obsessed with catching the slick sociopathic terrorist who's eluded him for years and years, is forced to take the face of his mortal enemy in order to acquire vital information. The daring plan quickly goes awry when he loses his own identity in the process, and discovers his arch-enemy is cohabiting with his family. Film's enjoyment depends on the viewer: you'll either condemn the story as absurd and far-fetched, or you'll buy into it and go along for this supercharged, over-the-top action extravaganza. Travolta and Cage are both extraordinarily good, and with Woo at the helm you know that you'd better hang on for dear life! Occasionally silly, with a plot that tosses credibility out the window, but still a helluva lot of fun. ***
90U
This is an epic action movie with everything and more: plane explosions, a jail break, boat chases, the latest scientific advances, and of course, the white doves flying off before a gun fight. It also has the premise of putting on someone else's face, which is an insane plot twist, which somehow turns out amazing. Also, if you don't already appreciate the gem to American cinema that Nicholas Cage is, prepare to be blown away.
Yes, make no mistake: this is a very entertaining, very stylish film, done by Hong Kong action guru John Wood and featuring two fine actors. However, its almost too much to watch in one viewing. It just wears you out! If this film was cut from 140 minutes to 120 it would have been much easier to watch.
Woo's action scenes includes tons of explosions and breaking glass. This director just can't get enough of those explosion scenes. Some of those segments are excellent but many of them go on too long, particularly at the end of the film where it went on what seemed like forever.
The best part of the film are the two lead actors and the interchangeable characters they play. John Travolta and Nicholas Cage are extremely entertaining in here. If they kept the story more about those guys and their switched identities and didn't have eight thousand explosions, this could have a super movie.
Woo's action scenes includes tons of explosions and breaking glass. This director just can't get enough of those explosion scenes. Some of those segments are excellent but many of them go on too long, particularly at the end of the film where it went on what seemed like forever.
The best part of the film are the two lead actors and the interchangeable characters they play. John Travolta and Nicholas Cage are extremely entertaining in here. If they kept the story more about those guys and their switched identities and didn't have eight thousand explosions, this could have a super movie.
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage breaks down his transcendent performances in Valley Girl, Vampire's Kiss, and Face/Off to reveal how they changed both his career and his life.
Did you know
- TriviaNicolas Cage and John Travolta spent two weeks together before filming to learn how to play each other. They decided on specific gestures and vocal cadences for each character that could be mimicked.
- GoofsDuring the hangar shootout one of Archer's federal agents is killed with a shotgun blast (we get a good look at his face), yet a few moments later you notice the same agent is standing, alive and well.
- Quotes
Castor Troy: [to agent Winters as she poses as a flight attendant] Y'know, I could eat a peach for hours.
- Alternate versionsIn the Domestic release, the Paramount opening logo is played, and at the end of the film, The still closing version of the Paramount logo is shown; while on the International prints, the Buena Vista International logo is played for 20 seconds before the company credits is shown.
- SoundtracksThe Hallelujah Chorus - Since By Man Came Death
From oratorio "Messiah"
By George Frideric Handel (as Georg Friedrich Händel)
Performed by Boston Baroque Orchestra & Chorus
Conducted by Martin Pearlman (uncredited)
Courtesy of Telarc International Corporation
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Contra/Cara
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $112,276,146
- Opening weekend US & Canada
- $23,387,530
- Jun 29, 1997
- Gross worldwide
- $245,676,146
- Runtime
- 2h 18m(138 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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