Bleeders

I caught this flick on TV as "The Descendant". It's so horrible it should be a prime candidate for the old "MST3K" show. The special effects (creatures) are a joke and the acting is pure B-movie. Somehow, though, I kept watching this debacle of film making (and I hardly think it was for the plot). I can't tell if it was the lighting or the morbid fascination in seeing where something so bad could go.

Make no mistake, it's a bad, bad movie. Even for a horror flick. But if you like watching cheesy films - for kicks - this one takes the cake.

One last note: Poor Rutger Hauer. How far from 'Blade Runner' have we lost ye.

Now, it isn't for everybody mind you, not even every die hard horror fans; but if you like freaky monsters under the ground from origins to awful to speak aloud, then not only are you a Lovecraft fan (see Shadow Over Innsmouth), but you'll probably enjoy this movie. Not fully incorporating the Cthulhu Mythos, huge parallels are seen in the backwoods MA people, the fish like monsters and something that came from a long time ago. Surprisingly, unlike the vicious scheiBfare Lovecraft renditions that came out of the eighties, this is surprisingly well done. It has actors and actresses that don't foul up the Lovecraftian nightmare that the director has in store for the audience, and a good plot. My only question was, so what happens next.

This is an average horror flick that really should be better than it is. The initial screenplay adapts Lovecraft's "The Lurking Fear" and was by Dan O'Bannon and Ronald Shusett. The film sports a beautiful location (Grand Manan Island, Canada) that maintains that same creepy boating town vibe as their earlier DEAD & BURIED, but gets bogged thanks to flat direction from Peter Svatek. Dupuis, who also has the O'Bannon penned SCREAMERS on his resume (his mom must be proud), looks a tad out of place, more like a TWILIGHT reject with his pale skin, flowing hair and bad fashion sense. Hauer is decent in the film and actually survives. Oddly enough, half of the cast also popped up in THE SWEET HEREAFTER the same year. The film does earn points for having harm come to several children through out. Svatek must have some kind of fetish because he moved on to TV movies like BABY FOR SALE (2004) and STOLEN BABIES, STOLEN LIVES (2008).

This movie is a great B movie a lot better than most. It's a horror-mystery that will keep you on the edge of your seat. Aside from the all the blood shed there is also a little bit of a romantic side to the movie.

This is a nasty, nasty horror film. It is visually so repulsive that it is at the same time repellent and attractive. There is no plot to speak of and nothing really surprising happens, but the fascination of the grotesque kept me watching long past the point at which I would have turned off many other films of this caliber.