Don's Plum

I loved watching these people and the power dynamics created by a group of immature dude friends who bring a new 'date' every Saturday night to the same diner to eat cold fries, drink bad coffee, and talk smack. The girls are temporary fixtures in their world of male aggression and slacker love. How they go along with the jokes, abuse, hugs, and bonding makes for an ever changing landscape of desire and disgust. The group is always right, until one of them tries to assert their independence and momentarily offers a different opinion, and then they in turn become isolated from the others. The alliances shift throughout the film, though the one constant is being alone in a crowd.

Although the film is mostly eight kids sitting around a large booth talking, a few detours have the group interact with a lone diner they taunt who just wants to be ignored, a self-loathing waitress who puts on an act as a people-pleaser, a couple of drug fiends who bully their way into handouts, and a sexed up producer lady who makes movies and makes out.

The audience makes out pretty well too.

If you like naturalistic films, then this film is for you. If you are mesmerised by smoke rising from your cigarette, then this film is for you. Hell, if you appreciate independent film, then there is no point in excluding this one.

Headed by a talented young cast including some of the most famous male actors of Generation X, do not expect the typical mindless American mash that fills up the majority of the shelving space in our video stores. Notably, Leonardo Di Caprio and Tobey Maguire accomplish creating characters that are polar to the characters the audience has come so use to seeing them play. These are in no way the finest performances of the cast so far, but the characters are sharp, interesting and well executed.

Don's Plum contains a hypnotic plot that is completely absent of seen-before action sequences and predictable twists. It is a simple story of a group of friends, the issues that they have had, are having and will have in time to come. The themes brought up throughout the film are relevant to every posse - homosexuality, comradeship, loyalty, ethics, morals, tolerance etc. Most importantly, the viewer is encouraged to arrive at a point of self reflection, as the characters so frequently do in the toilet mirror throughout the film.

Shot in black and white, the emotion of the actors is intensified almost dissolving the other physical elements of the film into insignificance. The acting is unconstrained, even impulsive at times, blurring the line between the character and the actor playing them. The use of sound and music is cleverly executed, with silence and the effect it can have when arriving upon a group of people, playing a major role. The other elements in the film are nowhere near a breakthrough, but are overall appropriate.

If you want to feel motivated to stay in touch with friends or if a favourite of yours is in the cast, get off the couch and watch it. Even if these don't apply to you, there is no harm in checking it out to roast some appreciation of the cast and crew's efforts in a unblemished independent film.

Don't press stop as soon as the credits appear...

This movie isn't the most incredible thing in the world, but it's really entertaining to witness just how insane Leonardo DiCaprio and Toby Maguire are. I am a HUGE Jenny Lewis fan, so I was super excited to watch her, and she has a fairly large role (one that includes making out with Leo).

If you want to watch it just for Amber Benson, I'm sorry to say she only appears for about 3 minutes, so don't bother.

Check it out if you have a thing for black and white movies about people dealing with their "issues", or if you care to see Leonardo act like an idiot in fake hillbilly teeth.

When I rented this film, I was not aware that it was hard to get. I thought it hadn't released in the cinema in Belgium because it was too dark and had simple ended up in a dim corner of the rental place. I didn't have too high expectations. Afterwards I checked for user comments here and felt people were being a bit too harsh. It is true that impact is a little bit lost sometimes because it's hard to relate with the characters. It's hard to admit for anyone that they've asked out a 'friend' sometimes just for accompaniment and self-gratification like the characters seem to do in this film. But I'm a 100 % sure that everyone has done it at least once in their life. This film is hard to watch cause it takes this very aspect of relationships and puts in under a magnifying glass. I even had to interrupt watching it, cause the brutality was making me nervous. I think the film is good in the way that it had it's desired effect. It's not your cup of tea if you want to watch something entertaining, something fun with your friends. Acting is very interesting. Because it mainly plays in the same room and the film is in black and white attention is focused on the words, and even more on the gestures and facial expressions of the characters. It's worth watching if you want to watch something that's not main stream. I hope I've helped constructing the right expectations for this film.

This film was shot in the mid 90's, and after Titanic became a hit, the makers of the film wanted to release it, but it was suppressed by Leonardo DiCaprio and (to a lesser degree) Tobey Maguire. One would think it's an embarrassing, awful film considering Leo sued the makers and tried to stop it being released. Well, guess what? It's not a great film by any means, but it's not really that embarrassing and it's your typical 90's Gen X talk fest. Basically, a bunch of Gen Xers sit around at a diner, have cigarettes, coffee, food, and talk about "edgy" topics like sex. This was the kind of stuff that was being made in that decade. Basically indie talk fests. This is typical of those films for better or worse. Those type of films often started out well but got more tiresome as they progressed and they were never as "smart" as they thought they were. This one is like that, too, but does that mean it shouldn't be seen? Of course not. It's a decently made indie movie, shot on low contrast 16mm black and white, like Kevin Smith's Clerks, which came out a year before this film was made. Why DiCaprio hated it is beyond me. It's not THAT bad, Leo.

If you're feeling nostalgic about the 90's, check it out and this will take you back to that time.