Déjà Vu

I can understand that `Déjà vu' isn't everyone's cup of tea.

Personally I bought it because of the title which intrigued me.

Being sort of a film freak I like all sorts of movies, and although being a middle-aged male I have a very special feeling for romantic dramas and comedies. And I must say I like `Déjà vu' very, very much. I didn't know anything about it when I started watching it, but was immediately drawn into the story. It isn't an ordinary Hollywood movie where things have to happen quickly all the time. Here people are allowed to talk. They are allowed to be uncertain, searching, confused, not knowing what to do with or how to express their feelings. But if you haven't experienced, or don't think it is possible to do so, what it is, or may be, to suddenly be hit by love and passion, then I understand if you can't relate to this film. But all who can will probably feel a sting in their hearts. As I said, to me `Déjà vu' is a very, very good movie, and I also like the way it is filmed. I have watched it several times and will certainly watch it several times more.

Rowland

I didn't hate this film quite as much as the reviewer before me who called it the worst film ever, but I do think it was overpraised by most critics. The idea of lovers fated to meet is a familiar one, but a timeless theme that is always worth retelling --if you can do it in an original and compelling way. The problem with Deja Vu is that rather than allow a story to unfold naturally, the characters constantly talk and analyze the subject. They talk so much about love and coincidence that I could not really get into it.There are some good performances -Vanessa Redgrave is always a pleasure to watch-- but the main character (I forget her name, but she is the director's wife --as the last reviewer pointed out, a reason to be wary) was too whiny and silly for me. I think some reviewers are so grateful when a film is about something serious that they are too willing to overlook flaws. As any beginning book on writing says --"show, don't tell." Deja Vu tells way too much.

Are you going where you think you're going? Are you really who you think you are? This quiet little film explores the lives of a man and a woman who are gently, but insistently, forced together by fate, or karma, or destiny(or whatever). Their romance was set into motion before they were even born, and although they try to avoid each other, plans are altered, "coincidences" happen, and mysteries unravel. Very romantic and wistful!

I can't recall a movie that has ever so totally charmed and captivated me. Like other Jaglom films, this one makes great use of Victoria Foyt, and uses the refreshing method of allowing actors to ad-lib many of their lines. I found this to give the film a fresh, unconstrained feeling well suited to this type of story. I came out of the theater enveloped in a dreamy, warm romantic glow that stayed with me to the next day. I've been checking for this movie to be available for purchase on video ever since! For anyone who believes in fate and its hand in our lives and loves, this is a movie you'll cherish.

This was one of the most romantic movies I've ever seen. The story is fascinating, beginning with the conversation at the cafe in Jerusalem with Dana and the mystery woman, through Dana's search in Paris, to the White Cliffs of Dover. To me, this movie is hope for women that there is one person out there who is truly meant for them and sometimes you are lucky enough to find that one person, as Dana was. The music was so fitting and made me weepy at times. I was really blown away at the ending, because I hadn't expected it, but it was so fitting. The final shot of the film says it all for me. Henry Jaglom and Victoria Foyt are truly the new wave of film makers and her beauty is extraordinary. As soon as the movie was over I wanted to watch it again.